Profiles the life and career of the Spanish explorer and conqueror who marched into the Inca empire, held the Inca king for ransom, stuffed his pockets with gold and became governor of present-day Peru.

A biography of Francisco Pizarro, an explorer who conquered a gold-rich empire that enriched Spain for decades.

In 1531, Pizarro led a small but well-trained army along the Pacific coast of the unexplored South America. With less than 200 men, he conquered the Inca Empire, which ruled what is now Peru, establishing Spanish dominion.

Recounts the life of the Spanish explorer whose expedition to South America led to the conquest of the Inca empire and the establishment of Spanish rule in the Andean region.

"Based on author's doctoral dissertation, work reconstructs and analyzes the making of the financial empire of the conquerer of Peru and his brothers. Painstaking study examines and elucidates multiple aspects of both the economic and sociopolitical history of the Perus and Spain in the 16th century"--Handbook of Latin American Studies, v. 58.

Examines the life of Francisco Pizarro and his conquest of the Incan civilization.

Richard Brinsley Sheridan’s last play, an adaptation of August von Kotzebue’s Die Spanier in Peru first performed in 1799, was one of the most popular of the entire century. Set during the Spanish Conquest of Peru, Pizarro dramatizes English fears of invasion by Revolutionary France, but it is also surprisingly and critically engaged with Britain’s colonial exploits abroad. Pizarro is a play of firsts: the first use of music alongside action, the first collapsing set, the first production to inspire such celebratory ephemera as cartoons, portraits, postcards, even porcelain collector plates. Pizarro marks the end of eighteenth-century drama and the birth of a new theatrical culture. This edition features a comprehensive introduction and extensive appendices documenting the play’s first successful performances and global influence. It will appeal to students and scholars of Romantic literature, theatre history, post-colonialism, and Indigenous studies.