The Middle Kingdom (c.1940-1640 BC) was a golden age of Ancient Egyptian writing. This pioneering book is the first comprehensive study of this literary legacy. The status of literature is controversial in many ancient civilizations, and Middle Kingdom poems have often been regarded as propaganda for the ruling dynasty. This study radically reassesses their cultural role, drawing on recent studies of the individual texts, some by the author, and on general developments in literary criticism, to argue that they were entertainments that voiced potentially dissident views while also being integral to elite culture. The book explores literatures status as a differentiated form of discourse, suggesting what social practices made its role possible and offering an innovative model for the readers engagement with these subtle and complex ancient works. The book also surveys the social and ideological context of literature and proposes readings of the main tales, discourses, and teachings. The conclusion sets the readings in a broad context, while an appendix surveys the entire range of surviving texts.

In Reading Ancient Egyptian Poetry, Richard Parkinson explores how ancient Egyptian poems have been read and perceived across the ages. Presents an innovative and theoretically-informed account of how the most famous ancient Egyptian poems have been read over 4,000 years From a leading expert in the interpretation of ancient Egyptian literature Explores the original experience of ordinary Egyptians enjoying the poems as well as their interpretation during the Middle Kingdom and up to modern times Draws on recent discoveries in the British Museum archives to reconstruct the contexts of the poems

Voices from Ancient Egypt is an anthology presenting translations of sixty documents from a golden age of ancient Egyptian culture (c. 2081 - 1600 BC). The documents illustrate all aspects of life and the place of literacy in an early civilisation. The 'voices' range from the high formal literature of religious rituals and royal monuments to the hurried requests of the bureaucrats and the jokes of harrassed workmen. They tell a tale not only of the intellectual beliefs of the elite, but of family feuds, love and murder, as well as the pastoral dreams of a society trying to attain its vision of absolute order in a chaotic universe. This volume is a reissue of the valuable introduction to ancient Egyptian literature, first published in 1991.

"First published in 1973 - and followed by Volume II in 1976 and Volume III in 1980 - this anthology has assumed classic status in the field of Egyptology and portrays the remarkable evolution of the literary forms of one of the world's earliest civilizations. Volume III spans the last millennium of Pharaonic civilization, from the tenth century B.C. to the beginning of the Christian era. It features a new foreword by Joseph G. Manning"--Publisher's description.

"This anthology contains all the substantial surviving works from the golden age of Ancient Egyptian fictional literature (c.1940-1640 B.C.). Composed by an anonymous author in the form of a funerary autobiography, the Tale tells how the courtier Sinuhe flees Egypt at the death of his king. His adventures bring wealth and happiness, but his failure to find meaningful life abroad is only redeemed by the new king's sympathy, and he finally returns to the security of his homeland. Other works from the Middle Kingdom include a poetic dialogue between a man and his soul on the problem of suffering and death, a teaching about the nature of wisdom which is bitterly spoken by the ghost of the assassinated King Amenemhat I, and a series of light-hearted tales of wonder from the court of the builder of the Great Pyramid."--Jacket.

The ancient Egyptians had very definite views about their neighbours, some positive, some negative. As one would expect, Egyptian perceptions of 'the other' were subject to change over time, especially in response to changing political, social and economic conditions. Thus, as Asiatics became a more familiar part of everyday life in Egypt, and their skills and goods became increasingly important, depictions of them took on more favourable aspects. The investigation by necessity involves a multi-disciplined approach which seeks to combine and synthesize data from a wider variety of sources than drawn upon in earlier studies. By the same token, the book addresses the interests of, and has appeal to, a broad spectrum of scholars and general readers.

Middle Egyptian introduces the reader to the writing system of ancient Egypt and the language of hieroglyphic texts. It contains twenty-six lessons, exercises (with answers), a list of hieroglyphic signs, and a dictionary. It also includes a series of twenty-six essays on the most important aspects of ancient Egyptian history, society, religion, literature, and language. Grammar lessons and cultural essays allows users not only to read hieroglyphic texts but also to understand them, providing the foundation for understanding texts on monuments and reading great works of ancient Egyptian literature. This third edition is revised and reorganized, particularly in its approach to the verbal system, based on recent advances in understanding the language. Illustrations enhance the discussions, and an index of references has been added. These changes and additions provide a complete and up-to-date grammatical description of the classical language of ancient Egypt for specialists in linguistics and other fields.