"Most young playwrights nowadays want to learn 'how to' write a play. This seems to me to be a mistake." Thus begins the first chapter of Walter Kerr's fascinating book on the art of playwriting. Taking an about-face look at the creative process, with chapters such as "How to Spoil a Good Story," Mr. Kerr leads us through the exciting and daring adventure of successfully bringing a play to fulfillment. "There is no point in pretending that this is not going to be an argumentative book or that overemphasis isn't going to crop up pretty frequently in the chapters that follow. The face of our theater is so familiar to us that we shall never see its features without blowing them up a bit, one by one. And it does seem to me that we had better do some arguing - quick." Walter Kerr, drama critic, playwright, teacher, director, and winner of a Pulitzer Prize for Drama Criticism, served as drama critic for the New York Herald Tribune and was chief critic for the Sunday New York Times until his retirement. -- from back cover

lay/Write: Digital Rhetoric, Writing, Games is an edited collection of essays that examines the relationship between games and writing – examining how writing functions both within games and the networks of activity that surround games and gameplay. The collection is organized based on the primary location and function of the game-writing relationship, examining writing about games (games as objects of critique and sites of rhetorical action), ancillary and instructional writing that takes place around games, the writing that takes place within the game, using games as persuasive forms of communication (writing through games), and writing that goes into the production of games. While not every chapter focuses exclusively on pedagogy, the collection includes many selections that consider the possibilities of using computer games in writing instruction. However, it also provides a bridge between academic views of games as contexts for writing and industry approaches to the writing process in game design, as well as an examination of a variety of game-related genres that could be used in composition courses.

Do you have an idea for a play? A situation or experience from your home or work life? Fantasy? With helpful clear examples taken from his own experiences in teaching directing and playwriting Milton Polsky shows how to find and shape a dramatic idea and bring it to fruition. In addition to providing many practical exercises suggestions and tips he discusses and illustrates with examples from established playwrights the importance of giving shape to your idea so that what is in your head and heart can be expressed to the fullest. To facilitate this creative process there are What if? Just for You Playwright's Page sections; diagrams journal exercises; and for this revised edition end of chapter Suggested Activities for the Classroom (solo and group); addditional appendices including one on feedback; and over 50 new photos. This invaluable and basic guide to writing plays is ideal for teachers students camp counselors community theatre leaders and for anyone who knows there's a play inside trying to get out]

A surprise on every page! Brimming from cover to cover with projects and other paper surprises, The Kids’ Book of Paper Love, from the bestselling editors of Flow magazine and books, is a bounty of a book that begs to be folded, cut up, collaged, doodled on, and shared. Loop paper strips into a paper chain. Snip out bookmarks. Fold a paper house. Make photo booth props—a silly mustache, a crown—to pose with friends. Bind up a DIY storybook and use it to sketch out adventures and dreams. Construct a paper flower bouquet, a paper terrarium, a fortune-teller with prompts like Lend someone a book and tell them why you recommend it. Plus there are Flow’s signature paper goodies, including a foldout paper banner, postcards, glitter stickers, a paper doll, a two-sided poster, and so much more. It’s a pure hands-on treat. Every page is an activity! Includes: Decorative cutouts Cards for friends A DIY storybook Stamp stickers Photo booth props …and more!

Writing Your First Play provides the beginning playwright with the tools and motivation to tell a story through dramatic form. Based in a series of exercises which gradually grow more complex, the books helps the reader to understand the basic elements of drama, conflict, and action. The exercises help the reader to become increasingly sophisticated in the use of dramatic formats, turning simple ideas into a viable play. Topics include: the role of action in drama; developing action and conflict to reveal character; writing powerful and persuasive dialog; writing from personal experience:pros and cons; how to begin the story and develop the storyline. This new edition is thoroughly updated and contains new examples based on contemporary plays. The author has added additional writing exercises and a new student-written one act play. It also contains a new chapter on how to sell your play once it is written. With examples based on student work, this text both inspires and educates the student and fledgling playwright, providing solid tools and techniques for the craft of writing a drama. Roger A. Hall, a professor of theatre at James Madison University, had taught playwriting for nearly 20 years. Many of his students have gone on to write for theatre, television, and the screen. He has written numerous plays and articles and has acted and directed extensively in the theatre.

In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."