When this book first appeared in 1996, it was “Pottery 101,” a basic introduction to the subject. It served as an art book, a history book, and a reference book, but also fun to read, beautiful to look at, and filled with good humor and good sense. After twenty years of faithful service, it’s been expanded and brought up-to-date with photographs of more than 1,600 pots from more than 1,600 years. It shows every pottery-producing group in the Southwest, complete with maps that show where each group lives. Now updated, rewritten, and re-photographed, it's a comprehensive study as well as a basic introduction to the art.

Native American pottery of the U.S. southwest has long been considered collectible and today can fetch many thousands of dollars per piece. Authors, collectors, and dealers Carol and Allen Hayes provide readers with a concise overview of the pottery of the southwest, from its origins in the Bastketmaker period (around 400 AD) to the Spanish entrada (1540 AD-1879 AD) to today's new masters. Readers will find dozens of color images depicting pottery from the Zuni, Hopi, Anasazi, and many other peoples. Maps help readers identify where these master potters and their peoples lived (i.e. the Pueblo a tribal group or area). Pottery of the Southwest will serve as a useful introduction as well as a lovely guide for enthusiasts.

Southwestern ceramics have always been admired for their variety and aesthetic beauty. Although ceramics are most often used for placing the peoples who produced them in time, they can also provide important clues to past economic organization.This volume covers nearly 1000 years of southwestern prehistory and history, focusing on ceramic production in a number of environmental and economic contexts. It brings together the best of current research to illustrate the variation in the organization of production evident in this single geographic area.The contributors use diverse research methods in their studies of vessel form and decoration. All support the conclusion that the specialized production of ceramics for exchange beyond the household was widespread. The first seven chapters focus on ceramic production in specific regions, followed by three essays that re-examine basic concepts and offer new perspectives. Because previous studies of southwestern ceramics have focused more on distribution than production, Ceramic Production in the American Southwest fills a long-felt need for scholars in that region and offers a broad-based perspective unique in the literature. The Southwest lacked high levels of sociopolitical complexity and economic differentiation, making this volume of special interest to scholars working in similar contexts and to those interested in craft production.

The peoples of the American Southwest during the 13th through the 17th centuries witnessed dramatic changes in settlement size, exchange relationships, ideology, social organization, and migrations that included those of the first European settlers. Concomitant with these world-shaking events, communities of potters began producing new kinds of wares—particularly polychrome and glaze-paint decorated pottery—that entailed new technologies and new materials. The contributors to this volume present results of their collaborative research into the production and distribution of these new wares, including cutting-edge chemical and petrographic analyses. They use the insights gained to reflect on the changing nature of communities of potters as they participated in the dynamic social conditions of their world.

A distinguished scholar of Southwestern Native arts for over thirty years, J.J. Brody here returns to his early work on the Mimbres ceramic tradition, which established him as the leading authority on the arts of this ancient people. The Mimbres cultural florescence between A.D. 1000 and A.D. 1140 remains one of the most visually astonishing and anthropologically intriguing questions in Southwest prehistory. In this revised edition, Dr. Brody incorporates the extensive fieldwork done on Mimbres sites since the original publication in 1977, updating his discussion of village life, the larger world in which the Mimbres people lived, and how the art that they practiced illuminates these wider issues. He addresses human and animal iconography, the importance of perspective and motion in perceiving Mimbres artistry, and the technology used to produce the ceramics. Placing the study of ancient art and artifacts in the present, he notes the impact of the antiquities market on archaeological and artistic research.

A fascinating exploration of the rich artistic heritage and beauty of Casas Grandes ceramics

This volume presents case studies of Southwestern ceramic production and distribution in which instrumental neutron activation analysis (INAA) is used as the primary analytical technique. These studies use provenance determination to explore such issues as exchange, migration, social identity, and economic organization.