Poetry and Voice, with a foreword by Helen Dunmore, is a book of essays which fuses critical and creative treatments of poetic voice. Some contributors focus on critical explorations of voice in work by poets such as John Ashbery, Simon Armitage, Eavan Boland, Carol Ann Duffy, Arun Kolatkar, Don McKay and Dragica Rajčić, and on the musical voices of the lyric tradition and of poetry itself. Vicki Feaver, Jane Griffiths, Philip Gross, Waqas Khwaja, Lesley Saunders and David Swann reflect on their own poetic processes of composition, and the development of the voices of childhood, old age, migration, landscape, bilinguality, and imprisonment. Laurel Cohen-Pfister and Tatjana Bijelić examine the nature of poetic voice in exile, the need for fresh voices after war and new spaces in which poetic voices can be heard. In this international collection, the contributors give rare and generous insights into inner poetic processes and external effects. They engage with artistic debates about developing, losing and appropriating voice in poetry and approach the question of what is ‘finding a voice’ in poetry from multiple angles. The book will interest literary critics, poets, lecturers, and undergraduate and postgraduate students of literature, poetry and creative writing.

The American Voice looks to find the vital edge of modern American writing. The journal, whose contributors come from the U.S., Canada, and Latin America, often publishes work by writers denied access to mainstream journals. Writings from its pages have been regularly reprinted in prize annuals such as The Pushcart Prize, Best American Poetry, and Best American Essays. This fifteenth anniversary anthology collects eighty poems from some of the most original and daring writers of our time. The anthology's contributors range from the world famous Jorge Luis Borges, Marge Piercy, May Swenson to the newly emerging Marie Sheppard Williams, Suzanne Gardinier, Robyn Selman and from the nationally read Wendell Berry, Reynolds Price, Barbara Kingsolver to the distinctly regional George Ella Lyon, Jane Gentry, James Still. This volume brings together some of the best selections from an award-winning journal, making clear why Small Press dubbed The American Voice one of the "most impressive journals in the country."

An award-winning poet, teacher, and “champion of poetry” (Neil Genzlinger, New York Times) demystifies the elusive element of voice. In this accessible and distilled craft guide, acclaimed poet Tony Hoagland approaches poetry through the frame of poetic voice, that mysterious connective element that binds the speaker and reader together. In short, essayistic chapters and an appendix of thirty stimulating exercises, The Art of Voice explores the myriad ways to create a distinctive poetic voice, including vernacular, authoritative statement, speech register, tone-shifting, and using secondary voices. “Rich with lively examples” (New York Times Book Review), The Art of Voice provides a compelling introduction to contemporary poetry and an invaluable guide for any practicing writer.

Poetry, by definition, is voice, which here includes the worlds of both sound silence in which the poem exists. Voice in poetry represents the way in which individuals articulate themselves as subjects. English Narrative Poetry: A Babel of Voices explores how poets in different periods of English literature have manipulated voice in their verse narratives. This book, devoted to voice, explores narrative poems ranging from the Renaissance to the contemporary. Starting from Shakespeare, it journeys through Pope, Wordsworth, Keats, Rossetti, Browning, H. D., Ted Hughes, Jackie Kay, and Bernardine Evaristo in the light of narrative theory. The multiplicity of voice attests to the fact that narrative poetry can present itself as a ‘representation’ of real life by ‘mimicking’ the voices of women and men, creating what, taken together, comprises a babel of voices.

Marty McConnell offers start-to-finish instructions along with a grounding in the Gathering Voices approach for both aspiring and seasoned facilitators who want to establish or invigorate a poetry learning environment for workshops in the community and the class room. Gathering Voices includes: Poetry from some of the most exciting poets writing today including Ada Limón, Patricia Smith, Jamaal May, Keetje Kuipers, Ocean Vuong, Rachel McKibbins, and so many more! Tailored discussion questions for each poem. Innovative and interactive writing prompts for twenty-four complete three-hour workshops. Guidelines for leading discussions of participants' work. Strategies for marketing your workshop, creating a schedule, maintaining boundaries and more.

"The voice of culturally and linguistically diverse students is often unheard. This voice, anchored in their experiences as children of immigrant families in one of the toughest neighborhoods on Oʻahu, highlights what it means to be adolescent in today's Hawaiʻi. Featured in this book are the stories of long-term English Language Learners (ELLs), newcomers, and students who are part of a 1.5 generation of immigrants. Ultimately, this anthology elevates the voice of these students who have the ability and power to tell their own stories" -- Page 4 of cover.