This monograph uses the national pavilions of the Venice Biennale as a vehicle to examine the development of international contemporary art trends within the Asia-Pacific region, including Australia, Japan and Korea and 16 additional national entities who have had less continuous participation in this global art event. Analysing both the spatial and visual representation of contemporary art presented at the Venice Biennale and incorporating the politics behind national selections, this monograph provides insights into a range of important elements of the global art industry. Areas analysed include national cultural trends and strategies, the inversion of the peripheral to the centre stage of the Biennale, geopolitics in gaining exhibition space at the Venice Biennale, curatorial practices for contemporary art presentation and artistic trends that seek to deal with major economic, cultural, religious and environmental issues emerging from non-European art centres. This monograph will be of interest to scholars in art history, museum studies and Asia-Pacific cultural history.

To accompany the exhibition in the Austrian Pavilion for the 55th Biennale di Venezia, a landmark publication titled "Austria and the Venice Biennale 1895-2013" will be launched in May 2013. This scholarly, 400-page publication will present, for the first time, a comprehensive overview of each individual exhibition, with the help of previously unpublished photographs, plans and correspondence drawn from public and private archives in several different countries. The list of artists presented by Austria at the Venice Biennale over the last 120 years includes most, if not all, of the leading figures of its cultural avantgarde: from Gustav Klimt, Egon Schiele and Oskar Kokoschka, Hermann Nitsch and Arnulf Rainer to VALIE EXPORT, Maria Lassnig and Franz West.

A comprehensive account of hominin fossil sites across Africa, including the environmental and ecological evidence central to our understanding of human evolution.

ONE BOOK NORTHLAND selection, 2023. Zhi-shay, elder wolf and human, shares universal life lessons with a litter of wolf pups, in this engaging story rooted in Ojibwe history and culture.

Experimenting with Truth: The Fusion of Religion with Technology, Needed for Humanity's Survival presents the insights of the mutually reinforcing aspects of the Christian faith and modern science. The book is composed of only three chapters and begins with an explanation of the technology's need for religion's hegemony. Chapter 2 attempts to show that science-based technology and religion share a common belief in the nature of the most fundamental reality. The last chapter details the most accurate, multidimensional picture or sculpture of reality.