Frederico Garcia lived in Manhattan from 1929 to 1930, and the poetry he wrote about the city, Poet in New York, was posthumously published in 1940. Eighty years after Lorca's sojourn to America, Nathalie Handal, a poet from New York, went to Spain to write Poet in Andalucia. Handal recreated Lorca's journey in reverse.

Through a series of intimately interwoven vignettes, Andalucia paints an engulfing dreamscape, at once lush and treacherous, both pale and aflame. The speaker in these poems has fallen in love with some sort of colorless and exotic hell. Disturbed by her "bad girl" past, laden with guilt and abuse, she revels in the sea, in the arms of centaurs, inside of tear jars. Like an antique travel diary turned mythic, Andalucia illuminates the simultaneous feelings of elation, delusion, and fear that go along with letting oneself get lost in one's own land. "Drunk and dolorous, talkative and handsome, Lisa Marie Basile's chapbook Andalucia is a perfect confection of decadence decorated with hounds and leopards. Sweet and old-fashioned like an exotic candy you can't quite place, you will want to devour it. "You don't need a sea to be happy / do you?" No, you just need to read Andalucia by Lisa Marie Basile." -- Kathleen Rooney, author of Oneiromance (an epithalamion)

Contains an English translation of an anthology of poems from Moorish Spain of the tenth through the thirteenth centuries.

This stunning collection of poems opens up an entire world: the rich, virile, and highly literate Moslem culture of medieval Spain. This pioneering volume spans the full range of poetic emotion and enterprise, making this lost world of a millennium ago marvellously tangible, vivid and palpable. It pays special attention to the female poets, and to the evolution and meaning of the verse structures and songforms. This is a work of scholarly importance as well as a straightforward poetic pleasure.

Undeterred by remote and almost savage country, a primitive peasant population and inns evidently medieval in their crudity, Penelope Chetwode rode in the wilds of Andalusia, her sole companion a 12-year-old bay mare, La Marquesa.

This stunning collection of poems opens up an entire world: the rich, virile, and highly literate Moslem culture of medieval Spain. This pioneering volume spans the full range of poetic emotion and enterprise, making this lost world of a millennium ago marvellously tangible, vivid and palpable. It pays special attention to the female poets, and to the evolution and meaning of the verse structures and songforms. This is a work of scholarly importance as well as a straightforward poetic pleasure.

Andalusian Hours: Poems from the Porch of Flannery O’Connor is a collection of 101 sonnets that channel the voice of celebrated fiction writer, Flannery O’Connor. In these poems, poet and scholar Angela Alaimo O’Donnell imagines the rich interior life Flannery lived during the last fourteen years of her life in rural Georgia on her family’s farm named “Andalusia.” Each poem begins with an epigraph taken from O’Connor’s essays, stories, or letters; the poet then plumbs Flannery’s thoughts and the poignant circumstances behind them, welcoming the reader into O’Connor’s private world. Together the poems tell the story of a brilliant young woman who enjoyed a bright and promising childhood, was struck with lupus just as her writing career hit its stride, and was forced to return home and live out her days in exile, far from the literary world she loved. By turns tragic and comic, the poems in Andalusian Hours explore Flannery’s loves and losses, her complex relationship with her mother, her battle with her illness and disability, and her passion for her writing. The poems mark time in keeping with the liturgical hours O’Connor herself honored in her prayer life and in her quasi-monastic devotion to her vocation and to the home she learned to love, Andalusia.