These revised versions of the first four books in the series previously entitled TodaysGirls.Com, starring Amber, Jamie, Alex, and Maya, contain updated modern text and artwork geared to match current tween appeal.

In the summer of 1823, a grizzly bear mauled Hugh Glass. The animal ripped the trapper up, carving huge hunks from his body. Glass's fellows rushed to his aid and slew the bear, but Glass's injuries mocked their first aid. The expedition leader arranged for his funeral: two men would stay behind to bury the corpse when it finally stopped gurgling; the rest would move on. Alone in Indian country, the caretakers quickly lost their nerve. They fled, taking Glass's gun, knife, and ammunition with them. But Glass wouldn't die. He began crawling toward Fort Kiowa, hundreds of miles to the east, and as his speed picked up, so did his ire. The bastards who took his gear and left him to rot were going to pay. Here Lies Hugh Glass springs from this legend. The acclaimed historian Jon T. Coleman delves into the accounts left by Glass's contemporaries and the mythologizers who used his story to advance their literary and filmmaking careers. A spectacle of grit in the face of overwhelming odds, Glass sold copy and tickets. But he did much more. Through him, the grievances and frustrations of hired hunters in the early American West and the natural world they traversed and explored bled into the narrative of the nation. A marginal player who nonetheless sheds light on the terrifying drama of life on the frontier, Glass endures as a consummate survivor and a complex example of American manhood. Here Lies Hugh Glass, a vivid, often humorous portrait of a young nation and its growing pains, is a Western history like no other.

Vita Sackville-West, novelist, poet, and biographer, is best known as the friend of Virginia Woolf, who transformed her into an androgynous time-traveler in Orlando. The story of her love affair with Violet Keppel Trefusis in 1920 is one of intrigue and bewilderment. In Portrait of a Marriage, Nigel Nicolson combines his mother's vivid memoir of escapade with what he learned from copious family letters and explains the context of this romantic crisis. He also describes how Vita Sackville-West and Harold Nicolson went on to live the rest of their lives in harmonious marriage.

Whether you're an aspiring artist or new to the medium, seasoned instructor and accomplished artist Nathan Fowkes makes drawing portraits in charcoal not only accessible, but also a real pleasure! From stocking the best supplies to using them effectively, and composing a portrait while avoiding common mistakes, How to Draw Portraits in Charcoal by Nathan Fowkes will place you firmly on the path to producing the charcoal portraits you've dreamed of creating. His easy-to-follow tips, in-depth tutorials, and valuable exercises make this guide your first step toward building an understanding and appreciation for every face you draw. This handy book will equip you with the skills to capture them in beautiful charcoal fashion.

A mysterious painting holds the clues to a cache of priceless relics in this treasure hunt of “deepening suspense” à la The Da Vinci Code (Library Journal). In financial trouble, Isobel Sadler considers selling a painting that’s been in her family for generations. She can’t imagine it’s worth much . . . until someone tries to steal it. Mystified, Isobel turns to art dealer Michael Whiting for advice. He identifies the painting as a sixteenth-century treasure map pointing the way to a series of lost religious artifacts hidden by monks when Henry VIII dissolved the monasteries. If he and Isobel can decipher the clues in the painting, Michael reasons, her money troubles will disappear. But if they can’t decode the painting quickly, Michael and Isobel could be history themselves. As they struggle to translate the arcane instructions—laced with references to everything from the Bible to Botticelli—they are stalked by a rival who will stop at nothing to get his hands on the treasure. Peter Watson’s stylish art-world thriller seamlessly mixes action with “sustained literariness, refinement, and polish” (Library Journal).

A family drama intertwines the journal of presumed-dead anthropologist Isabel and the family history being written by her thirty-eight-year-old daughter, Serena, to reveal deception and scandals that explode on the surface with Isabel's return.