Alshaer's book offers a subtle and historically grounded reading of modern Arabic poetry, emphasising the aesthetic integration of politics within poetic form.

Cover -- modern arabic poetry -- Title -- Copyright -- Dedication -- CONTENTS -- Acknowledgments -- Note on Translation and Transliteration -- Introduction -- CHAPTER 1 The Politics and Poetics of the Modern Arab World -- CHAPTER 2 From Iltizām to Metapoetry: ʻAbd al-Wahhāb al-Bayātī -- CHAPTER 3 From Iltizām to the Arab Uprising: Aḥmad ʻAbd al-Muʻṭī Ḥijāzī -- CHAPTER 4 From Militant Iltizām to Humanist: Maḥmūd Darwīsh -- Conclusion: The Poets and Their Vocation in the Modern World -- Appendix: Interview with Aḥmad ʻAbd al-Muʻṭī Ḥijāzī -- Notes -- Bibliography -- Index

Poetry has long dominated the cultural landscape of modern Iraq, simultaneously representing the literary pinnacle of high culture and giving voice to the popular discourses of mass culture. As the favored genre of culture expression for religious clerics, nationalist politicians, leftist dissidents, and avant-garde intellectuals, poetry critically shaped the social, political, and cultural debates that consumed the Iraqi public sphere in the twentieth century. The popularity of poetry in modern Iraq, however, made it a dangerous practice that carried serious political consequences and grave risks to dissident poets. The Dangers of Poetry is the first book to narrate the social history of poetry in the modern Middle East. Moving beyond the analysis of poems as literary and intellectual texts, Kevin M. Jones shows how poems functioned as social acts that critically shaped the cultural politics of revolutionary Iraq. He narrates the history of three generations of Iraqi poets who navigated the fraught relationship between culture and politics in pursuit of their own ambitions and agendas. Through this historical analysis of thousands of poems published in newspapers, recited in popular demonstrations, and disseminated in secret whispers, this book reveals the overlooked contribution of these poets to the spirit of rebellion in modern Iraq.

This book shows how colloquial Bedouin poetry remains a vibrant art that has manifold modern functions: commenting on world affairs (such as the Arab-Israeli wars, the Gulf War, the American invasion of Iraq); criticizing the domestic policies of Arab states; and highlighting poverty, discrimination, the corrupt practices of officialdom, and a compliant local media. Each of the 41 poems presented is transliterated and translated into English verse, with historical and contextual annotation. The tone is sometimes bitter, sometimes satirical, sometimes scurrilous, and often amusing. The poems are prefaced by an essay on the practice of modern Bedouin poetry. Poetry and Politics in Contemporary Bedouin Society is completed by appendices containing the Arabic script versions of the poems, extensive language notes, and a glossary of the vocabulary.

This book offers a glimpse into Syrian refugee women’s stories of defiance and triumph in the aftermath of the Syrian uprising. The al-Zaatari Camp in northern Jordan is the largest Syrian refugee camp in the world, home to 80,000 inhabitants. While al-Zaatari has been described by the Western media as an ideal refugee camp, the Syrian women living within its confines offer a very different account of their daily reality. Defiance in Exile: Syrian Refugee Women in Jordan presents for the first time in a book-length format the opportunity to hear the refugee women’s own words about torment, struggle, and persecution—and of an enduring spirit that defies a difficult reality. Their stories speak of nearly insurmountable social, economic, physical, and emotional challenges, and provide a distinct perspective of the Syrian conflict. Waed Athamneh and Muhammad Musad began collecting the testimonies of Syrian refugee women in 2015. The authors chronicle the history of Syria’s colonial legacy, the torture and cruelty of the Bashar al-Assad regime during which nearly half a million Syrians lost their lives, and the eventual displacement of more than 5.3 million Syrian refugees due to the crisis. The book contains nearly two dozen interviews, which give voice to single mothers, widows, women with disabilities, and those who are victims of physical and psychological abuse. Having lost husbands, children, relatives, and friends to the conflict, they struggle with what it means to be a Syrian refugee—and what it means to be a Syrian woman. Defiance in Exile follows their fight for survival during war and the sacrifices they had to make. It depicts their journey, their desperate, chaotic lives as refugees, and their hopes and aspirations for themselves and their children in the future. These oral histories register the women’s political outcry against displacement, injustice, and abuse. The book will interest all readers who support refugees and displaced persons as well as students and scholars of Middle East studies, political science, women’s studies, and peace studies.

How poetic modernism shaped Arabic intellectual debates in the twentieth century and beyond City of Beginnings is an exploration of modernism in Arabic poetry, a movement that emerged in Beirut during the 1950s and became the most influential and controversial Arabic literary development of the twentieth century. Robyn Creswell introduces English-language readers to a poetic movement that will be uncannily familiar—and unsettlingly strange. He also provides an intellectual history of Lebanon during the early Cold War, when Beirut became both a battleground for rival ideologies and the most vital artistic site in the Middle East. Arabic modernism was centered on the legendary magazine Shi‘r (“Poetry”), which sought to put Arabic verse on “the map of world literature.” The Beiruti poets—Adonis, Yusuf al-Khal, and Unsi al-Hajj chief among them—translated modernism into Arabic, redefining the very idea of poetry in that literary tradition. City of Beginnings includes analyses of the Arab modernists’ creative encounters with Ezra Pound, Saint-John Perse, and Antonin Artaud, as well as their adaptations of classical literary forms. The book also reveals how the modernists translated concepts of liberal individualism, autonomy, and political freedom into a radical poetics that has shaped Arabic literary and intellectual debate to this day.