This book analyzes important ancient responses to Hesiod's five-part narrative of human history as keys to their broader revisions of 'Hesiod'.

Athanassakis has lightly improved his translation throughout the text, expertly balancing the natural flow of the verse while adhering closely to the literal Greek.

This best-selling translation of Hesiod's the Theogony, the Works and Days, and the Shield has been updated into the most indispensable edition yet for students of Greek mythology and literature. Next to the works of Homer, Hesiod's poems are foundational texts for students of the classics. His two major surviving works, the Theogony and the Works and Days, address the divine and the mundane, respectively. The Theogony traces the origins of the Greek gods and recounts the events surrounding the crowning of Zeus as their king, while the Works and Days is a manual of moral instruction in verse addressed to farmers and peasants. Though modern scholars dispute the authorship of the Shield, ancient texts treat this final poem about the shield of Herakles as unquestionably Hesiodic. Introducing his celebrated translations of Hesiod, Apostolos N. Athanassakis positions the philosopher-poet as heir to a long tradition of Hellenic poetry. Hesiod's poems demonstrate the author's passionate interest in the governance of human society through justice and a tangible work ethic. As a physicist and a materialist, Hesiod avoided such subjects as honor and the afterlife. His works contain the oldest fundamentals on law and Greek economy, making Hesiod the first great thinker of Western civilization. Athanassakis's contextual notes offer both comparison to Biblical and Norse mythologies as well as anthropological connections to modern Greece. The third edition of this classic undergraduate text includes a thoroughly updated bibliography reflecting the last two decades of scholarship. The introductions and notes have been enriched, clarifying contextual history and the meaning of Hesiod's own language and themes, and notes have been newly added to the Shield. Athanassakis has lightly improved his translation throughout the text, expertly balancing the natural flow of the verse while adhering closely to the literal Greek.

Greek poet Hesiod's canonical archaic text, the Works and Days, was performed in its entirety, but was also relentlessly excerpted, quoted, and reapplied. In this volume, Lilah Grace Canevaro situates the poem within these two modes of reading and argues that the text itself, through Hesiod's complex mechanism of rendering elements detachable while tethering them to their context for the purposes of the poem, sustains both treatments. One of the poem's difficulties is that Hesiod gives remarkably little advice on how to negotiate these different modes of reading. Canevaro considers the didactic methods employed by Hesiod from two perspectives: in terms of the gaps he leaves, and of how he challenges his audience to fill them. She argues that Hesiod's reticence is linked to the high value he places on self-sufficiency, which creates a productive tension with the didactic thrust of the poem as teaching always involves a relationship of exchange and, at least up to a point, reliance and trust. Hesiod negotiates this potential contradiction by advocating not blind adherence to his teachings but thinking for oneself and working for one's lesson. Exploring key issues such as gender and genre, and persona and performance, this volume places this important poem within a wider context, revealing how it draws on and contributes to a tradition of usefulness.

This volume brings together 29 junior and senior scholars to discuss aspects of Hesiod's poetry and its milieu and to explore questions of reception over two and half millennia from shortly after the poems' conception to Twitter hashtags. Rather than an exhaustive study of Hesiodic themes, the Handbook is conceived as a guide through terrain, some familiar, other less charted, examining both Hesiodic craft and later engagements with Hesiod's stories of the gods and moralizing proscriptions of just human behavior. The volume opens with the "Hesiodic Question," to address questions of authorship, historicity, and the nature of composition of Hesiod's two major poems, the Theogony and Works and Days. Subsequent chapters on the archaeology and economic history of archaic Boiotia, Indo-European poetics, and Hesiodic style offer a critical picture of the sorts of questions that have been asked rather than an attempt to resolve debate. Other chapters discuss Hesiod's particular rendering of the supernatural and the performative nature of the Works and Days, as well as competing diachronic and synchronic temporalities and varying portrayals of female in the two poems. The rich story of reception ranges from Solon to comic books. These chapters continue to explore the nature of Hesiod's poetics, as different writers through time single out new aspects of his art less evident to earlier readers. Long before the advent of Christianity, classical writers leveled their criticism at Hesiod's version of polytheism. The relative importance of Hesiod's two major poems across time also tells us a tale of the age receiving the poems. In the past two centuries, artists and writers have come to embrace the Hesiodic stories for themselves for the insight they offer of the human condition but even as old allegory looks quaint to modern eyes new forms of allegory take form.

This book is about how poets, philosophers, storytellers, and scientists have described motion, beginning with Hesiod, who imagined that the expanse of heaven and the depth of hell was the distance that an anvil falls in nine days. The reader will learn that Dante's implicit model of the earth implies a black hole at its core, that Edmond Halley championed a hollow earth, and that Da Vinci knew that the acceleration due to Earth's gravity was a constant. There are chapters modeling Jules Verne's and H.G. Wells' imaginative flights to the moon and back, analyses of Edgar Alan Poe's descending pendulum, and the solution to an old problem perhaps inspired by one of the seven wonders of the ancient world. It blends with equal voice romantic whimsy and derived equations, and anyone interested in mathematics will find new and surprising ideas about motion and the people who thought about it.

The four kingdoms motif enabled writers of various cultures, times, and places, to periodize history as the staged succession of empires barrelling towards an utopian age. The motif provided order to lived experiences under empire (the present), in view of ancestral traditions and cultural heritage (the past), and inspired outlooks assuring hope, deliverance, and restoration (the future). Four Kingdom Motifs before and beyond the Book of Daniel includes thirteen essays that explore the reach and redeployment of the motif in classical and ancient Near Eastern writings, Jewish and Christian scriptures, texts among the Dead Sea Scrolls, Apocrypha and pseudepigrapha, depictions in European architecture and cartography, as well as patristic, rabbinic, Islamic, and African writings from antiquity through the Mediaeval eras.