Detective Kilroy is assigned to investigate a horrible murder. He's a fine cop, from the brim of his hat to the soles of his brogues, but his inquiries, far from solving the mystery, lead him into a deeper one—and to Cynthia, an enigmatic woman with a secret that could overturn Kilroy's entire world. But where is this world? It seems both familiar and uncanny, with electric cars, but no digital devices, and the audience for a public execution arriving by tram. Meanwhile, the seas are retreating, and the Church exerts an iron grip on society—and history. Power belongs to those who control the narrative. Kilroy is forced to take sides between the Kafkaesque state that pays his wages, and the truth-seekers striving to destroy it, all the while becoming besotted with a woman who may only love him for his mind—in an alarmingly literal way.

The only thing worse than waking up with the hangover from hell is waking up with a hangover in hell When literary reprobate Foster James wakes up in a strange country house, he assumes he's been consigned to rehab (yet again). But when he gets punched in the face by Ernest Hemingway, he realises there's something different about this place... Is Foster dead? Has his less-than-saintly existence finally caught up with him? After a hostile group therapy session with Hunter S. Thompson, William Burroughs and Samuel Taylor Coleridge, it seems likely. But he still feels alive, especially after he gets laid by Dorothy Parker. When he discovers that the two enigmatic doctors who run the institution are being torn apart by a thwarted love affair, he and the other writers must work together to save something bigger than their own gigantic egos. Set in a place that's part Priory, part Purgatory, Dead Writers in Rehab is a darkly funny tale about the strange and terrible entanglement of creativity and addiction, told by a charming, selfish bastard.

A COMPELLING AND CLAUSTROPHOBIC THRILLER 'Once I'd started reading I could not put it down' IAIN MAITLAND When burned-out investigative journalist Adam Budd's estranged mother dies, he inherits her estate. This includes Stone Heart House, a huge, ramshackle mansion on a remote Scottish island. He visits the island to sort out her tangled affairs, and at first it seems like a charming haven of tranquillity. But after he witnesses a strange accident, he begins to develop suspicions about the inhabitants. Why does everyone seem so eerily calm, even under stress? What is stopping Harriet, the lawyer helping him with his affairs, from leaving the island when she so clearly wants to? Is he making a big mistake by falling for her? And why have so many children gone missing? Stone Heart Deep is a compelling and claustrophobic thriller with a remarkable twist, as if Iain Banks had rewritten The Wicker Man.

A darkly comic dystopian crime novel Detective Kilroy is assigned to investigate a horrible murder. He's a fine cop, from the brim of his hat to the soles of his brogues, but his inquiries, far from solving the mystery, lead him into a deeper one – and to Cynthia, an enigmatic woman with a secret that could overturn Kilroy's entire world. But where is this world? It seems both familiar and uncanny, with electric cars, but no digital devices, and the audience for a public execution arriving by tram. Meanwhile, the seas are retreating, and the Church exerts an iron grip on society – and history. Power belongs to those who control the narrative. Kilroy is forced to take sides between the Kafkaesque state that pays his wages, and the truth-seekers striving to destroy it, all the while becoming increasingly besotted with a woman who may only love him for his mind – in an alarmingly literal way. Please Do Not Ask for Mercy as a Refusal Often Offends is a dystopian satire that manages to be funny and frightening in equal measure.

'It is dark, dirty, grim and confusing – in a very good way. It’s also warm, humane, funny and mischievous, and all the pages are in the right order' Jeremy Hardy

Stone Heart Deep is a compelling and claustrophobic thriller with a remarkable twist, as if Iain Banks had rewritten The Wicker Man. When burned-out investigative journalist Adam Budd's estranged mother dies, he inherits her estate. This includes Stone Heart House, a huge, ramshackle mansion on a remote Scottish island. He visits the island to sort out her tangled affairs, and at first it seems like a charming haven of tranquillity. But after he witnesses a strange accident, he begins to develop suspicions about the inhabitants. Why does everyone seem so eerily calm, even under stress? What is stopping Harriet, the lawyer helping him with his affairs, from leaving the island when she so clearly wants to? Is he making a big mistake by falling for her? And why have so many children gone missing?