Travelers Leaving for the City is a long song of arrivals and departures, centered around the murder of the poet’s grandfather in 1955 in a Pittsburgh hotel, exploring how such events frame memory, history and language for those they touch. The poems probe the anonymity of cities, and the crucible of travel. The historical impact of arousal, rage, regret, and forgiveness is seen in visions of interrogations and hotels. These poems explore how family bonds, and disruptions shape, the mind and language, all the while urging the reader to listen for traces of ancestors in one’s own mind and body.

Since the publication of Walter de la Mare's first edition of his poems in 1920, Edward Thomas has gradually come to be seen as one of the great English poets of the 20th century. Though sometimes classified with Owen, Rosenberg, and Sassoon as a "war poet," he was rather a poet who died tragically in the war. His main subjects were the English countryside and people, solitude, and the anguish of solipsism. As de la Mare wrote eighty years ago, "When Edward Thomas was killed in Flanders, a mirror of England was shattered of so pure and true a crystal that a clearer and tenderer reflection of it can be found no other where than in these poems." This complete collection of Thomas's poems returns us to the ongoing relevance of this essential poet. Revealing a poet whose work resonates in our times, this volume will be returned to again and again. The sorrow of true love is a great sorrow And true love parting blackens a bright morrow: Yet almost they equal joys, since their despair Is but hope blinded by its tears, and clear Above the storm the heavens wait to be seen. But greater sorrow from less love has been That can mistake lack of despair for hope And knows not tempest and the perfect scope Of summer, but a frozen drizzle perpetual Of drops that from remorse and pity fall And cannot ever shine in the sun or thaw, Removed eternally from the sun's law. - Last Poem [The sorrow of true love]

An acclaimed poet and our greatest champion for poetry offers an inspiring and insightful new reading of the American tradition We live in unsettled times. What is America and who are we as a people? How do we understand the dreams and betrayals that have shaped the American experience? For poet and critic Edward Hirsch, poetry opens up new ways of answering these questions, of reconnecting with one another and with what’s best in us. In this landmark new book from Library of America, Hirsch offers deeply personal readings of forty essential American poems we thought we knew—from Anne Bradstreet’s “The Author to Her Book” and Phillis Wheatley’s “To S.M. a Young African Painter, on seeing his Works” to Garrett Hongo’s “Ancestral Graves, Kahuku” and Joy Harjo’s “Rabbit Is Up to Tricks”—exploring how these poems have sustained his own life and how they might uplift our diverse but divided nation. “This is a personal book about American poetry,” writes Hirsch, “but I hope it is more than a personal selection. I have chosen forty poems from our extensive archive and songbook that have been meaningful to me, part of my affective life, my critical consideration, but I have also tried to be cognizant of the changing playbook in American poetry, which is not fixed but fluctuating, ever in flow, to pay attention to the wider consideration, the appreciable reach of our literature. This is a book of encounters and realizations.”

Taking mitochondrial DNA as his guide, Lee explores familial and national legacies, and their persistence across shifting boundaries and the erosions of time. In these poems, the trait of an ancestor appears in the face of a newborn, and in her cry generations of women's voices echo. Stories, both benign and traumatic, travel as lore and DNA. Using lush, exact imagery, whether about the corner bar or a hilltop in Korea, Lee is a careful observer, tracking and documenting the way that seemingly small moments can lead to larger insights. From Mitochondrial Night: We’re drumming, he explained, in the tradition of shamans, so the ancestors won't be so lonely. Because spirits need us more than we need them. And for hours they’ll listen to anyone

A brilliant and rich gathering of voices on the American experience of this past year and beyond, from Indigenous writers and writers of color from Minnesota In this significant collection, Indigenous writers and writers of color bear witness to one of the most unsettling years in the history of the United States. Essays and poems vividly reflect and comment on the traumas we endured in 2020, beginning with the arrival of the COVID-19 pandemic crisis, deepened by the blatant murder of George Floyd by Minneapolis police officers and the uprisings that immersed our city into the epicenter of passionate, worldwide demands for justice. In inspired and incisive writing these contributors speak unvarnished truths not only to the original and pernicious racism threaded through the American experience but also to the deeply personal, in essays about family, loss, food culture, economic security, and mental health. Their call and response is united here to rise and be heard. We Are Meant to Rise lifts up the astonishing variety of BIPOC writers in Minnesota. From authors with international reputations to newly emerging voices, it features people from many cultures, including Indigenous Dakota and Anishinaabe, African American, Hmong, Somali, Afghani, Lebanese, Korean, Vietnamese, Japanese, Puerto Rican, Colombian, Mexican, transracial adoptees, mixed race, and LGBTQ+ perspectives. Most of the contributors have participated in More Than a Single Story, a popular and insightful conversation series in Minneapolis that features Indigenous and people of color speaking on what most concerns their communities. We Are Meant to Rise meets the events of the day, the year, the centuries before, again and again, with powerful testament to the intrinsic and unique value of the human voice. Contributors: Suleiman Adan, Mary Moore Easter, Louise Erdrich, Anika Fajardo, Safy-Hallan Farah, Said Farah, Sherrie Fernandez-Williams, Pamela R. Fletcher Bush, Shannon Gibney, Kathryn Haddad, Tish Jones, Ezekiel Joubert III, Douglas Kearney, Ed Bok Lee, Ricardo Levins Morales, Arleta Little, Resmaa Menakem, Tess Montgomery, Ahmad Qais Munhazim, Melissa Olson, Alexs Pate, Bao Phi, Mona Susan Power, Samantha Sencer-Mura, Said Shaiye, Erin Sharkey, Sun Yung Shin, Michael Torres, Diane Wilson, Kao Kalia Yang, and Kevin Yang.