A large format version of the popular Dorling Kindersley Travel Guide series features meticulously detailed three-dimensional and cutaway illustrations of popular landmarks and sites throughout Ireland, along with fascinating travel information, full-color photography, and detailed captions.

Doug DuBois was first introduced to a group of teenagers from the Russell Heights housing estate while he was an artist-in-residence at the Sirius Arts Centre in Cobh, on the southwest coast of Ireland. He was fascinated by the insular neighborhood, in which "everyone seems to be someone's cousin, former girlfriend, or spouse." Little can happen there that isn't seen, discussed, distorted beyond all reason, and fiercely defended against any disapprobation from the outside. DuBois gained entry when Kevin and Eirn (two participants of a workshop he taught) took him to a local hangout spot, opening his eyes to a world of not-quite-adults struggling -- publicly and privately -- through the last days of their childhood. Over the course of five years, DuBois returned to Russell Heights. People came and left, relationships formed and dissolved, and babies were born. Combining portraits, spontaneous encounters, and collaborative performances, the images in My Last Day at Seventeen exist in a delicate balance between documentary and fiction. A powerful follow-up to DuBois' acclaimed first book, All the Days and Nights, this volume provides an incisive examination ofthe uncertainties of growing up in Ireland today, while highlighting the unique relationship sustained between artist and subject. Exhibition: Sirius Arts Centre, Cobh, Ireland (10.2015).

Starting with a discussion of what makes a portrait particular to one country or region, Fintan Cullen explores the contradictions within existing definitions of national art.

'A moving and uplifting record of our nation's lockdown' Sunday Independent The essential book for 2020, capturing the heart-breaking and uplifting stories that made it a year we will never forget In March 2020, the arrival of Coronavirus in Ireland saw our world change overnight. We watched in shock as it spread throughout the world with devastating consequences. We stopped travelling, we worked from home, we celebrated birthdays, anniversaries and new arrivals via our screens. Many also had to grieve from a distance, isolated and alone. But the pandemic also became a time of coming together, of community spirit, of small kindnesses and boundless creativity. We saw frontline workers make extraordinary sacrifices, musicians perform from their front rooms, neighbourhood bingo and open-air film screenings. In Twilight Together Ruth Medjber has captured all of this and more. Visually stunning and deeply moving, she has photographed people all over Ireland at their front window at dusk, each with their own story to tell. Twilight Together is an extraordinary portrait of a pandemic by one of Ireland's most talented photographers and it is an important document for our times.

'I am standing in the dining room of my father's house in Ireland, gazing up at ten Pakenham family portraits. What thoughts went on behind those passive, chalky faces? How can I bring them out of the shadows?' Eliza Pakenham, granddaughter of the seventh Earl of Longford, chronicles the fortunes of her colourful ancestors against the backdrop of Napoleonic wars and Irish revolutions. Through her painstaking research and discovery of hidden records, she unearthed the story of an extraordinary dynasty peppered with intriguing characters: Kitty, Duchess of Wellington, kept apart from her love for over a decade; Tom, second Earl of Longford, who fathered three illegitimate children; and Ned, the darling of the family, a war hero. Through them we learn of life in times of peace and war, of the pain of bereavement, and rapid changes in politics and society. A vivid and absorbing account of a fascinating generation, brought truthfully to life.