How to Build Plots That Grab Your Readers and Won't Let Go - By Building and Integrating Characters, Story Arcs, and Engaging Themes Ever wonder what makes a great book or movie different from a pitiful excuse for entertainment? Mostly, it starts with a plot. But what makes a plot work? From months of my own studying the vast numbers of approaches to plotting, it's clear that there is still a wide gulf between the mechanics of a plot and having a working framework usable for any writer. This led to the study of two authors who had already done their own studies of which plots made successful entertainment, and actually built their own still-popular plot generators based on this knowledge. Many well-known and obscure writers have used these methods instead of being dogged by ""writer's block."" The anwers to what makes a great plot are simple and few. The bonus in this book is giving you your own plot generator to help you when you're stuck. Get Your Copy Today.

With complete certainty, I can tell you now - from my more than half-century of existence: Any and all successes, as well as all my disappointments are directly traced to the principles in this book. For any set-back or failure, I either didn't know these principles, didn't understand their power, or simply ignored them. For every success, I have tracked back to taking these exact steps laid out in this book - to achieve, acquire, or attain whatever it was I wanted to be or have. And that experience is why I'm bringing out this short book you can have to carry with you and review regularly. Inside Earl Nightingale's original "Strangest Secret" recording, he mentions several books that support these ideas. If you put them together, the length is around 700 pages of text. What you are reading here is around a hundred. And this is designed to be slim and still contain the power of the best references that can educate and reinforce the key success principles Nightingale recorded in 1956.

She’s all bottled up. Jeannie Carlyle is a caterer extraordinaire, more than ready to handle any challenge thrown at her. But when her client asks her to open up a rare bottle of gin for a party, Jeannie is shocked when a guy in poofy pants pops out and she gets sucked inside. Trapped in the bottle, Jeannie does the only thing she can think of and uses her cell phone to search the term “paranormal” and finds the number for OOPS—Out in the Open Paranormal Support. Until he sets her free. Werewolf Sloan Flaherty isn’t keen on dealing with distraught women, especially since his sister-in-law Marty basically forced him to man the OOPS phones. But when Jeannie calls in a panic, Sloan is the only one available to find Jeannie’s bottle. After giving it a good rub, Jeannie emerges dressed like a character from Arabian Nights and starts calling Sloan “Master.” Now, they need to figure out how to break their unwanted bond, before the wishes Jeannie can’t stop granting get them into more trouble than even the OOPS girls can handle…