In this wry, judiciously balanced, and thoroughly engaging book, Galya Diment explores the complicated and fascinating relationship between Vladimir Nabokov and his Cornell colleague Marc Szeftel who, in the estimate of many, served as the prototype for the gentle protagonist of the novel Pnin. She offers astute comments on Nabokov�s fictional process in creating Timogey Pnin and addresses hotly debated questions and long-standing riddles in Pnin and its history. Between the two of them, Nabokov and Szeftel embodied much of the complexity and variety of the Russian postrevolution emigre experience in Europe and the United States. Drawing on previously unpublished letters and diaries as well as on interview with family, friends, and collegues, Diment illuminates a fascinating cultural terrain. Pniniad--the epic of Pnin--begins with Szeftel�s early life in Russia and ends with his years in Seattle at the University of Washington, turning pivotally upon the time in Szeftel�s and Nabokov�s lives intersected at Cornell. Nabokov apparantly was both amused by and admiring of the innocence of his historian friend. Szeftel�s feelings towards Nabokov were also mixed, raning from intense disappointment over rebuffed attempts to collaborate with Nabokov to persistent envy of Nabokov�s success and an increasing wistfulness over his own sense of failure.

Vladimir Nabokov, bilingual writer of dazzling masterpieces, is a phenomenon that both resists and requires contextualization. This book challenges the myth of Nabokov as a sole genius who worked in isolation from his surroundings, as it seeks to anchor his work firmly within the historical, cultural, intellectual and political contexts of the turbulent twentieth century. Vladimir Nabokov in Context maps the ever-changing sites, people, cultures and ideologies of his itinerant life which shaped the production and reception of his work. Concise and lively essays by leading scholars reveal a complex relationship of mutual influence between Nabokov's work and his environment. Appealing to a wide community of literary scholars this timely companion to Nabokov's writing offers new insights and approaches to one of the most important, and yet most elusive writers of modern literature.

Nabokov’s distinguished and unique position in American literature has always been indisputable, but paradoxical. There has always been an element of foreignness in his writing. Nabokov’s Palace, however, aims to discover those sub-texts and inter-textual patterns embedded in Nabokov’s American novels which undeniably contribute towards making these works an integral part of the Anglo-American literary tradition. Aware of this tradition, in some of his late novels Nabokov also provides a literary historical overview of particular themes, such as friendship, melancholy, madness and trance, as they surfaced in literary texts throughout the history of English and American literature. To Nabokov “aesthetic bliss” meant “a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm.” Most of Nabokov’s American novels express—through different elaborate literary structures, themes, motifs and metaphors—these “other states of being” where the “fantastic recurrence” of literary situations and communion with dead poets and writers (Poe, Shakespeare, Hawthorne and Melville, among many others) becomes possible. The American “reality” that some readers miss in his writings (with the exception of Lolita) and the absence of which questions whether Nabokov truly belongs to the Anglo-American tradition, is clearly to be found in the “wayside murmur” of the allusive sub-texts. Nabokov’s Palace is thus recommended for scholars, students and devotees of Nabokov’s fiction who wish to make further discoveries in the distinct “otherworld” of Art in Nabokov’s American novels.

WINNER OF THE PULITZER PRIZE FOR BIOGRAPHY • NEW YORK TIMES BESTSELLER • From the award–winning author of The Revolutionary and The Witches comes “an elegantly nuanced portrait of [Vladimir Nabokov’s] wife, showing us just how pivotal Nabokov’s marriage was to his hermetic existence and how it indelibly shaped his work.”—Michiko Kakutani, The New York Times ONE OF ESQUIRE’S 50 BEST BIOGRAPHIES OF ALL TIME “Monumental.”—The Boston Globe “Utterly romantic.”—New York magazine “Deeply moving.”—The Seattle Times Stacy Schiff brings to shimmering life one of the greatest literary love stories of our time: Vladimir Nabokov, émigré author of Lolita; Pale Fire; and Speak, Memory, and his beloved wife, Véra. Nabokov wrote his books first for himself, second for his wife, and third for no one at all. “Without my wife,” he once noted, “I wouldn’t have written a single novel.” Set in prewar Europe and postwar America, spanning much of the twentieth century, the story of the Nabokovs’ fifty-two-year marriage reads as vividly as a novel. Véra, both beautiful and brilliant, is its outsized heroine—a woman who loves as deeply and intelligently as did the great romantic heroines of Austen and Tolstoy. Stacy Schiff's Véra is a triumph of the biographical form.

Through a close examination of Nabokov's father's political, moral, and aesthetic values and, more generally, Russian liberalism as it existed in the first few decades of the 20th century, the author provides persuasive answers to many long-standing questions in this deeply researched, innovative study.

A Russian Jew of Bloomsbury looks at the remarkable influence that an outsider had on the tightly knit circle of Britain's cultural elite. Among Koteliansky's friends were Katherine Mansfield, Leonard and Virginia Woolf, Mark Gertler, Lady Ottoline Morrell, H.G. Wells, and Dilys Powell. But it was his close and turbulent friendship with D.H. Lawrence that proved to be Koteliansky's lasting legacy. In a lively and vibrant narrative, Galya Diment shows how, despite Kot's determination, he could never escape the dark aspects of his past or overcome the streak of anti-Semitism that ran through British society, including the hearts and minds of many of his famous literary friends.

Professor Timofey Pnin, late of Tsarist Russia, is now precariously perched at the heart of an American campus. Battling with American life and language, Pnin must face great hazards in this new world: the ruination of his beautiful lumber-room-as-office; the removal of his teeth and the fitting of new ones; the search for a suitable boarding house; and the trials of taking the wrong train to deliver a lecture in a language he has yet to master. Wry, intelligent and moving, Pnin reveals the absurd and affecting story of one man in exile.