A DEMON ENSLAVED Lore is a Seminus half-breed demon who has been forced to act as his dark master's assassin. Now to earn his freedom and save his sister's life, he must complete one last kill. Powerful and ruthless, he'll stop at nothing to carry out this deadly mission. AN ANGEL TEMPTED Idess is an earthbound angel with a wild side, sworn to protect the human Lore is targeting. She's determined to thwart her wickedly handsome adversary by any means necessary-even if that means risking her vow of eternal chastity. But what begins as a simple seduction soon turns into a passion that leaves both angel and demon craving complete surrender. Torn between duty and desire, Lore and Idess must join forces as they battle their attraction for each other. Because an enemy from the past is rising again-one hellbent on vengeance and unthinkable destruction.

Prepare to be burned (Gena Showalter) by this sexy and suspenseful enemies-to-lovers paranormal romance in the New York Times bestselling Demonica series. Runa Wagner never meant to fall in love with the sexy stranger who seemed to know her every deepest desire. But she couldn't resist the unbelievable passion that burned between them, a passion that died when she discovered his betrayal and found herself forever changed. Now, determined to make Shade pay for the transformation that haunts her, Runa searches for him, only to be taken prisoner by his darkest enemy. A Seminus Demon with a love-curse that threatens him with eternal torment, Shade hoped he'd seen the last of Runa and her irresistible charm. But when he wakes up in a dank dungeon chained next to an enraged and mysteriously powerful Runa, he realizes that her effect on him is more dangerous than ever. As their captor casts a spell that bonds them as lifemates, Shade and Runa must fight for their lives and their hearts-or succumb to a madman's evil plans.

In 1959, at the age of 22, Joanna Russ published her first science fiction story, "Nor Custom Stale," in The Magazine of Science Fiction and Fantasy. In the forty-five years since, Russ has continued to write some of the most popular, creative, and important novels and stories in science fiction. She was a central figure, along with contemporaries Ursula K. Le Guin and James Tiptree, in revolutionizing science fiction in the 1960s and 1970s, and her 1970 novel, The Female Man, is widely regarded as one of the most successful and influential depictions of a feminist utopia in the entire genre. The Country You Have Never Seen gathers Joanna Russ's most important essays and reviews, revealing the vital part she played over the years in the never-ending conversation among writers and fans about the roles, boundaries, and potential of science fiction. Spanning her entire career, the collection shines a light on Russ's role in the development of new wave science fiction and feminist science fiction, while at the same time providing fascinating insight into her own development as a writer.

From the New York Times bestselling author who Gena Showalter calls "decadently sinful" comes a forbidden romance in the beloved Demonica series. As the only female Seminus demon ever born, master assassin Sinead Donnelly is used to being treated like an outcast. She spent decades enslaved, and now vows she'll die before she'll relinquish her freedom again. Then Sin's innate ability to kill her enemies goes awry: She creates a lethal new werewolf virus that sparks a firestorm of panic and violence. Half-werewolf, half-vampire Conall Dearghul is charged with bringing in Sin to face punishment for the plague. And she's no stranger: He's bound to her by blood, and the one sexual encounter they shared has left him hungering for her raw sensuality. Worse, Sin is the underworld's most wanted and Con soon learns he's the only one who can help her . . . and that saving her life might mean sacrificing his own.

An inner journey across space and time linking the "author" to other poets, this lyrical essay-poem continues Helene Cixous's rewriting of notions of boundary, self, other, and author. Cixous here interrogates the status of the author, connecting distant instances of herself with other writers who traverse genders, generations, and national boundaries. First Days of the Year is a celebration of beginnings and future possibilities, based on necessity and hope, constantly mediating writing and living, life and death. Like all of Cixous's profoundly original works, it seductively leads the reader into a new way of thinking by disrupting fixed ideas of psychic identity, subjectivity, and language.

Since the beginnings of African cinema, the realm of beauty on screen has been treated with suspicion by directors and critics alike. James S. Williams explores an exciting new generation of African directors, including Abderrahmane Sissako, Mahamat-Saleh Haroun, Fanta Régina Nacro, Alain Gomis, Newton I. Aduaka, Jean-Pierre Bekolo and Mati Diop, who have begun to reassess and embrace the concept of cinematic beauty by not reducing it to ideological critique or the old ideals of pan-Africanism. Locating the aesthetic within a range of critical fields - the rupturing of narrative spectacle and violence by montage, the archives of the everyday in the 'afropolis', the plurivocal mysteries of sound and language, male intimacy and desire, the borderzones of migration and transcultural drift - this study reveals the possibility for new, non-conceptual kinds of beauty in African cinema: abstract, material, migrant, erotic, convulsive, queer. Through close readings of key works such as Life on Earth (1998), The Night of Truth (2004), Bamako (2006), Daratt (Dry Season) (2006), A Screaming Man (2010), Tey (Today) (2012), The Pirogue (2012), Mille soleils (2013) and Timbuktu (2014), Williams argues that contemporary African filmmakers are proposing propitious, ethical forms of relationality and intersubjectivity. These stimulate new modes of cultural resistance and transformation that serve to redefine the transnational and the cosmopolitan as well as the very notion of the political in postcolonial art cinema.

When Cupid Struck Me is an anthology written in the language of love with stories and poetry that will let your heart swing back and forth. Leafing through the tales of love you will experience a tinge of pain, pleasure, and all the shades of love.