The Techniques of Glass Engraving by Peter Dreiser and the late Jonathan Matcham is a classic, unique in its field. Considered the doyen of British glass engravers, Peter Dreiser has fully updated the text for this second edition with Katharine Coleman, one of the leading contemporary glass artists of today. It is now 4-colour throughout with superb new images illustrating the work of a new generation of contemporary glass engravers. The many techniques covered include copper wheel engraving, synthetic wheel engraving, cut glass, brilliant cutting, diamond point, drill engraving, glass etching and sandblasting. This book is one of the very few on the practical aspects of this craft, of interest to student and the interested public alike. Comprehensive information, examples and exercises for the student are all accompanied with clear photographs, of work in progress and the finished item.

The history of glass and glass decoration extends back at least to the ancient Egyptians, who made small vessels of dark glass and decorated them with glass threads of contrasting colors. Occasionally glass vessels were also engraved on the lapidary's wheel. Today, the ancient art and craft of decorating glass continues to flourish among artists and crafters attracted by its combination of artistic beauty and skilled craftsmanship. Unfortunately, until the publication of this book, there were few if any practical instruction guides for beginners in this exciting and deeply rewarding field. A well-known British artist and glass engraver, Barbara Norman has exhibited her glass widely and has won numerous awards. In this clear, profusely illustrated guide, she offers a comprehensive introduction to the history, materials, tools, and techniques of glass engraving and other forms of glass decoration. After introductory chapters on the development of glass, methods of glassmaking, decorating techniques and choosing glass, the author discusses various engraving techniques in detail: diamond point engraving, drill engraving, and copper-wheel engraving. Aspiring glasscrafters will also find excellent coverage of such interesting techniques as gold engraving under glass, painting glass, and applying glass to glass: mosaics, glass collage, glass fusing and glass forming. Most of the methods do not require a studio or workshop and call for relatively inexpensive materials. Ideal for the novice or moderately experienced glassworker, this well-written, easy-to-follow guide will enable glasscrafters to bring decorative beauty and artistic flair to glasses, tumblers, bowls, vases, plates — almost any glass object. Beautiful engraved or decorated glass is perfect for personalized gift-giving or for adding a note of elegance to any home.

An account of point glass engraving and its vivid, lyrical properties, from a renowned practitioner.

Jointly published by the National Gallery of Victoria and Macmillan Publishers Australia this book is the first publication to document in depth the nature, extent and history of the National Gallery of Victorias celebrated glass collection. Its author, and expert on the art of glass, Geoffrey Edwards, has selected the most magnificent works from the collection, each reproduced in colour, as the basis for a broader discussion of the history of glassmaking in the worlds leading production centres, from the ancient Mediterranean to the present day. With fine photographs by Garry Sommerfeld, this book provides a most spectacular visual array.

Project: A flower ensemble.

Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati