The most authoritative study of one of Spain's leading philosophers whose Teoría del Quijote has received worldwide acclaim. In the present volume, Professor Brooks gives us a penetrating insight into the poetical and mystical qualities of the man and his work.

Aldous Huxley began as a poet. He perfected the voice of the modern satirical poet of ideas, who used art against itself to produce a parodic poetry of breakdowns, collapses, stalemates, and dead ends best suited to the apparent pointlessness of the post-war era. His cleverest, most irreverent poems are contrapuntal: they, in effect, silence venerable poets and cancel traditional formats. Huxley's poetic personas either fail to preserve conventional forms or purposely sabotage them. By 1920, Huxley became the parodic equivalent of the formative intelligences (i.e., Dante, Goethe, and Lucretius) who once synthesized their respective eras positively. In this book, author Jerome Meckier explicates most of Huxley's poems, including Leda, his masterpiece, an ironical modern myth. Meckier traces Huxley's development in terms of the poets he inserted in five of his eleven novels, along with their poems. These poets mostly fail as poets, their different stances falling apart one after another. But Huxley began to detect a spiritual significance underlying the creative urge. This allowed him to rehabilitate many of the Romantic and Victorian poets he formerly ridiculed as frauds and liars. Eventually, he celebrated mystical contemplation as silent poetry, positing a utopia in which everyone is a poet to the limits of his or her potentiality. Huxley became the perennial philosopher, a neo-Brahmin: the sage-like figure he initially personified parodically. His paradigmatic career took him from a Pyrrhonic silencing of outmoded poems and poets to the advocacy of a poetry of silence. (Series: "Human Potentialities". Studien zu Aldous Huxley & zeitgenossischer Kultur/Studies in Aldous Huxley & Contemporary Culture - Vol. 11)

The present volume is a collection of articles published by Professor James R. Russell of Harvard University, in various journals over the past decades.

From Science to God offers a crash course in the nature of reality. It is the story of Peter Russell's lifelong exploration into the nature of consciousness — how he went from being a strict atheist, studying mathematics and physics at Cambridge University, to realizing a profound personal synthesis of the mystical and scientific. Using his own tale of curiosity and exploration as the book’s backbone, Russell blends physics, psychology, and philosophy to reach a new worldview in which consciousness is a fundamental quality of creation. He shows how all the ingredients for this worldview are in place; nothing new needs to be discovered. We have only to put the pieces together and explore the new picture of reality that emerges. From Science to God is as much a personal story of an open-minded skeptic as it is a tour de force of scientific and religious paradigm shifts. Russell takes us from Galileo’s den to the lecture halls of Cambridge where he studied with Stephen Hawking. “If you had asked me then if there was a God,” says the best-selling author of his scientific beginnings, “I would have pointed to mathematics.” But no matter what empirical truths science offered Russell, one thorny question remained: How can something as immaterial as consciousness, ever arise from something as unconscious as matter?

New York Times bestselling author Maria Dahvana Headley presents a modern retelling of the literary classic Beowulf, set in American suburbia as two mothers—a housewife and a battle-hardened veteran—fight to protect those they love in The Mere Wife. This modern fantasy tale transports you from the ancient mead halls of the Geats to the picket-fenced, meticulously planned community of American suburbia, known as Herot Hall. In the expert hands of Maria Dahvana Headley, this vibrant retelling underscores the timeless struggle between the protected and the outsiders. Enter the confines of Herot Hall, a gated community sequestered from the wild surroundings by sophisticated security systems. Here, life is a series of cocktail hours and playdates for Willa, the charming wife of Herot's heir, and her son Dylan. Meanwhile, deep in a nearby mountain cave lives Dana, a hardened soldier and mother of Gren, a child of mysterious origin. Their worlds collide in a shocking turn of events when Gren breaks into Herot Hall and escapes with Dylan. A brilliant literary novel that effortlessly melds modern literature with ancient mythology, The Mere Wife is a captivating testament to unintended consequences, the brutality of PTSD, and the enduring power of motherhood.