"The poems in Commons are at once global and intensely personal and emotional. An immensely talented poet, Myung Mi Kim loves language - its internal rhymes, alliterations, and diverse rhythms. Caught off guard by the beauty and precision of Kim's language and the exquisite images she so deftly conjures, we are drawn unwittingly into a web of fragmentary memories that subvert what we think we know about the violent history that haunts her and never ceases to demand recognition."--Elaine Kim, author of Asian American Literature: An Introduction to the Writings and Their Social Context, and co-editor of Dangerous Women: Gender and Korean Nationalism

Winner of the ASLE-UKI Book Prize 2023. The commons and enclosure are among the most vital ways of thinking about poetry today, posing urgent ecological and political questions about land and resource ownership and use. Poetry & Commons is the first study to read postwar and contemporary poetry through this lens, by putting it in dialogue with the Romantic experience of agrarian dispossession. Employing an innovative transhistorical structure, the book demonstrates how radical Anglophone poetries since 1960 have returned to the 'enclosure of the commons' in response to political and ecological crises. It identifies a 'commons turn' in contemporary lyric that contests the new enclosures of globalized capital and resource extraction. In lucid close readings of a rich field of experimental poetries associated with the 'British Poetry Revival', as well as from Canada and the United States, it analyses a landscape poetics of enclosure in relationship with Romantic verse. Canonical Romantic poetry by Wordsworth and Clare is understood through the fine-grain textures of the period’s vernacular and radical verse and discourse around enclosure, which the book demonstrates contain the seeds of neoliberal political economy. Engaging with the work of Anne-Lise François and Anna Tsing, Poetry & Commons theorizes commoning as marking out subsistence 'rhythms of resource', which articulate plural, irregular, and tentative relations between human and nonhuman lifeworlds.

A stunning collection that traverses the borders of culture and time, from the 2011 winner of the PEN/Joyce Osterweil Award In House of Lords and Commons, the revelatory and vital new collection of poems from the winner of the 2013 Whiting Writers’ Award in poetry, Ishion Hutchinson returns to the difficult beauty of the Jamaican landscape with remarkable lyric precision. Here, the poet holds his world in full focus but at an astonishing angle: from the violence of the seventeenth-century English Civil War as refracted through a mythic sea wanderer, right down to the dark interior of love. These poems arrange the contemporary continuum of home and abroad into a wonderment of cracked narrative sequences and tumultuous personae. With ears tuned to the vernacular, the collection vividly binds us to what is terrifying about happiness, loss, and the lure of the sea. House of Lords and Commons testifies to the particular courage it takes to wade unsettled, uncertain, and unfettered in the wake of our shared human experience.

What accounts for the persistence and spread of "commoning," the irrepressible desire of people to collaborate and share to meet everyday needs? How are the more successful projects governed? And why are so many people embracing the commons as a powerful strategy for building a fair, humane and Earth-respecting social order? In more than fifty original essays, Patterns of Commoning addresses these questions and probes the inner complexities of this timeless social paradigm. The book surveys some of the most notable, inspiring commons around the world, from alternative currencies and open design and manufacturing, to centuries-old community forests and co-learning commons - and dozens of others. David Bollier (www.bollier.org) is an American author, activist and independent scholar who has studied the commons for nearly twenty years. Silke Helfrich (commonsblog.wordpress.com) is a German author and independent activist of the commons who blogs at www.commonsblog.de, and cofounder of the Commons-Institut in Germany. With Michel Bauwens, Bollier and Helfrich are cofounders of the Common Strategies Group. For more information, go to the book's website, Patterns of Commoning (www.patternsofcommoning.org)

Spawn is a braided collection of brief, untitled poems, a coming-of-age lyric set in the Mashteuiatsh reserve on the shores of Lake Piekuakami (Saint-Jean) in Quebec. Undeniably political, Marie-Andr e Gill's poems ask: How can one reclaim a narrative that has been confiscated and distorted by colonizers? The poet's young avatar reaches new levels on Nintendo, stays up too late online, wakes to her period on class photo day, and carves her lovers' names into every surface imaginable. Encompassing twenty-first-century imperialism, coercive assimilation, and 90s-kid culture, the collection is threaded with the speaker's desires, her searching: for fresh water to "take the edge off," for a "habitable word," for sex. For her "true north"--her voice and her identity. Like the life cycle of the ouananiche that frames this collection, the speaker's journey is cyclical; immersed in teenage moments of confusion and life on the reserve, she retraces her scars to let in what light she can, and perhaps in the end discover what to "make of herself". Praise for Spawn "Like the image of time that passes too quickly, or not quickly enough, between frozen lake and beacon of hope, Gill's poetry wonderfully translates the struggles and perils of adolescence. This is a collection imbued with the poet's great sensitivity, emotionally strong and true." --Elizabeth Lord "Gill writes: 'we bathe in the malaise / of hot asphalt / waiting for a habitable word, ' and we feel the tension of translation, of using language at all, our doomed human technology. It's the hardest thing to capture that frustration in language, much less in translated language, and it's a little miraculous how well it's rendered throughout Gill's haunting lyric flares. Spawn is unforgettable poetry of the highest order." --Kaveh Akbar, author of Calling a Wolf a Wolf "Gill's poems are like small treasures clutched in buried tree roots, preserving "the chalky veins" of ancestral memory pulsing just below our modern hustle. Miller's luminous translation gives us a poet who insists on unwinding layers of language--Indigenous and settler, pop-cultural, philosophical, and spiritual--in search of elemental connection." --Kiki Petrosino, author of White Blood "Marie-Andr e Gill undertakes in Spawn a poetry of intimacy and estrangement in technicolor: evoking nostalgia for nature as well as Nintendo, her haunting juxtapositions exist in life cycles of commercial possibilities and ecological impossibilities, of postcolonial globalization and indigenous dislocation. Rendered into crystalline English by poet Kristen Renee Miller, Spawn is an unforgettable work of lyricism and cosmic intelligence." --Katrine ?gaard Jensen, tr. Third-Millenium Heart, winner of the 2018 National Translation Award

The poet and critic M.L. Rosenthal explores the sources of poetry in our daily lives, in the common speech, and in the awareness and sensibility that poets share with the rest of humanity. Through a wide range of examples drawn from poetry, he explores how art is a natural human activity that makes us aware of ourselves and the world around us in a way as never before. He exposes poetry's relation to our surroundings, politics, language, sex, love, and death.

A picture-book biography of celebrated poet Gwendolyn Brooks, the first Black person to win the Pulitzer Prize A 2021 Coretta Scott King Book Award Illustrator Honor Book A 2021 Robert F. Sibert Informational Honor Book A 2021 Association of Library Service to Children Notable Children's Book Gwendolyn Brooks (1917–2000) is known for her poems about “real life.” She wrote about love, loneliness, family, and poverty—showing readers how just about anything could become a beautiful poem. Exquisite follows Gwendolyn from early girlhood into her adult life, showcasing her desire to write poetry from a very young age. This picture-book biography explores the intersections of race, gender, and the ubiquitous poverty of the Great Depression—all with a lyrical touch worthy of the subject. Gwendolyn Brooks was the first Black person to win the Pulitzer Prize, receiving the award for poetry in 1950. And in 1958, she was named the poet laureate of Illinois. A bold artist who from a very young age dared to dream, Brooks will inspire young readers to create poetry from their own lives.