Once-famous singer Anjuli Carver has returned to tiny Heaverlock Village alone and nearly broke. She's poured every last penny into a rambling Victorian manor, hoping to start over. Trouble is, her money pit is falling to pieces and the only restoration architect for miles is Rob Douglas…her ex-fiancé. For eight years, Rob has regretted not telling Anjuli why he never answered her letters. Being left at the altar broke his heart, but being used for sex one night in London after the fact nearly drove him to the edge of sanity, and he'll be damned if he allows Anjuli to wreak havoc on his life again. He'll restore her manor, all right, and give her a taste of her own medicine while he's at it. But how long can revenge last when memories of their shared past keep rushing to the surface? Soon, Rob wants answers. Why did Anjuli leave the international spotlight to become a recluse in the Scottish Borderlands? And why does she refuse to sing? Anjuli wants nothing more than to be left alone with her grief, even as she struggles to keep her sexy fantasies about Rob in check. With gossipy villagers, interfering friends and more secrets between them than notes on a scale, Anjuli and Rob will need to find forgiveness in order to work together, then decide if they're willing to risk it all on an encore performance. 88,000 words

What goes on in human beings when they make or listen to music? What is it about music, what gives it such peculiar power over us, power delectable and beneficent for the most part, but also capable of uncontrollable and sometimes destructive force? Music has no concepts, it lacks images; it has no power of representation, it has no relation to the world. And yet it is evident in all of us–we tap our feet, we keep time, hum, sing, conduct music, mirror the melodic contours and feelings of what we hear in our movements and expressions. In this book, Oliver Sacks explores the power music wields over us–a power that sometimes we control and at other times don’t. He explores, in his inimitable fashion, how it can provide access to otherwise unreachable emotional states, how it can revivify neurological avenues that have been frozen, evoke memories of earlier, lost events or states or bring those with neurological disorders back to a time when the world was much richer. This is a book that explores, like no other, the myriad dimensions of our experience of and with music.

Audio Production Tips: Getting the Sound Right at the Source provides practical and accessible information detailing the production processes for recording today’s bands. By demonstrating how to "get the sound right at the source," author Peter Dowsett lays the appropriate framework to discuss the technical requirements of optimizing the sound of a source. Through its coverage of critical listening, pre-production, arrangement, drum tuning, gain staging and many other areas of music production, Audio Production Tips allows you to build the wide array of skills that apply to the creative process of music production. Broken into two parts, the book first presents foundational concepts followed by more specific production advice on a range of instruments. Key features: Important in-depth coverage of music theory, arrangement and its applications. Real life examples with key references to the author’s music production background. Presents concepts alongside the production of a track captured specifically for the book. A detailed companion website, including audio, video, Pro Tools session files of the track recording process, and videos including accompanying audio that can be examined in the reader’s DAW. Please visit the accompanying companion website, available at www.audioproductiontips.com, for resources that further support the book’s practical approach.

The United States has struggled to define its approach to what has been called the "information battlefield" since the information era began. Yet with the outbreak of the war on terror, the United States has been violently challenged to take a position and react to the militants' use of emerging information technology. Ideological demigods operating against the United States now have unprecedented channels by which to disseminate their message to those targets who are uncertain, sympathetic, or actively supportive of their philosophy. From the caves of southeastern Afghanistan to the streets of Baghdad, "the message" has dominated the thinking of those who perpetrate horrific acts of violence, whether in the name of ideology, ethnic and sectarian partisanship, or religion. This anthology is divided into four sections: geopolitical, strategic, operational, and tactical. The geopolitical perspective covers world politics, diplomacy, and the elements of national power, excluding military force. The strategic view examines where the violence has begun and the military element of power. The operational perspective handles the campaigns to accomplish a specific purpose on the world stage--for example, as in the Iraq campaign. The tactical level takes the individual's role into account. Because the nexus of information conflict is most easily seen in the world's contemporary violent confrontations, this anthology reflects the experience and lessons learned by military personnel who have managed these difficult issues. With a foreword by Colonel H. R. McMaster, U.S. Army, the author of Dereliction of Duty: Johnson, McNamara, the Joint Chiefs of Staff, and the Lies That Led to Vietnam.