Friday 28 July 2019: Eleven years after Jay-Z became the first hip-hop artist to headline the Pyramid Stage at Glastonbury, Stormzy finally became the first English rapper to follow suit. The South London rapper, wearing a customised stab-proof vest designed by Banksy, put in an explosive performance and finished his set by thanking many of the “legends for paving the way,” name-checking the likes of Wiley, Dizzee Rascal, and Giggs. Yet British rap has a nuanced, rich, and often misunderstood history that factors in socioeconomics, gender, identity, music industry disruption, and innovation. Despite how unlikely it looked for decades, UK rap is now firmly part of pop music and the greater hip-hop canon. What Do You Call It? charts the journey of UK rap music over nearly forty years. It begins in the early 1980s when rap landed on our odd little island. Imported through the electro-driven hip-hop of Afrika Bambaataa, the sound was shaped by sound system culture, inspired by punk, and accelerated by rave. The result is a music that does not stand still. From Britcore to UK hip-hop via the deep outer reaches of trip-hop in the late twentieth century, through to the tumultuous opening decades of the twenty-first century and the urban claustrophobia of MC-driven garage, grime, and drill. Through a combination of cultural theory, historical research, and dozens of interviews with the scene protagonists—including Jazzie B, Klashnekoff, Skinnyman, and Wiley, through to contemporary artists like Tion Wayne and Loyle Carner— the book tells the origin stories of classic albums and mixtapes, anthemic singles, vital scenes, long-forgotten but important labels, and the artists who would change the course of British music and culture.

Do it yourself and succeed! More and more artists are taking advantage of new technologies to try and build successful careers. But in this expanding competitive marketplace, serious do-it-yourself musicians need structured advice more than ever. In Music Marketing for the DIY Musician, veteran musician and industry insider Bobby Borg presents a strategic, step-by-step guide to producing a fully customized, low-budget plan of attack for marketing one’s music. Presented in a conversational tone, this indispensable guide reveals the complete marketing process using the same fundamental concepts embraced by top innovative companies, while always encouraging musicians to find their creative niche and uphold their artistic vision. The objective is to help artists take greater control of their own destinies while saving money and time in attracting the full attention of top music industry professionals. It’s ultimately about making music that matters, and music that gets heard! Updates include: New interviews highlighting current marketing strategies for the new music market Info on how to leverage digital marketing and streaming playlists Updated stories and examples of current music marketing principles Future forecasts and trends into music marketing New and revised services, tools, references, and contacts that can help musicians further their careers New marketing plan samples for bands/solo artists and freelance musicians and songwriters

"Dugas credits the reemergence of Shakespeare's plays and his rise to fame in the 1700s to economic factors surrounding the theater business including the acquisition and adaptation of Shakespeare's plays by the Tonson publishing firm, which marketed collector's editions of his work, spurring a price war and rousing public interest"--Provided by publisher.

Michael Bublé is an international singing sensation. Since his debut in 2003, he has sold 18 million albums, won numerous awards (including a Grammy), reached the top 10 in the UK charts with his first album, 'Michael Bublé', and the top 50 of the Billboard 200 album charts for the same CD. His second album, 'It's Time', was more successful still, debuting at number 4 in the UK charts, and his song 'Home' was a UK number one. His performances and concerts worldwide have been sell outs, while he has cultivated a huge and loyal fanbase. Of Italian origin, and born into a family of fishermen in Canada, Michael was heavily influenced by his grandfather, whom he credited with introducing him to the kind of music he would make his own - Frank Sinatra, Ray Charles, Dean Martin and Elvis, to name but a few. His popularity continues to grow, and this comprehensive and definitive biography charts his fascinating and phenomenal success story.

An authoritative reference on all aspects of audio engineering and technology including basic mathematics and formulae, acoustics and psychoacoustics, microphones, loudspeakers and studio installations. Compiled by an international team of experts, the second edition was updated to keep abreast of fast-moving areas such as digital audio and transmission technology. Much of the material has been revised, updated and expanded to cover the very latest techniques. This is a new paperback version.

This book is your guide to the study and practice of music management and the fast-moving music business of the 21st century. Covering a range of careers, organisations, and practices, this expert introduction will help aspiring artists, managers, and executives to understand and succeed in this exciting sector. Featuring exclusive interviews with industry experts and discussions of well-known artists, it covers key areas such as artist development, the live music sector, fan engagement, and copyright. Other topics include: Managing contracts and assembling teams. Using data audits of platforms to adapt campaigns. Shaping opinions about music, musicians, events. How the music industry can be more diverse, inclusive, and equitable for the benefit of all. Working with venues, promoters, booking agents, and tour managers. Branding, sponsorship, and endorsement. Funding, crowdsourcing and royalty collection. Ongoing digital developments such as streaming income and algorithmic recommendation. Balancing the creative and the commercial, it is essential reading for students of music management, music business, and music promotion – and anybody looking to build their career in the music industries. Dr Chris Anderton, Johnny Hopkins, and James Hannam all teach on the BA Music Business at the Faculty of Business, Law and Digital Technologies at Solent University, Southampton, UK.