Within this text James Theodore Stillwell III extracts thought strands from profound thinkers such as Hume, Nietzsche, Kant A.J. Ayer, C.L. Stevenson, J. L. Mackie, Ragnar RedBeard, Peter Sjöstedt-H and interweaves them into a meta ethical tapestry that is a liberating-brutally honest red pill. Mixing non cognitivism, error theory, with projectivism, Stillwell puts forth a kind of moral nihilism (Power-Nihilism) that dispenses with both secular and theistic forms of moral realism. In the final chapter James articulates his qualified form of political nihilism and critiques such concepts as ""Natural law"" and ""Natural Rights"" along with a few other pivotal concepts within political theory. This book also covers such topics as the will to power, slave morality, bad conscience, the on going destruction of Western civilization, radical individualism, collectivism, egalitarianism, hierarchy and much more...

Within this text James Theodore Stillwell III extracts thought strands from profound thinkers such as Hume, Nietzsche, Kant A.J. Ayer, C.L. Stevenson, J. L. Mackie, Ragnar RedBeard, Peter Sjöstedt-H and interweaves them into a meta ethical tapestry that is a liberating-brutally honest red pill. Mixing non cognitivism, error theory, with projectivism, Stillwell puts forth a kind of moral nihilism (Power-Nihilism) that dispenses with both secular and theistic forms of moral realism. In the final chapter James articulates his qualified form of political nihilism and critiques such concepts as ""Natural law"" and ""Natural Rights"" along with a few other pivotal concepts within political theory. This book also covers such topics as the will to power, slave morality, bad conscience, the on going destruction of Western civilization, radical individualism, collectivism, egalitarianism, hierarchy and much more...

In the turbulent period between 1870 and 1930, the contours on modernity were taking shape, especially the connections between technology, politics and aesthetics. The trilogy The Nihilist Order traces the genealogy of the nihilist-totalitarian syndrome. Until now, nihilism and totalitarianism were considered opposites: one an orderless state of affairs, the other a strict regimented order. On closer scrutiny, however, a surprising affinity can be found between these two concepts that dominated the history of the first half of the twentieth century. Starting with Nietzsche's philosophy, this book traces the development of an intellectual school characterised by the paradoxical dual purpose of a wish to destroy, coupled with a strong desire to create imposing structures. This explosive combination of nihilist leanings together with a craving for totalitarianism was an ideal of philosophers, cultural critics, political theorists, engineers, architects and aesthetes long before it materialised in flesh and blood, not only in technology, but also in fascism, Nazism, bolshevism and radical European political movements. Friedrich Nietzsche, Georges Sorel, the Italian Futurists, led by Filippo Tommaso Marinetti, and Ernst Jünger were all well-known intellectual and cultural figures. Here they are seen and understood in a different light, as creators of a modern political mythology that became a source of inspiration for belligerent ideological camps. Among the ideas propagated by this school, and later adopted by totalitarian regimes, were historical nihilism, a revolt against the rationalistic and universalistic pretensions of the Enlightenment, an affirmation of the dynamism of modern life, and the replacement of the traditional Judeo-Christian values of good and evil by other dualities such as authenticity and decadence. Concurrently there took place affirmation of the technological era, the creation of a 'new man' and a violent order, and the birth of a new political style in place of traditional world-views. When channelled into the political sphere, these aesthetic nihilist ideas paved the way for the rise of totalitarianism.

While most recent studies of Nietzsche's works have lost sight of the fundamental question of the meaning of a life characterized by inescapable suffering, Bernard Reginster's book The Affirmation of Life brings it sharply into focus. Reginster identifies overcoming nihilism as a central objective of Nietzsche's philosophical project, and shows how this concern systematically animates all of his main ideas.

Presents a fresh interpretation of Nietzsche's controversial account of nature and value in relation to Kant and Hume.

Described by Thomas Mann as "e;brothers in spirit, but tragically grotesque companions in misfortune,"e; Nietzsche and Dostoevsky remain towering figures in the intellectual development of European modernity. Maia Johnson-Stepenberg's accessible new introduction to these philosophers compares their writings on key topics such as criminality, Christianity, and the figure of the "e;outsider"e; to reveal the urgency and contemporary resonance of their shared struggle against nihilism. Against Nihilism also considers nihilism in the context of current political and social struggles, placing Nietzsche and Dostoevsky's contributions at the heart of important contemporary debates regarding community, identity, and meaning. Inspired by class discussions with her students and aimed at first-team readers of Nietzsche and Dostoevsky, Against Nihilism provides an accessible, unique comparative study of these two key thinkers.