In Poetics of Deconstruction, Lynn Turner develops an intimate attention to independent films, art and the psychoanalyses by which they might make sense other than under continued license of the subject that calls himself man. Drawing extensively from Jacques Derrida's philosophy in precise dialogue with feminist thought, animal studies and posthumanism, this book explores the vulnerability of the living as rooted in non-oppositional differences. From abjection to mourning, to the speculative and the performative, it reposes concepts and buzzwords seemingly at home in feminist theory, visual culture and the humanities more broadly. Stepping away from the carno-phallogocentric legacies of the signifier and the dialectic, Poetics of Deconstruction asks you to welcome nonpower into politics, always sexual but no longer anchored in sacrifice.

This book brings together five encounters. They include the date or signature and its singularity; the notion of the trace; structures of futurity and the "to come"; language and questions of translation; such speech acts as testimony and promising; the possibility of the impossible; and the poem as addressed and destined beyond knowledge.

Acknowledgments -- Note on Translations -- Introduction -- Deconstruction and the Inscription of Philosophy -- Infrastructures and Systematicity / Rodolphe Gasche -- Philosophy Has Its Reasons . . . / Hugh J. Silverman -- Destinerrance: The Apotropocalyptics of Translation / John P. Leavey, Jr. -- Deconstruction and the History of Metaphysics -- In Stalling Metaphysics: At the Threshold / Ruben Berezdivin -- Doubling the Space of Existence: Exemplarity in Derrida - the Case of Rousseau / Irene E. Harvey -- Regulations: Kant and Derrida at the End of Metaphysics / Stephen Watson -- A Point of Almost Absolute Proximity to Hegel / John Llewelyn -- Deconstruction and Phenomenology -- The Economy of Signs in Husserl and Derrida: From Uselessness to Full Employment / John D. Caputo -- The Perfect Future: A Note on Heidegger and Derrida / David Farrell Krell -- Deconstruction and the Possibility of Ethics / Robert Bernasconi -- Deconstruction--in Withdrawal? -- Following Derrida / David Wood -- Geschlecht II: Heidegger's Hand / Jacques Derrida -- Notes on Contributors -- Index.

Addresses what impact deconstruction has had on the way we read American culture and how American culture might be itself peculiarly deconstructive. Contains 18 essays by prominent thinkers associated with deconstruction, among them Jacques Derrida, Judith Butler, and Avital Ronell. Lacks an index. Annotation copyright by Book News, Inc., Portland, OR

`Short copy entry, for Eng Lit 91' This book focuses on the tension in Blake's poetry between a hermeneutics of suspicion and a hermeneutics of belief: it offers a new account of the way in which Blake's major prophecies work and of the stratagems they employ to consolidate error and so open their readers' eyes to `otherness'. Central to Peter Otto's reading is a re-definition of the role of Los and Jesus in Blake's work, emphasising Blake's prophetic intent. In the course of a radically new reading of Milton and Jerusalem, it is argued that in these poems the autonomous, world-forming imagination (that is staple to many accounts of Romanticism) is subject to visionary deconstruction. Rather than subordinating existence to perception, Blake's poems attempt to induce their readers to act. Constructive Vision is the first systematic and comprehensive analysis of Blake's work to draw on a radically new understanding of Blake's view of humanity.

A brilliant and witty postmodern critique of ethics, framed as a contemporary restaging of Kierkegaard’s Fear and Trembling. John D. Caputo undertakes a passionate, poetic, and satiric search for the basis of an ethics in the postmodern situation. Restaging Kierkegaard’s Fear and Trembling, Caputo defends the notion of obligation without ethics, of responsibility without the support of ethical foundations. Retelling the story of Abraham and Isaac, he strikes the pose of a postmodern-day Johannes de Silentio, accompanied by communications from such startling figures as Johanna de Silentio, Felix Sineculpa, and Magdalena de la Cruz. In dialogue with the thought of Kierkegaard, Nietzsche, Derrida, and Lyotard, Caputo forges a challenging, original account of what is possible and what is not possible for a continentalist ethics today. “Against Ethics is a bold work. . . . A counterethics whose multiple voices will be heard long after the trivializing arguments of many analytic ethicists have vanished and the arcane formulations of many postmoderns have been jettisoned.” —Edith Wyschogrod “Caputo provides a brilliant new analysis of the limits of ethics. . . . Essential reading for anyone concerned with the philosophical issues raised in postmodernity.” —Drucilla Cornell “One of the most important works on philosophical ethics written in recent years. . . . Caputo speaks with a passion and concern that are rare in academic philosophy.” —Mark C. Taylor “Against Ethics is beautifully written, clever, learned, thought-provoking, and even inspiring.” —Theological Studies “Writing in the form of his ideas, Caputo offers the reader a truly exquisite reading experience. . . . His iconic style mirrors a truly refreshing honesty that draws the reader in to play.” —Quarterly Journal of Speech

Interrogating stories told about life after deconstruction, and discovering instead a kind of afterlife of deconstruction, Daniel Punday draws on a wide range of theorists to develop a rigorous theory of narrative as an alternative model for literary interpretation. Drawing on an observation made by Jean-François Lyotard, Punday argues that at the heart of narrative are concrete objects that can serve as "lynchpins" through which many different explanations and interpretations can come together. Narrative after Deconstruction traces the often grudging emergence of a post-deconstructive interest in narrative throughout contemporary literary theory by examining critics as diverse as Jacques Derrida, Gilles Deleuze, Elizabeth Grosz, and Edward Said. Experimental novelists like Ronald Sukenick, Raymond Federman, Clarence Major, and Kathy Acker likewise work through many of the same problems of constructing texts in the wake of deconstruction, and so provide a glimpse of this post-deconstructive narrative approach to writing and interpretation at its most accomplished and powerful.