This is a witty and authoritative account of this explosive mix between politics and economics and gives a rare insight into how economic policy is made in modern Britain and into the continuing political struggle over Britain's place in Europe.

A candid look at how the Olympic rings got so tarnished-from a top IOC insider Bribery, illicit drugs, tainted judges, dirty politics . . . the Olympics have come a long way from ancient Greece. Far from the vaunted symbol of athletic excellence, the Olympic games have become awash in scandal (from doping and judging scandals, questionable selection practices for future sites) that have given it a tawdry luster only cynics and news junkies would relish. Now, Dick Pound, a former Olympic medalist and twenty-five year member of the IOC gives an insider's account of the politics within the IOC as well as an unsensationalistic look at what went on behind the headlines. As controversial as the games themselves have become, Inside the Olympics is a fascinating, no-holds-barred look at just how the Olympics and their legacy have foundered.

This is a witty and authoritative account of this explosive mix between politics and economics and gives a rare insight into how economic policy is made in modern Britain and into the continuing political struggle over Britain's place in Europe.

Michael North offers a subtle reading of the issues by linking aesthetic modernism with an attempt in all these writers to resolve basic contradictions in modern liberalism. Though Yeats, Eliot, and Pound certainly attempted to resolve in art problems that could not be resolved in actuality, their very attempt resulted in a politicized aesthetic, one that confessed their inability to do so. The book includes accounts of the specific political activities of the three writers, reinterpretations of their critical theories in light of their politics, and rereadings of some of their major works, including The Tower, The Waste Land, and Pisan Cantos.

Ezra Pound spent most of his life in Italy and wrote about it incessantly in his poetry. Only by following his footsteps, acquaintances and composition processes can we make sense of and enjoy his forbidding Cantos. This study provides for the first time an account of Pound’s Italian wanderings and of what they became in his work. After this study we will be able to read Pound as a guide to the places, people and books he loved, and we will share his the poet traveler’s joys and discoveries.