Mysticism in India is a complete and informative description of the teachings, works, and lives of the great poet-saints of Maharashtra written by a scholar and professor who was also a mystic. Jnaneshwar, Namadev, Tukaram, Eknath, Ramdas, and the other saints discussed belonged to the great devotional religious movement that spread through medieval India. With the exception of Ramdas, they all belonged to the tradition of the Varkaris, the most popular sect in contemporary Maharashtra. Their compositions exemplify the universality of their faith and practice, and are recognized as literary treasures. Ranade was primarily interested in the poet-saints as mystics--teachers of the perennial philosophy--whose experiences have general metaphysical and religious implications. At the heart of his classic is a comprehensive, objective presentation of the thought of these saints, augmented by a deep appreciation of their value and relevance to present-day scholars and seekers. Mysticism in India is the only major study in English of medieval Indian religious literature. The book's enduring value has been enhanced by the addition of a foreword by a scholar currently working in Marathi literature, and a preface by a present-day poet-saint of Maharashtra.

In this volume the authors present the life stories and works of Ravidas, Kabir, Nanak, Surdas, Mirabai, and Tulsidas - six well-known 'saint-poets' of northern India who have contributed more to the religious vocabulary of Hinduism in the region today than any voices before or since.

Devotion is a category of expression in many of the world’s religious traditions. This book looks at issues involved in academically interpreting religious devotion, as well as exploring the interpretations of religious devotion made by a sixth century poet, a twelfth century biographer, and present-day festival publics. The book focuses on the female poet-saint Kāraikkāl Ammaiyār, whose poetry is devotional in nature. It discusses the biography written on the poet six centuries after her lifetime, and suggests ways of interpreting Kāraikkāl Ammaiyār’s poetry without using the categories and events promoted by her biographer, in order to engage her own thoughts as they are communicated through the poetry attributed to her. In the same way that the biographer made the poet ‘speak’ to his present day, the book looks at how festivals held today make both the poetry and the biography relevant to the present day. By discussing how poetry, story and festival provide distinctive yet overlapping interpretations of the saint, this book reveals the selections and priorities of interpreters in the making of a living tradition. It is an accessible contribution to students and scholars of religion, Indian history and women’s studies.

This book is a translation and study of the poems of a ninth-century woman saint and mystic. The Introduction is designed to make the translations accessible to a non-specialist audience, while the Notes provide insights into the poems and useful explications of allusions and convention with which readers who do not possess a specialized knowledge of Tamil Vaisnava bhakti may be unfamiliar.

‘Look, my feet measure beyond earth and sky!’ he said and touched the sky. I have surrendered to my lord who glanced at me with his large radiant eyes. The Tiruviruttam is an iconic poem by Nammāḻvār (c. ninth century CE), the greatest of the āḻvār poet-saints of the Tamil Śrīvaiṣṇava tradition. Its hundred interlinked verses celebrate the love between an anonymous heroine and hero, who come to be identified with Nammāḻvār and his beloved deity, Viṣṇu. The poet masterfully weaves the erotic and esoteric to reveal both the contours of love and the never-ending cycles of separation and union, of birth and death, from which only Viṣṇu can offer release. In A Hundred Measures of Time, Archana Venkatesan has crafted a sonorous free-verse rendering and an accompanying far-ranging essay to delight poetry lovers and scholars alike.

The Vacanas Or Free-Verse Lyrics Written By Four Major Saints Of The Great Bhakti Protest Movement Which Originated In The Tenth Century Ad. Composed In Kannada, A Dravidian Language Of South India, The Poems Are Lyrical Expressions Of Love For The God Siva. They Mirror The Urge To Bypass Tradition And Ritual, To Concentrate On The Subject Rather Than The Object Of Worship, And To Express Kinship With All Living Things In Moving Terms. Passionate, Personal, Fiercely Monotheistic, These Free Verses Possess An Appeal, Which Is Timeless And Universal.