"Shon Meckfessel . . . brings a fresh perspective to the stubborn debates around violence and nonviolence and suggests a way to move beyond the left's tactical impasse. Nonviolence Ain't What It Used to Be won't settle the old argument, but it may start a new one."—Kristian Williams, Our Enemies in Blue: Police and Power in America Shon Meckfessel takes an innovative look at challenges faced by twenty-first century social movements in the US. One of their most important stumbling blocks is the question of nonviolence. Civil disobedience, symbolic protest, and principles of nonviolence have characterized many struggles in the United States since the Civil Rights era. But as Meckfessel argues, conditions have changed. We've seen the consolidation of the media, the militarization of policing, the co-optation and institutionalization of dissent, among many other shifts. The rules have changed, but the rhetoric, logic, and strategic tools we employ haven't necessarily kept pace, and narratives borrowed from movements of the past are falling short. Nonviolence Ain't What It Used to Be maps the emerging, more militant approaches that seem to be developing to fill the gap, from Occupy to Ferguson. It offers new angles on a seemingly intractable debate, introducing terms and criteria that carve out a larger middle-ground between the two camps, in order to chart a path forward. Shon Meckfessel is the author of Suffled How It Gush: A North American Anarchist in the Balkans as well as numerous essays and articles. He is a member of the English faculty at Highline College in Seattle, Washington.

In this paper I focus only on medium- to long-term trends for economic growth, considering first the global historical experience and discussing then projections for future growth utilized in some important exercises of prospective. A conclusion is that many projections suggest further acceleration of world economic growth at levels that do not seem to be in line with historical experience. This paper then speculates about possible reasons for that discrepancy.

This classic text addresses one of the most important issues in modern social theory and policy: how social inequality is reproduced from one generation to the next. With the original 1987 publication of Ain't No Makin' It, Jay MacLeod brought us to the Clarendon Heights housing project where we met the 'Brothers' and the 'Hallway Hangers'. Their story of poverty, race, and defeatism moved readers and challenged ethnic stereotypes. MacLeod's return eight years later, and the resulting 1995 revision, revealed little improvement in the lives of these men as they struggled in the labor market and crime-ridden underground economy. The third edition of this classic ethnography of social reproduction brings the story of inequality and social mobility into today's dialogue. Now fully updated with thirteen new interviews from the original Hallway Hangers and Brothers, as well as new theoretical analysis and comparison to the original conclusions, Ain't No Makin' It remains an admired and invaluable text.

For more than thirty years, students, scholars, and policymakers have relied on successive editions of Sar A. Levitan's Programs in Aid of the Poor. Now, in conjunction with the eighth edition of that classic work, coauthors Garth Mangum, Stephen Mangum, and Andrew Sum offer a brief but comprehensive overview of the facts of poverty in the United States, its underlying causes, and the reasons for its persistence in the richest nation in the world. Providing a wealth of data and cogent analysis, this book can be used along with Programs for additional background, or can stand on its own. "This volume demonstrates more starkly than its parent the persistence of poverty in this nation. Though some individuals and families manage to escape it, the phenomenon diminishes not at all—or at least very little . . . Having been sobered by this thought, the student may ponder what more might conceivably be done to reduce the incidence of that endemic economic and social disease."—from the Preface

A pioneering forecaster predicts the trends and technologies that will shape global culture and commerce in the next two decades—a must-read guide for business leaders, entrepreneurs, and anyone looking for an edge. “In a world of half-baked hot takes, Marian Salzman is a true seer.”—Andrew Yang A little more than twenty years ago, the Y2K computer glitch threatened to bring the global economy to its knees. But instead of overnight disruption, humankind slipped into two decades of economic turmoil, ecological angst, and tribalism, all set against the backdrop of a newly global and digital civilization. Sometimes the events that seem pivotal are just blips, while the more meaningful cultural shifts are hiding in plain sight. Marian Salzman’s job is to uncover those hidden shifts. So what’s in store for the next two decades? In this acutely observed guide, Salzman, whose past predictions have been heralded for coming uncannily close to the way we live now, unpacks the course of human life from the bumpy turn of the millennium through the pandemic era, when chaos and “together apart” are the new normal, equity has become a battle cry, and breathing space emerged as the greatest luxury of all. Drawing inspiration from John Naisbitt’s classic 1982 book Megatrends, Salzman then turns to the two decades ahead. Navigating deftly among geographies, she connects threads across business, civic life, consumerism, family, and entertainment, revealing the trends and developments—some established, some surprising—poised to recast our past, shape our collective future, and shift our identities. In a world dominated by disruption, being prepared for change is a critical advantage. The New Megatrends is gripping reading for anyone seeking to understand the shape and texture of the next era, which, above all, will be marked by its relentless pace, new technology, and the ever-present threats of climate change and political division.

Lionel Bart was a writer and composer of British pop music and musicals, best known for creating the book, music and lyrics for Oliver! He also wrote the famous songs Living Doll (Cliff Richard) and From Russia With Love (Matt Munroe). He was unable to read music. He was a millionaire aged thirty in the Sixties, bankrupt in the Seventies and died in 1999. The authors gained exclusive access to Bart’s personal archives – his unfinished autobiography, his letters and scrapbooks. They detail how he signed away the rights to Oliver! to finance his new musical Twang – based on Robin Hood - which flopped badly in the theatre. Reveal how his heavy drinking led to diabetes and how he died in 1999 aged 69 from liver cancer. They have interviewed his personal secretaries, friends, family, counsellors and many of the performers, musicians and producers who worked with him. Interviewees include Rocky Horror’s Richard O’Brien and actors Dudley Sutton and Nigel Planer.