A colorful combination of storytelling, poets, poetry, and railways presented using America's fifty states as a backdrop. 3 men who travel the U.S.A. in the year of 2012... To write a written documentary on Poets and the Railroad in our times... When they sleep they get taken back in time to the 19th Century, when the roads were built, and they have such great experiences, and meet key Poets, and figures... Upon waking they have conversations about Poets from the 20th Century, and RxR events... Then it goes into their written documentary on Poetry and Poets now... Main Characters that Andy and Red and Train Marshal Charlie journey within their Dreams, and they are Alphonso G. Newcomer, Mad Bear, Jung Hem Sing, Mr. Welchberry, Patrick O'Hara, Jimmy New Orleans, and many more

A spiritual journey across the railways and backroads of the American West.

This debut collection explores memory, cities, motion. Tung-Hui Hu's tone has some of the swampy wit that recalls Calvino or Michaux: A man swaps bodies with his lover; a mapmaker holds captive a city, which needs his crystal telescope to navigate through streets "unreadable as palm lines"; a car pushed off a cliff in a fit of anger becomes home for a school of fish. Anchored by the sequence "Elegies for self," Hu's poetry brings a quiet sophistication to syntax, diction, and form.

After the huge success of Nil Nil (a Poetry Book Society Choice and winner of the Forward Prize best first collection), Don Paterson's second collection was impatiently awaited. His readers were not disappointed. In God's Gift to Women, straight autobiography mixes with invention, exaggeration, technical dazzle and sheer cheek to produce a book quite unlike any other.

FINALIST FOR THE NATIONAL BOOK AWARD FOR POETRY Winner of the Walt Whitman Award of the Academy of American Poets, selected by Juan Felipe Herrera For years now, I’ve been using the wrong palette. Each year with its itchy blue, as the bruise of solitude reaches its expiration date. Planes and buses, guesthouse to guesthouse. I’ve gotten to where I am by dint of my poor eyesight, my overreactive motion sickness. 9 p.m., Hanoi’s Old Quarter: duck porridge and plum wine. Voices outside the door come to a soft boil. —from “Phnom Penh Diptych: Dry Season” Jenny Xie’s award-winning debut, Eye Level, takes us far and near, to Phnom Penh, Corfu, Hanoi, New York, and elsewhere, as we travel closer and closer to the acutely felt solitude that centers this searching, moving collection. Animated by a restless inner questioning, these poems meditate on the forces that moor the self and set it in motion, from immigration to travel to estranging losses and departures. The sensual worlds here—colors, smells, tastes, and changing landscapes—bring to life questions about the self as seer and the self as seen. As Xie writes, “Me? I’m just here in my traveler’s clothes, trying on each passing town for size.” Her taut, elusive poems exult in a life simultaneously crowded and quiet, caught in between things and places, and never quite entirely at home. Xie is a poet of extraordinary perception—both to the tangible world and to “all that is untouchable as far as the eye can reach.”

Queue up for a whistle-stop tour of trains of all kinds, narrated in lively verse and featuring dynamic retro artwork. Rows of grooves, cables, and bars. Graffiti rockin’ out the cars. A badge of rust. A proud oil stain. There’s nothin’ plain about a train. Trains of all shapes and sizes are coming down the track — bullet train, sleeper train, underground train, zoo train, and more. All aboard! Skila Brown’s first-class poems, as varied as the trains themselves, reflect the excitement of train travel, while Jamey Christoph’s vintage-style illustrations provide a wealth of authentic detail to pore over.

* Finalist for the National Book Award in Poetry * * Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . . A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric. Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.