Paris-based designer Pierre Yovanovitch debuts his first book showcasing his trademark French luxury aesthetic and unique vision of contemporary elegance. With his interiors and furniture design regularly gracing the pages of Architectural Digest, T Magazine, Elle Decor, Wallpaper*, and more, French interior-architect Pierre Yovanovitch has cemented his status as one of his generation's most in-demand talents. The designer's highly anticipated first book explores his refined yet subtle style and signature haute couture aesthetic through an array of extraordinary interiors. Specially commissioned photographs take readers on a journey across the globe to discover Yovanovitch's unique style rooted in pared-back refinement. Stunning private residences in New York, Paris, London, Tel Aviv, and the Swiss Alps underscore Yovanovitch's mastery of volume tempered by strict lines, as well as his use of authentic materials including wood, stone, and metal. Known for his ability to reenvision centuries-old spaces into modernized demeures, Yovanovitch's expertise shines through in a seventeenth-century château in Provence, as well as a renovation of the Patinoire Royale in Brussels, a skating rink converted into a private contemporary-art museum. This ode to Yovanovitch's work is a necessary addition to design libraries of industry masters and aficionados alike.

Twenty-five world-class designers invite us inside their private French residences, providing intimate access to their creative universe and rich inspiration for home style. Stepping inside the private residences of France's leading tastemakers provides unrivaled inspiration for interiors with a personal flair. From a modernist retreat to an urban-pop apartment, and from an eclectic cabinet of curiosities to an eighteenth-century hôtel particulier, each ambiance demonstrates a perfect mastery of associations between color, pattern, volume, material, and decorative genius. Pierre Yovanovitch's elegant, purist sensitivity infuses his seventeenth-century château in Provence. Pierre Passebon, owner of the famous Galerie du Passage in Paris, has furnished his carefully curated home with a brilliant mix of tribal art, Wiener Werkstätte masterpieces, and design from the 1930s. Jewelry designer Lorenz Bäumer's own interior creations complement the resolutely contemporary pieces by modern masters such as Ingo Maurer, Ettore Sottsass, and Verner Panton in his light-filled, constantly evolving apartment. Fashion designer Gilles Dufour's eclectic collections include nineteenth-century history paintings, classical sculptures, and Christian Bérard drawings, displayed alongside a menagerie of sculptures by Claude and François-Xavier Lalanne. These private residences, each created by a world-class aesthete with a discerning eye, offer up a rich palette of inspired ideas for the home.

Jacques-mile Ruhlmann, Pierre Chareau, Robert Mallet-Stevens, Charlotte Perriand, Eileen Gray: together these designers and their contemporaries pioneered the look of the modern French interior during the 1920s. Their use of sumptuous materials, rich jewel tones, intricate geometric patterns, and complex and varied textures has made this work a lasting favorite among interior designers, architects, and their clients. When it first appeared, the got moderne, or modern taste, was marketed through limited-edition portfolios containing unbound drawings, printed in full color using a traditional process called pochoir. Created in an era before color photography, the vivid gouache and watercolor depictions of interior spaces—complete with coordinated furniture, carpets, fabrics, and decorative accessories—announced the dawn of a new era of French design and set the standards of luxury and taste that still guide us today. Moderne presents the finest examples of this work in more than two hundred plates, selected by Sarah Schleuning, a curator of the Wolfsonian Museum, and faithfully reproduced to preserve their original color palettes. This sumptuous volume is comprehensive in scope, beginning with the early art moderne of Ruhlmann and concluding with the avant-garde work of Gray and Perriand. These and other high-water marks of the period are discussed in an essay by historian Jeremy Aynsley. Designers' biographies and a brief bibliography are also included, making this an inspirational resource for interior designers and architects, and an indispensable reference for historians of the modern era.

Bursting with color and dramatic focal points, these exceptional interiors offer exclusive access into the homes of Paris’s finest art and antiques aficionados. The magic of Paris is distinctly captured in its interiors: windows are tall, and rooms have high ceilings with grand architectural details; but the real charm comes in the thoughtfully selected elements that bring those spaces to life. Paris is rife with antique collectors, art historians, architects, and interior designers who dedicate their lives to the contemplation of each element that goes into the ideal interior. Barbara and René Stoeltie invite us inside the private oases of twenty of the city’s celebrated interiors gurus, capturing in vivid photographs these havens of perfection, brimming with inspiration for the home. While each interior is distinctly unique, they all draw from a rich historical tradition of decorative arts combined with an instinctive desire to reinvent itself, mixing the best elements from different epochs with contemporary art, bold colors, or surprising pattern combinations. A foreword from Jacques Garcia, with his gracious nod to the great Madeleine Castaing, opens this handsome volume.

Surveys 25 built and forthcoming projects by the acclaimed French architect.