Through a series of intimately interwoven vignettes, Andalucia paints an engulfing dreamscape, at once lush and treacherous, both pale and aflame. The speaker in these poems has fallen in love with some sort of colorless and exotic hell. Disturbed by her "bad girl" past, laden with guilt and abuse, she revels in the sea, in the arms of centaurs, inside of tear jars. Like an antique travel diary turned mythic, Andalucia illuminates the simultaneous feelings of elation, delusion, and fear that go along with letting oneself get lost in one's own land. "Drunk and dolorous, talkative and handsome, Lisa Marie Basile's chapbook Andalucia is a perfect confection of decadence decorated with hounds and leopards. Sweet and old-fashioned like an exotic candy you can't quite place, you will want to devour it. "You don't need a sea to be happy / do you?" No, you just need to read Andalucia by Lisa Marie Basile." -- Kathleen Rooney, author of Oneiromance (an epithalamion)

Frederico Garcia lived in Manhattan from 1929 to 1930, and the poetry he wrote about the city, Poet in New York, was posthumously published in 1940. Eighty years after Lorca's sojourn to America, Nathalie Handal, a poet from New York, went to Spain to write Poet in Andalucia. Handal recreated Lorca's journey in reverse.

Contains an English translation of an anthology of poems from Moorish Spain of the tenth through the thirteenth centuries.

This stunning collection of poems opens up an entire world: the rich, virile, and highly literate Moslem culture of medieval Spain. This pioneering volume spans the full range of poetic emotion and enterprise, making this lost world of a millennium ago marvellously tangible, vivid and palpable. It pays special attention to the female poets, and to the evolution and meaning of the verse structures and songforms. This is a work of scholarly importance as well as a straightforward poetic pleasure.

Frederico García lived in Manhattan from 1929 to 1930, and the poetry he wrote about the city, Poet in New York, was posthumously published in 1940. Eighty years after Lorca’s sojourn to America, Nathalie Handal, a poet from New York, went to Spain to write Poet in Andalucía. Handal recreated Lorca’s journey in reverse.

Undeterred by remote and almost savage country, a primitive peasant population and inns evidently medieval in their crudity, Penelope Chetwode rode in the wilds of Andalusia, her sole companion a 12-year-old bay mare, La Marquesa.

Andalucia is the quintessence of Spain and yet, historically and culturally, it is surprisingly unlike the rest of the country. Its literary history began to develop with the Romans and reached an early flowering when Arabic poets drew on centuries of literary tradition, together with the landscapes and passions of Moorish Spain. Later, Prosper Mérimée, Byron and Washington Irving forged legends of exotic southern Spain that persist to this day and Spanish writers themselves captured the rich tapestry of Andalucian culture, from Cervantes' Seville to the Córdoba of Baroque poet Luis de Góngora and Lorca's 'hidden Andalucia'. With the advent of the Civil War, a new generation flocked to Andalucia and were inspired to write some of the twentieth century's most iconic works of literature, from Hemingway's For Whom the Bell Tolls to Gerald Brenan's The Spanish Labyrinth and Laurie Lee's trilogy of books. As vibrant and compelling as the region itself, Andalucia: A Literary Guide for Travellers illuminates the very soul of Spain.