An exploration of the role of Christian practices in overcoming segregation according to race and disability in an interracial Methodist church in the USA. Mary McClintock Fulkerson argues that theology which is truly `worldly' must display redemption without overlooking the ambiguous and messy realities of real human lives.

This story-oriented recovery book unfolds the back-story of redemption in Exodus to show how Jesus redeems us from the slavery of abuse and addiction and restores us to our created purpose, the worship of God.

Types of Ecclesiology introduces the study of the doctrine of the church. It illuminates the breadth of contemporary ecclesiological thought by articulating five approaches to ecclesiology. Avoiding denominational alignments, David Emerton charitably elucidates the logic and concerns driving each type. He argues that ecclesiology must account theologically for the unique nature of the church before considering its activities. We must ask what the church is before asking what the church does. Professors will find a valuable orienting text, students will grasp the stakes of contemporary debates, and scholars surveying ecumenical ecclesiology will discover an illuminating structural framework. Doing the work of the church requires discerning its essence, and this timely volume insightfully examines what is at the heart of the body of Christ.

Preliminary Material -- OUT OF THE ABYSS: COMMONPLACES OF REPETITION AND REDEMPTION -- GLISSANT'S COMMON PLACES -- WALCOTT'S ALLEGORY OF HISTORY -- A BACKWARD FAITH IN WALCOTT'S “THE SCHOONER FLIGHT” -- CLAUDIA RANKINE: JANE EYRE'S BLUES AT THE END OF THE ALPHABET -- DEAR DIARY: AMANIFESTO - WEREWERE LIKING'S ELLE SERA DE JASPE ET DE CORAIL -- RITUALIZING UTOPIA IN ELLE SERA DE JASPE ET DE CORAIL -- MASKS OF AFFLICTION IN FRANKÉTIENNE'S HAITI -- FRANKÉTIENNE'S LOGORRHEA: AN EXCESS OF SEEMING -- “THE HORIZON DEVOURS MY VOICE”: NOTES ON TRANSLATION -- BIBLIOGRAPHY -- INDEX.

In 1961, young, black, eighth-grade dropout Wilbert Rideau despaired of his small-town future in the segregated deep south of America. He set out to rob the local bank and after a bungled robbery he killed the bank teller, a fifty-year-old white female. He was arrested and gave a full confession. When we meet Rideau he has just been sentenced to death row, from where he embarks on an extraordinary journey. He is imprisoned at Angola, the most violent prison in America, where brutality, sexual slavery and local politics confine prisoners in ways that bars alone cannot. Yet Rideau breaks through all this and finds hope and meaning, becoming editor of the prison magazine, going on to win national journalism awards. Full of gritty realism and potent in its evocation of a life condemned, Rideau goes far beyond the traditional prison memoir and reveals an emotionally wrought and magical conclusion to his forty-four years in prison.

Part of new 'Risen Hope' church history series