In this original and timely assessment of cultural expressions of paranoia in contemporary Russia, Eliot Borenstein samples popular fiction, movies, television shows, public political pronouncements, internet discussions, blogs, and religious tracts to build a sense of the deep historical and cultural roots of konspirologiia that run through Russian life. Plots against Russia reveals through dramatic and exciting storytelling that conspiracy and melodrama are entirely equal-opportunity in modern Russia, manifesting themselves among both pro-Putin elites and his political opposition. As Borenstein shows, this paranoid fantasy until recently characterized only the marginal and the irrelevant. Now, through its embodiment in pop culture, the expressions of a conspiratorial worldview are seen everywhere. Plots against Russia is an important contribution to the fields of Russian literary and cultural studies from one of its preeminent voices.

In this original and timely assessment of cultural expressions of paranoia in contemporary Russia, Eliot Borenstein samples popular fiction, movies, television shows, public political pronouncements, internet discussions, blogs, and religious tracts to build a sense of the deep historical and cultural roots of konspirologiia that run through Russian life. Plots against Russia reveals through dramatic and exciting storytelling that conspiracy and melodrama are entirely equal-opportunity in modern Russia, manifesting themselves among both pro-Putin elites and his political opposition. As Borenstein shows, this paranoid fantasy until recently characterized only the marginal and the irrelevant. Now, through its embodiment in pop culture, the expressions of a conspiratorial worldview are seen everywhere. Plots against Russia is an important contribution to the fields of Russian literary and cultural studies from one of its preeminent voices.

"A study of paranoid, conspiratorial, and extremist trends in Russia's media, film, and fiction since the collapse of the Soviet Union"--

An in-depth look at the decades-long effort to escalate hostilities with Russia and what it portends for the future. Since 1945, the US has justified numerous wars, interventions, and military build-ups based on the pretext of the Russian Red Menace, even after the Soviet Union collapsed at the end of 1991 and Russia stopped being Red. In fact, the two biggest post-war American conflicts, the Korean and Vietnam wars, were not, as has been frequently claimed, about stopping Soviet aggression or even influence, but about maintaining old colonial relationships. Similarly, many lesser interventions and conflicts, such as those in Latin America, were also based upon an alleged Soviet threat, which was greatly overblown or nonexistent. And now the specter of a Russian Menace has been raised again in the wake of Donald Trump’s election. The Plot to Scapegoat Russia examines the recent proliferation of stories, usually sourced from American state actors, blaming and manipulating the threat of Russia, and the long history of which this episode is but the latest chapter. It will show readers two key things: (1) the ways in which the United States has needlessly provoked Russia, especially after the collapse of the USSR, thereby squandering hopes for peace and cooperation; and (2) how Americans have lost out from this missed opportunity, and from decades of conflicts based upon false premises. These revelations, amongst other, make The Plot to Scapegoat Russia one of the timeliest reads of 2017.

"Perhaps because he is such an unlikely Tolstoyan, Viktor Shklovsky's writing on Tolstoy is always absorbing and often brilliant." Russian Review

At the height of the Cold War in the 1950s, the United States government unleashed covert operations intended to weaken the Soviet Union. As part of these efforts, the CIA committed to supporting Russian exiles, populations uprooted either during World War Two or by the Russian Revolution decades before. No one seemed better prepared to fight in the American secret war against communism than the uprooted Russians, whom the CIA directed to carry out propaganda, espionage, and subversion operations from their home base in West Germany. Yet the American engagement of Russian exiles had unpredictable outcomes. Drawing on recently declassified and previously untapped sources, Cold War Exiles and the CIA examines how the CIA's Russian operations became entangled with the internal struggles of Russia abroad and also the espionage wars of the superpowers in divided Germany. What resulted was a transnational political sphere involving different groups of Russian exiles, American and German anti-communists, and spies operating on both sides of the Iron Curtain. Inadvertently, CIA's patronage of Russian exiles forged a complex sub-front in the wider Cold War, demonstrating the ways in which the hostilities of the Cold War played out in ancillary conflicts involving proxies and non-state actors.

A history of Russophobia and its living legacy in world affairs With proof of election-meddling and the relationship between Donald Trump and Vladimir Putin an ongoing conundrum, little wonder many Americans are experiencing what historian Mark B. Smith calls "the Russia Anxiety." This is no new phenomenon. Time and time again, the West has judged Russia on assumptions of its inherent cunning, malevolence, and brutality. Yet for much of its history, Russia functioned no differently-or at least no more dysfunctionally-than other absolutist, war-mongering European states. So what is it about this country that so often provokes such excessive responses? And why is this so dangerous? Russian history can indeed be viewed as a catalog of brutal violence, in which a rotation of secret police-from Ivan the Terrible's Oprichina to Andropov's KGB and Putin's FSB-hold absolute sway. However, as Smith shows, there are nevertheless deeper political and cultural factors that could lead to democratic outcomes. Violence is not an innate element of Russian culture, and Russia is not unknowable. From foreign interference and cyber-attacks to mega-corruption and nuclear weapons, Smith uses Russia's sprawling history to throw light on contemporary concerns. Smith reveals how the past has created today's Russia and how this past offers hints about its future place in the world-one that reaches beyond crisis and confrontation.