A world-renowned classicist presents a groundbreaking biography of the man who sent Jesus of Nazareth to the Cross. The Roman prefect Pontius Pilate has been cloaked in rumor and myth since the first century, but what do we actually know of the man who condemned Jesus of Nazareth to the Cross? In this breakthrough, revisionist biography of one of the Bible’s most controversial figures, Italian classicist Aldo Schiavone explains what might have happened in that brief meeting between the governor and Jesus, and why the Gospels—and history itself—have made Pilate a figure of immense ambiguity. Pontius Pilate lived during a turning point in both religious and Roman history. Though little is known of the his life before the Passion, two first-century intellectuals—Flavius Josephus and Philo of Alexandria—chronicled significant moments in Pilate’s rule in Judaea, which shaped the principal elements that have come to define him. By carefully dissecting the complex politics of the Roman governor’s Jewish critics, Schiavone suggests concerns and sensitivities among the people that may have informed their widely influential claims, especially as the beginnings of Christianity neared. Against this historical backdrop, Schiavone offers a dramatic reexamination of Pilate and Jesus’s moment of contact, indicating what was likely said between them and identifying lines of dialogue in the Gospels that are arguably fictive. Teasing out subtle but significant contradictions in details, Schiavone shows how certain gestures and utterances have had inestimable consequences over the years. What emerges is a humanizing portrait of Pilate that reveals how he reacted in the face of an almost impossible dilemma: on one hand wishing to spare Jesus’s life and on the other hoping to satisfy the Jewish priests who demanded his execution. Simultaneously exploring Jesus’s own thought process, the author reaches a stunning conclusion—one that has never previously been argued—about Pilate’s intuitions regarding Jesus. While we know almost nothing about what came before or after, for a few hours on the eve of the Passover Pilate deliberated over a fate that would spark an entirely new religion and lift up a weary prisoner forever as the Son of God. Groundbreaking in its analysis and evocative in its narrative exposition, Pontius Pilate is an absorbing portrait of a man who has been relegated to the borders of history and legend for over two thousand years.

This book explores the diverse portraits of Pontius PIlate in the Gospels. Pontius Pilate focuses on reading the Gospels not only as personal religious text but also as narratives shaped by their sociopolitical contexts. It identifies aspects of Roman imperial power that is assumed by each Gospel's presentation of Pilate, the Roman governor. It analyzes each Gospel's critical attitude to the empire and outlines how that Gospel shapes Christian discipleship in a world dominated by Roman power.

A world-renowned classicist presents a groundbreaking biography of the man who sent Jesus of Nazareth to the Cross. The Roman prefect Pontius Pilate has been cloaked in rumor and myth since the first century, but what do we actually know of the man who condemned Jesus of Nazareth to the Cross? In this breakthrough, revisionist biography of one of the Bible’s most controversial figures, Italian classicist Aldo Schiavone explains what might have happened in that brief meeting between the governor and Jesus, and why the Gospels—and history itself—have made Pilate a figure of immense ambiguity. Pontius Pilate lived during a turning point in both religious and Roman history. Though little is known of the his life before the Passion, two first-century intellectuals—Flavius Josephus and Philo of Alexandria—chronicled significant moments in Pilate’s rule in Judaea, which shaped the principal elements that have come to define him. By carefully dissecting the complex politics of the Roman governor’s Jewish critics, Schiavone suggests concerns and sensitivities among the people that may have informed their widely influential claims, especially as the beginnings of Christianity neared. Against this historical backdrop, Schiavone offers a dramatic reexamination of Pilate and Jesus’s moment of contact, indicating what was likely said between them and identifying lines of dialogue in the Gospels that are arguably fictive. Teasing out subtle but significant contradictions in details, Schiavone shows how certain gestures and utterances have had inestimable consequences over the years. What emerges is a humanizing portrait of Pilate that reveals how he reacted in the face of an almost impossible dilemma: on one hand wishing to spare Jesus’s life and on the other hoping to satisfy the Jewish priests who demanded his execution. Simultaneously exploring Jesus’s own thought process, the author reaches a stunning conclusion—one that has never previously been argued—about Pilate’s intuitions regarding Jesus. While we know almost nothing about what came before or after, for a few hours on the eve of the Passover Pilate deliberated over a fate that would spark an entirely new religion and lift up a weary prisoner forever as the Son of God. Groundbreaking in its analysis and evocative in its narrative exposition, Pontius Pilate is an absorbing portrait of a man who has been relegated to the borders of history and legend for over two thousand years.

It's been thirty years since he sentenced the troublemaker to die, but Pontius Pilate can't get Jesus out of his mind. . . . Forced to live out his life in exile, Pontius Pilate, the former governor of Judea, is now haunted by the executions that were carried out on his orders. The life and death of a particular carpenter from Nazareth lay heavily on his mind. With years of solitude stretched out before him, Pilate sets out to uncover all he can about Jesus—his birth, boyhood, ministry, and the struggles that led to his crucifixion. With unexpected wit and candor, Pilate reveals a unique, compelling picture of Jesus that only one of his enemies could give. In a vibrant, inventive, completely engaging novel that places Jesus and his teachings in a wonderfully accurate historical setting, James R. Mills has created nothing less than a new gospel that illuminates the beginnings of Christianity from an astonishing and unexpected point of view.

An internationally renowned Jesus scholar rethinks our knowledge of the historical Jesus in light of recent progress in the scientific study of memory.

DigiCat Publishing presents to you this special edition of "The Procurator of Judea" by Anatole France. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Satan, Judas, a Soviet writer, and a talking black cat named Behemoth populate this satire, “a classic of twentieth-century fiction” (The New York Times). In 1930s Moscow, Satan decides to pay the good people of the Soviet Union a visit. In old Jerusalem, the fateful meeting of Pilate and Yeshua and the murder of Judas in the garden of Gethsemane unfold. At the intersection of fantasy and realism, satire and unflinching emotional truths, Mikhail Bulgakov’s classic The Master and Margarita eloquently lampoons every aspect of Soviet life under Stalin’s regime, from politics to art to religion, while interrogating the complexities between good and evil, innocence and guilt, and freedom and oppression. Spanning from Moscow to Biblical Jerusalem, a vibrant cast of characters—a “magician” who is actually the devil in disguise, a giant cat, a witch, a fanged assassin—sow mayhem and madness wherever they go, mocking artists, intellectuals, and politicians alike. In and out of the fray weaves a man known only as the Master, a writer demoralized by government censorship, and his mysterious lover, Margarita. Burned in 1928 by the author and restarted in 1930, The Master and Margarita was Bulgakov’s last completed creative work before his death. It remained unpublished until 1966—and went on to become one of the most well-regarded works of Russian literature of the twentieth century, adapted or referenced in film, television, radio, comic strips, theater productions, music, and opera.