William A. (Bill) Mitchell invented Pop Rocks Crackling Candy in 1956 as an attempt to create an instant carbonated drink. The fruit-flavored candy contained entrapped bubbles of carbon dioxide, which when released created tiny explosions with sound effects. As a research chemist at General Foods during the Pop Rocks heyday, Marvin J. Rudolph led a group assigned to bring Pop Rocks out of the laboratory and into the manufacturing plant. During that time, he was awarded six US patents based on Pop Rock production improvements, and one for Increda-Bubble, a popping bubble gum. Drawing on interviews with food technologists, engineers, marketing managers, and members of Bill Mitchell's family, Rudolph takes readers from the day Pop Rocks were invented to the present day.

(Easy Fake Book). Here are 100 top pop/rock songs that are easy to learn and play. All are in large notation and in the key of C, with lyrics and simplified chords that remain true to each tune. Includes: All Right Now * Billie Jean * Carry on Wayward Son * Change the World * Dancing Queen * Don't Fear the Reaper * Don't Worry, Be Happy * Eye of the Tiger * Fireflies * The Greatest Love of All * Hey, Soul Sister * How to Save a Life * How You Remind Me * I Want to Hold Your Hand * Kiss on My List * Like a Prayer * Love Shack * Mony, Mony * Oh, Pretty Woman * Pour Some Sugar on Me * She Will Be Loved * Smooth * Sweet Dreams (Are Made of This) * Use Somebody * With or Without You * You Really Got Me * and more.

Pop music and rock music are often treated as separate genres but the distinction has always been blurred. Motti Regev argues that pop-rock is best understood as a single musical form defined by the use of electric and electronic instruments, amplification and related techniques. The history of pop-rock extends from the emergence of rock'n'roll in the 1950s to a variety of contemporary fashions and trends – rock, punk, soul, funk, techno, hip hop, indie, metal, pop and many more. This book offers a highly original account of the emergence of pop-rock music as a global phenomenon in which Anglo-American and many other national and ethnic variants interact in complex ways. Pop-rock is analysed as a prime instance of 'aesthetic cosmopolitanism' – that is, the gradual formation, in late modernity, of world culture as a single interconnected entity in which different social groupings around the world increasingly share common ground in their aesthetic perceptions, expressive forms and cultural practices. Drawing on a wide array of examples, this path-breaking book will be of great interest to students and scholars in cultural sociology, media and cultural studies as well as the study of popular music.

This practical guide is designed for aspiring amateur and professional musicians. The book covers every aspect of jazz, rock and pop arranging, from a basic lead sheet to scoring for full ensemble with voices. The book includes tips and hints, presented in an easy-to-use format.

This Companion maps the world of pop and rock, pinpointing the most significant moments in its history and presenting the key issues involved in understanding popular culture's most vital art form. Expert writers chart the changing patterns in the production and consumption of popular music, the emergence of a vast industry with a turnover of billions and the rise of global stars from Elvis to Public Enemy, Nirvana to the Spice Girls. They trace the way new technologies - from the amplifier to the internet - have changed the sounds and practices of pop and they analyse the way maverick entrepreneurs have given way to multimedia corporations. In particular they focus on the controversial issues concerning race and ethnicity, politics, gender and globalisation. Contains full profiles of a selection of figures from the pop and rock world.

Based on the critically acclaimed podcast that has broken down hundreds of Top 40 songs, Switched On Pop dives in into eighteen hit songs drawn from pop of the last twenty years--ranging from Britney to Beyoncé, Kelly Clarkson to Kendrick Lamar--uncovering the musical explanations for why and how certain tracks climb to the top of the charts. In the process, authors Charlie Harding and Nate Sloan reveal the timeless techniques that animate music across time and space.

Long out-of-print classic of rock criticism. Author worked with Black Flag, Negativland, Birthday Party, Dead Kennedys, Husker Du, Meat Puppets, and others. Excerpted in the Penguin Book of Rock & Roll Writing. "It is the Moby Dick of Rock-Crit -- nothing else I've read comes close." --James Parker / The Idler (U.K.)