Annotation Here, at last, Is the biography that Abigail Adams has long seservedone that puts her, rather than her husband, at its center, and which interprets her life in light of both its eighteenth-century context and recent feminist scholarship. Gelles brings new insights to familiar topics like the Adamss marriage and Abigails wartime role; explains more fully than previous scholars such incidents as the failed courtship of Royall Tyler and Abigail Junior; and examines with sensitivity hitherto little-known episodes like that of Abigails epistolary flirtation with James Lovell during the Revolution or Abigail Juniors mastectomy in 1811. In short, this is a remarkable achievement, far surpassing all earlier attempts to capture the essence of the woman who was one of early Americas greatest letter-writers. Mary Beth Norton Edith Gelles has written a deeply interesting book about Abigail Adams. ... she is careful to reconstruct the eighteenth-century environment of Abigail Adams. De. Gelles is a careful historian of eighteenth-century America and a thoughtful biographer. She has given us a fresh examination of Abigail Adams which will stimulate in helpful ways additional research and discussion. Robert Middlekauf In this important and fascinating biography, Edith Gelles not only restores Abigail Adams to her rightful place at the center of her own story, she challenges the creaky conventions of traditional male-defined biography. Portia breaks ranks with the biographers twiceby refusing to treat Abigail Adams as a reflection of her husband and by refusing to force her lifes story into an artificially linear narrative. In this masterful work, Edith Gelles reconceptualizes and revolutionizes the very notion of biography by capturing experience as it truly unfolds in so many womens livesas a collage of overlapping and circular impressions and feelings, rather than a relentless climb up a ladder of public ambition. Susan Faludi The best biography of Abigail Adams in print. By keeping the spotlight on Mrs. Adams and sensitively evaluating her in eighteenth-century terms, Edith Gelles provides the most rounded portrait yet of this important woman. Patricia U. Bonomi Edith B. Gelles uses the revolutionary years as the backdrop of this sensitive study, And The political events as the drama in which the players act out well-defined roles. ... [Gelless] story of relationships, networks, and power in the context of Abigails eighteenth-century world is truly a superb accomplishment. American Historical Review Adamss strength, courage, and wit ... emerge more fully than they have in any previous work. ... [Gelles] has succeeded in providing a well-rounded portrait of a remarkable figure. Choice Portia ... Is a refreshing change of pace. ... [Edith Gelles] is affectionate yet scholarly, determined to present Adams as a strong character who was very much a woman of her time, not merely a liberated precursor to feminism or the little wife behind the great man. San Francisco Chronicle Portia, The first woman-centered biography of Abigail Adams, details the issues, events, and relationships that informed Adamss life. The portrait that emerges also describes women like her during the Revolutionary era. Much of Abigail Adamss independent reputation derives from the letters that she wrote for over a half-century. Personal and eloquent, they provide unusual access to her private life and capture the social conventions, politics, and people of her age. The letters describe her domestic sphererelationships with her sisters, her daughter and sons, and friends such as Thomas Jefferson. Her marriage to John Adams is considered in the context of the patria.

Expressive and rich paintings by the Zimbabwean artist Portia Zvavahera—made during a time of intense solitude and collective struggle across the globe. In her paintings, Zvavahera gives form to emotions that manifest from other realms and dimensions beyond the domains of everyday life and thought. Her vivid imagery is rooted in the cornerstones of our earthly existence—life and death, pain and pleasure, isolation and connection, and love and loss. Zvavahera draws from a powerful visual vocabulary comprising women, her family, and shape-shifting animals, in scenes both metaphorical and fantastical. In several paintings, she makes use of intricate patterns taken from her own floral or classical Zimbabwean designs. Her particular process of alternating painting and printing results in images that communicate complex emotions in a play of tension and release. The result is a deeply personal body of work that probes the nature of the human condition. As Zvavahera states, “It is me in the paintings.… I can only speak about myself.” In addition to gorgeous reproductions of twenty-four paintings, including up-close details and installation views, this catalogue also features a new essay by the curator Meredith Brown and an interview with the artist by the writer Allie Biswas. This catalogue surveys work made since 2017.

"I didn't decide to become anorexic. It snuck up on me disguised as a healthy diet, a professional attitude. Although there was a certain glamour to anorexics, I didn't want to be one. I just wanted to excel in dieting. And weighing in at 80 pounds on 300 calories a day, I was the best little dieter there ever was." In scalding prose, Portia de Rossi reveals the pain and illness that haunted her for decades. She alternately starved herself and binged, putting her life in danger and lying to herself and everyone around her about the depth of her illness. From her lowest point, Portia began the painful climb back to health and happiness, ultimately falling head over heels in love with Ellen DeGeneres. In this remarkable and landmark book, she tells a story that inspires hope and nourishes the spirit.

I look at the clock: 4:23 a.m. In approximately three hours I have to wake up again to go to school, and I haven't even gone to sleep yet. How can I possibly care about pop quizzes, bad hair days, and beauty makeovers now that I've found a major clue to the true identity of my missing father? IDENTIFYING DATA Subject: Portia Avatar -- Girl Psychoanalytic Detective Background material: Twelve years old. Lives with earth mom, Indigo, and gray-and-white cat (who thinks he's a dog) named Frederick. To date, Portia does not know the whereabouts of her mysterious father, Patch. Recent developments: An earthquake shakes up Portia's sleepy hometown of Palmville, California. A photograph of Patch is uncovered. Portia's life, as she knows it, is about to change forever.

What is it about the rainbow that fascinates us? Throughout the ages, its brilliant array of colors has captivated our imagination. However, the closer we get to the rainbow, the further away it appears to be. And, in some ways, love can be elusive, just like the rainbow. But, in one rare instance, Portia, transcended beyond the elusiveness of the rainbow and, somewhere over it, found true love.

Just when Portia thinks life will never change in her small town, a mysterious new girl named Misty Longfellow enters the halls of Palmville Middle School. When Misty approaches Portia for help, Portia embarks on a new case that seriously tests her friendship skills. She suddenly finds herself unexpectedly making a new friend while trying hard to hold on to an old one.