The music of the 1980s left an indelible mark on pop culture. Thanks to the dawn of MTV and the increasing affordability of synthesizers, a generation of innovative artists took the world by storm to create one of the last great glory eras of pop music. To get to the heart of what made this decade so special, music journalist Jim Beviglia weaves a narrative of the stories behind the pop music phenomenon. Playing Back the 80s: A Decade of Unstoppable Hits features original interviews with more than sixty artists, producers, session players, writers, and others who were directly involved with the most memorable songs of the decade. Among those who appear in Playing Back the 80s are iconic artists like Huey Lewis, Rick Springfield, Kim Carnes, Vernon Reid, Dennis DeYoung, Colin Hay, and Eddie Money telling the stories of how they created, often against imposing odds and in the midst of bizarre circumstances, the unstoppable hits and unheralded gems that still enchant so many fans today. Playing Back the 80s will have music fans pulling their old cassettes out of storage and remembering when and where they heard the songs first. For those who didn’t grow up in the 80s, this endlessly fun book will show them what the fuss was all about and maybe reveal a few surprises along the way.

Celebrating one of the last great glory eras of pop music, Playing Back the 80s features original interviews with over sixty artists, producers, session players, writers and others who were directly involved with the most memorable songs of the decade.

A most excellent array of 24 close-up magic miracles, inspired by the books of the 1980's. Introduction by David Regal.

Wall Street scandals. Fights over taxes. Racial resentments. A Lakers-Celtics championship. The Karate Kid topping the box-office charts. Bon Jovi touring the country. These words could describe our current moment—or the vaunted iconography of three decades past. In this wide-ranging and wickedly entertaining book, New York Times bestselling journalist David Sirota takes readers on a rollicking DeLorean ride back in time to reveal how so many of our present-day conflicts are rooted in the larger-than-life pop culture of the 1980s—from the “Greed is good” ethos of Gordon Gekko (and Bernie Madoff) to the “Make my day” foreign policy of Ronald Reagan (and George W. Bush) to the “transcendence” of Cliff Huxtable (and Barack Obama). Today’s mindless militarism and hypernarcissism, Sirota argues, first became the norm when an ’80s generation weaned on Rambo one-liners and “Just Do It” exhortations embraced a new religion—with comic books, cartoons, sneaker commercials, videogames, and even children’s toys serving as the key instruments of cultural indoctrination. Meanwhile, in productions such as Back to the Future, Family Ties, and The Big Chill, a campaign was launched to reimagine the 1950s as America’s lost golden age and vilify the 1960s as the source of all our troubles. That 1980s revisionism, Sirota shows, still rages today, with Barack Obama cast as the 60s hippie being assailed by Alex P. Keaton–esque Republicans who long for a return to Eisenhower-era conservatism. “The past is never dead,” William Faulkner wrote. “It’s not even past.” The 1980s—even more so. With the native dexterity only a child of the Atari Age could possess, David Sirota twists and turns this multicolored Rubik’s Cube of a decade, exposing it as a warning for our own troubled present—and possible future.

(Keyboard Presents). No single decade revitalized the keyboard as a focal point as much as the 1980s. Now, the editors of Keyboard magazine have culled that era's most insightful articles and combined them with a wealth of insight to create this landmark book. Features 20 interviews with noted players and producers like Jimmy Jam & Terry Lewis, Duran Duran's Nick Rhodes, Depeche Mode's Vince Clarke, Peter Gabriel, and The Human League, as well as such visionary pioneers as Herbie Hancock, Chick Corea, and Frank Zappa.

For fans of vintage YA, a humorous and in-depth history of beloved teen literature from the 1980s and 1990s, full of trivia and pop culture fun. Those pink covers. That flimsy paper. The nonstop series installments that hooked readers throughout their entire adolescence. These were not the serious-issue novels of the 1970s, nor the blockbuster YA trilogies that arrived in the 2000s. Nestled in between were the girl-centric teen books of the ’80s and ’90s—short, cheap, and utterly adored. In Paperback Crush, author Gabrielle Moss explores the history of this genre with affection and humor, highlighting the best-known series along with their many diverse knockoffs. From friendship clubs and school newspapers to pesky siblings and glamorous beauty queens, these stories feature girl protagonists in all their glory. Journey back to your younger days, a time of girl power nourished by sustained silent reading. Let Paperback Crush lead you on a visual tour of nostalgia-inducing book covers from the library stacks of the past.

Art Since the ’80s, a new series from Reaktion Books, seeks to offer compelling surveys of popular themes in contemporary art. In the first book in the series, Gill Perry reveals how the house and the idea of home have inspired a range of imaginative and playful works by artists across the globe. Exploring how artists have engaged with this theme in different contexts—from mobile homes and beach houses to haunted houses and broken homes—Playing at Home shows that our relationship with houses involves complex responses in which gender, race, class, and status overlap, and that through these relationships we turn a house into a home. Perry looks at the works of numerous artists, including Tracey Emin, Rachel Whiteread, Michael Landy, Mike Kelley, and Peter Garfield, as well as the work of artists who travel across continents and see home as a shifting notion, such as Do-Ho-Suh and Song Dong. She also engages with the work of philosophers and cultural theorists from Walter Benjamin and Gaston Bachelard to Johan Huizinga and Henri Lefebvre, who inform our understanding of living and dwelling. Ultimately, she argues that irony, parody, and play are equally important in our interpretations of these works on the home. With over one hundred images, Playing at Home covers a wide range of art and media in a fascinating look at why there’s no place like home.