When a military tyrant named Waxman receives covert communications from an agent believed lost in deep space, he prepares his army of giant soldiers for war with a faceless, deadly enemy known as the Shrie Shrie and an elusive driver named Cal. Believing he has the upper hand, Waxman dispatches his own army of giant soldiers to lay down a path for annihilation. But his trust begins to waver when two of his strongest soldiers in Kayanai Blu and Iran Crowne begin to show signs of possible desertion or worse, treason. As Kayanai wrestles with his own conscience, Waxman must entrust Jevan Khran, another waxen soldier whose prodigal return has made her his confidant to keep both Kayanai and Iran to the task at hand. Yet with her own unique ability to fly the enemy ships that can travel the distance of space with the speed of a mere thought, she too finds herself cast under the quantum guise of being untrustworthy. For like herself in this ability to fly alien technology endures Cal, the one responsible for the ceasefire to the lost war Waxman so desperately wants restored. And now Waxman will finish it.

Women’s Music for the Screen: Diverse Narratives in Sound shines a long-overdue light on the works and lives of female-identifying screen composers. Bringing together composer profiles, exclusive interview excerpts, and industry case studies, this volume showcases their achievements and reflects on the systemic gender biases women have faced in an industry that has long excluded them. Across 16 essays, an international array of contributors present a wealth of research data, biographical content, and musical analysis of film, television, and video game scores to understand how the industry excludes women, the consequences of these deficits, and why such inequities persist – and to document women’s rich contributions to screen music in diverse styles and genres. The chapters amplify the voices of women composers including Bebe Barron, Delia Derbyshire, Wendy Carlos, Anne Dudley, Rachel Portman, Hildur Guðnadóttir, Mica Levi, Winifred Phillips, and more. From the mid-twentieth century to the present, and from classic Hollywood scores to pioneering electronic music, these are the stories and achievements of the women who have managed to forge successful careers in a male-dominated arena. Suitable for researchers, educators, and students alike, Women’s Music for the Screen urges the screen music industry to consider these sounds and stories in a way it hasn’t before: as voices that more accurately reflect the world we all share.

Do you crank up your stereo and conduct air symphonies to John Williams' Star Wars? Know all of the lyrics to "The NeverEnding Story" or "Xanadu?" Have a burgeoning collection of space disco albums? Well, pluck those Ceti Alpha eels out of your ears and open this book - we've got you covered. From the orchestral bombast of Jerry Goldsmith's Star Trek: The Motion Picture score, to the muscle-flexing might of Basil Poledouris' Conan the Barbarian, to the dreamy electronic soundscapes of Vangelis' Blade Runner and the pop styling of the Flash Gordon soundtrack, science fiction and fantasy films have inspired some of the most beloved and memorable soundtracks in film history. Planet Wax covers the best, as well as the most unique and underrated scores the sci-fi and fantasy genres have to offer, while showcasing their original vinyl LP artwork over 240 pages. Franchises like Mad Max, The Terminator, and even the Indiana Jones films are spotlighted, along with television classics such as Doctor Who and Star Trek, making Planet Wax the definitive discography of soundtracks from the films and shows of the '60s, '70s, '80s, and '90s that shaped multiple generations. Featuring over twenty interviews, including composers Stu Phillips (Battlestar Galactica), Laurence Rosenthal (Clash of the Titans), and directors Richard Donner (Superman) and Nicholas Meyer (Star Trek II), Planet Wax chronicles an era in film and music when the sounds were given as much prominence as the interstellar imagery. Aaron Lupton and Jeff Szpirglas, co-authors of Blood on Black Wax: Horror Soundtracks on Vinyl, will take you on the ultimate trip to the far reaches of both the cosmos and their record collections.

More extreme than punk, industrial music revolted against the very ideas of order and reason. This book traces industrial music's attitudes and practices from their earliest articulations-a hundred years ago-through the genre's mid-1970s formation and beyond.

Volatiles in the Martian Crust is a vital reference for future missions - including ESA's EXO Mars and NASA's Mars2020 rover - looking for evidence of life on Mars and the potential for habitability and human exploration of the Martian crust. Mars science is a rapidly evolving topic with new data returned from the planet on a daily basis. The book presents chapters written by well-established experts who currently focus on the topic, providing the reader with a fresh, up-to-date and accurate view. Organized into two main sections, the first half of the book focuses on the Martian meteorites and specific volatile elements. The second half of the book explores processes and locations on the crust, including what we have learned about volatile mobility in the Martian crust. Coverage includes data from orbiter and in situ rovers and landers, geochemical and geophysical modeling, and combined data from the SNC meteorites. - Presents information about the nature, relationship, and reactivity of chemical elements and compounds on Mars - Explores the potential habitability of Mars - Provides a comprehensive view of volatiles in the Martian crust from studies of actual samples as well as from the variety of landed missions, including the MER and Curiosity rovers - Delivers a vital reference for ongoing and future missions to Mars while synthesizing large data sets and research on volatiles in the Martian atmosphere - Concludes with an informative summary chapter that looks to future Mars missions and what might be learned

Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.