Comic history of the United States, written in the style of Longfellow's Hiawatha.

In E Pluribus Unum, eminent legal historian William E. Nelson shows that the colonies' gradual embrace of the common law was instrumental to the establishment of the United States. He traces how the diverse legal orders of Britain's thirteen colonies gradually evolved into one system, adding to our understanding of how law impacted governance in the colonial era and beyond.

First published in 1988, this book contains entries on famous American Humorists. Humor has been present in American literature, from the beginning, and has developed characteristics that reflect the American character, both regional and national. Although American literature was, in the past, treated as inferior to British literature, there has always been a large popular audience for the genre, which this book shows. The figures with entries in this encyclopedia not only amuse in their writing, but also aim to enlighten- setting out to expose the foibles and foolishness of society and the individuals who compose it. It is the manner in which these authors try to accomplish this end that determines whether they appear in the volume. Indeed, the book will demonstrate that the best humor has at its base, a ready understanding of human nature.

The Cambridge History of American Poetry offers a comprehensive exploration of the development of American poetic traditions from their beginnings until the end of the twentieth century. Bringing together the insights of fifty distinguished scholars, this literary history emphasizes the complex roles that poetry has played in American cultural and intellectual life, detailing the variety of ways in which both public and private forms of poetry have met the needs of different communities at different times. The Cambridge History of American Poetry recognizes the existence of multiple traditions and a dramatically fluid canon, providing current perspectives on both major authors and a number of representative figures whose work embodies the diversity of America's democratic traditions.

E Pluribus Unum: (From Many, One) is an epic story (1861–1876) chronicling the lives of two individuals. One a black man, Jason Ruth, born into a life of perpetual slavery; the other was a white woman, Rebecca Billings, the daughter of Henry Billings, master of the Rosewood Plantation, born into a pampered life of privilege as a member of the Southern aristocracy. Two people – one black, the other white – whose preordained statuses in life were at diametrically opposite ends of the South's Antebellum society. Two people with absolutely nothing in common yet two people whose lives were inexorably linked due to the lust of Rebecca's father, Henry Billings, for his black slave, Ruth, Jason's mother. Henry Billings's coupling (white master with his black female slave), a common and socially accepted practice in the slave–holding South, resulted in the birth of Mandy (Jason and Rebecca's sister). While Jason and Rebecca are not related by blood, Jason (who had been born before his mother, Ruth, caught the eye of the "massa") and Rebecca each shared a deep and enduring love for his and her only surviving sibling, their common link, their sister, Mandy. The novel tells of Rebecca's life while raising a child of mixed blood in the South during the Civil War and during Reconstruction. It tells of Jason's life as a member of the Massachusetts 54th Infantry Division and his service as a member of the United States Army's 10th Cavalry (Buffalo Soldiers). The novel examines three coexisting nineteenth–century American cultures: the recently defeated South's response to the post–Civil War's era of Reconstruction, the former black slaves who are attempting to adjust to life as freedmen, and the noble nomadic hunter–gatherer society of the Plains Indians fighting to defend and to maintain their way of life.