New Orleans is in the throes of another fantastic Mardi Gras celebration when the party gets crashed by a murderer… Kimber Breeze of KBEZ-TV is broadcasting live from a hotel balcony in the French Quarter, interviewing locals and capturing the spectacle in the streets. But as Carmela Bertrand, owner of Memory Mine scrapbooking shop, waits to be interviewed next, someone sneaks onto the balcony and strangles Kimber with a cord, leaving her body dangling above the parade. Soon after the murder, Carmela begins receiving strange postcards at her shop—signed by the late reporter. Now she and her friend Ava must risk their own necks to find out who’s posing as a ghost and expose a killer… Scrapbooking Tips and Recipes Included!

Sid is going crazy . . . A telemarketer at a travel agency, Sid is becoming unhinged and superneurotic. Lately he's been obsessed with car washes and mud baths. His hypochondria is driving his doctor sister mad. And it's all because of his ex-girlfriend, Zoe, who's sending him postcards from her European adventure, one that they were supposed to take together. It's all quite upsetting. A fact-finding tour of local post offices—and a new friendship with postman Gerald—followed by a solo European jaunt will do little to ease his anxiety. A long talk with his mother's spirit in a wine bottle doesn't help either. But what he really needs are a few more tentative dates with the chatty Candyce. Sid needs to get over Zoe and find love again—even though Zoe, apparently, has no inclination to be gotten over. Wonderfully poignant, funny, odd, and more than a bit macabre, Postcards from a Dead Girl marks the emergence of a truly gifted and original literary voice.

In Postcards from Europe, Rick Steves takes you on a private tour through the heart of Europe - introducing you to his local friends and sharing his favorite travel moments - from the Netherlands through Germany, Italy, and Switzerland, with a grand Parisian finale. Whether you're dreaming in an armchair, have packed, or are unpacking, Postcards from Europe will inspire a love of travel, of Europe, and of Europeans.

& Quot;In May 1992, while Serb nationalist forces 'cleansed' the towns and villages of the Drina valley in eastern Bosnia of their formerly majority Muslim population - as part of Slobodan Milosevic's criminal attempt to carve an expanded Serbia from the successor states of the former Yugoslav federation - thousands of fleeing, desperate people converged on the small town of Srebrenica in search of refuge." "For many of them this would prove to be a fatal decision. Serb forces besieged the town for three years, undeterred even when it was proclaimed a 'UN Safe Area'. As more and more refugees fled to Srebrenica from the surrounding villages, conditions there became unbearable: near-starvation, daily death, degradation of civilized life. The victims themselves were caught up in the dialectic of violence. Finally, after three years of agony, and as those sent to protect them stood by, Srebrenica was destroyed. In just a few days in July 1995 Bosnian Serb forces murdered some 8,000 people." "Against all odds Emir Suljagic survived, while the lives of nearly every man he had ever known - and those of many women too - were wiped out. His haunted record of those terrible times offers a fitting monument to those who died."--Jacket.

In 1980, Jacques Derrida published La carte postale: De Socrate a Freud et au-dela. At the occasion of the 40th anniversary of the English translation, Going Postcard: The Letter(s) of Jacques Derrida revisits this seminal work in Derrida's oeuvre. Derrida himself described The Post Card in his preface as "the remainders of a destroyed correspondence," stretching from 1977 to 1979. A cryptic text, it is riddled with gaps, word plays, and a meandering analysis of the interface between philosophy and psychoanalysis. The contributors who offered the fourteen essays gathered in Going Postcard were each provided with a deceptively simple task: to write a gloss to a fragment from the first part of The Post Card, "Envois." The result is a prismatic array of commentaries, excursions, and interpretations that take Derrida "to the letter." The different glosses on lemmas such as genre, erasure, telepathy, philately, and sperm transport The Post Card into the twenty-first century and offer a "correspondence," if fragmentary, with Derrida's work and the work to come. Contents J. Hillis Miller - Glossing the Gloss of "Envois" in The Post Card Michael Naas - Drawing Blanks Rick Elmore - Troubling Lines: The Process of Address in Derrida's The Post Card Nicholas Royle - Postcard Telepathy Wan-Chuan Kao - Post by a Thousand Cuts Eszter Timar - Ateleia/Autoimmunity Hannah Markley - Reading, Touching, Loving the "Envois" Eamonn Dunne - Entre Nous Zach Rivers - Derrida in Correspondances: A Telephonic Umbilicus Kamillea Aghtan - Glossing Errors: Notes on Reading the "Envois" Noisily Peggy Kamuf - Coming Unglued James E. Burt - Running with Derrida Julian Wolfreys - Perception-Framing-Love Dragan Kujundzic - Envoiles. Post It. Vincent W.J. van Gerven Oei - Postface

Eleanor of Acquitaine has been waiting in Heaven for a long time to be reunited with her second husband, Henry II of England. Finally, the day has come when Henry will be judged for admission--and while Eleanor waits, three people close to her during various times of her life join her, helping to distract her and providing a rich portrait of a remarkable woman in history.