Join the Octopus for a game of hide and seek with his friends! Little ones will love lifting the large flaps to find all the adorable animals hiding behind. With bright, vibrant illustrations by Gareth Lucas and simple text, this is a charming book to enjoy time and time again.

The ocean is an old, old place, and the exotic animals in the depths have learned to adapt to their surroundings to survive. Can you find the creatures hidden on every page? Includes "For creative minds" educational section.

An interactive concept book about positional prepositions that’s loads of fun! Bear, Fox and Owl are playing hide-and-seek! They take turns counting to ten, then shouting “Ready or not, here I come!” When Fox finds Bear INSIDE the castle and Owl ON the slide, Bear hugs them both. When Owl spots Bear BEHIND the climbing wall and Fox UNDER the bench, Bear hugs them again! But when Fox and Owl are not BETWEEN the swings, AMONG the trees or THROUGH the tunnel, Bear is the one who needs a hug. Will Fox and Owl help their friend? BESIDE, IN, OVER and beyond! Kids will love finding so many new places!

Octopus loves living on the busy reef under the sea. From her cozy cave, she can see clown fish, and sea turtles, and little butterflies swimming by. She especially loves watching the seahorses having fun, wiggling and twirling. Sometimes she will play with them, but occasionally Octopus just wants to be alone, somewhere quiet, and not so busy. So one day, she swims far, far beyond the reef and finds another cozy cave, only here she is perfectly, wonderfully alone. It is exactly what she wanted . . . until she’s ready to go back home to be with her friends. As she did in Little Owl's Night, Divya Srinivasan shows children a wonderful part of the natural world in a very warm-hearted way.

Nipper doesn't like his huge, clumsy claws. They are no use at all and they just get in the way. Nipper would much rather have tickly arms like Octopus, or tentacles like Sea Jelly, or flippety flippers and fins like Turtle and the fish. But one day, when he is playing with his friends, Nipper finds that his claws are very useful after all!

On each spread of this delightful book there's an animal hiding, which you can find by lifting the big flap. Charmingly illustrated by Gareth Lucas, this is a perfect way to make little children smile as they enjoy playing hide and seek with all the different animals around the pond.

A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life—child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen—mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting. Praise for The Grave on the Wall: "Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. … It is at once wistful and devastating to see Midori's life come full circle … In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."—Booklist, starred review "In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."—Karen Tei Yamashita, author of Letters to Memory "Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo’s Pedro Páramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."—Myriam Gurba, author of Mean “Within this haunted sepulcher built out of silence, loss, and grief—its walls shadowed by the traumas of racial oppression and violence—a green river lined with peach trees flows beneath a bridge that leads back to the grandson."—Jeffrey Yang, author of Hey, Marfa: Poems "It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces—through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."—Don Mee Choi, author of Hardly War "Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa’s FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."—Sesshu Foster, author of City of the Future "Shimoda is a mystic writer … He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. … he has written a book that touches the bottom of my own soul."—Bhanu Kapil, author of Ban en Banlieue "The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured—a ritual frisson, a veracity of spirit. I am grateful to have traveled along.”—Trisha Low, The Believer