Bestselling author/photographer Chris Orwig offers 30 photographic exercises to renew your passion for capturing the people in your world. This is not a traditional portrait photography book. The goal isn’t flattery, but connection and depth. Whether you are a student, busy parent, or seasoned pro photographer, these exercises provide an accessible framework for exploration and growth. With titles like: Be Quiet, Turn the Camera Around, and the Fabric of Family, each of the 30 exercises encourages you to have fun and experiment at your own pace. With step-by-step instructions and using natural light, you will explore everything from street, lifestyle, candid, and environmental shots. The projects are small artistic endeavors meant to change how you see and the pictures that you make. All that’s required is a camera, an intrepid attitude, curiosity, and some imagination.

Photography is now more popular than ever thanks to the rapid development of digital cameras. Read This If You Want to Take Great Photographs is ideal for this new wave of snapshooters using DSLR, compact system and bridge cameras. It contains no graphs, no techie diagrams and no camera-club jargon. Instead, it inspires readers through iconic images and playful copy, packed with hands-on tips. Split into five sections, the book covers composition, exposure, light, lenses and the art of seeing. Masterpieces by acclaimed photographers – including Henri Cartier-Bresson, Sebastião Salgado, Fay Godwin, Nadav Kander, Daido Moriyama and Martin Parr – serve to illustrate points and encourage readers to try out new ideas. Today’s aspiring photographers want immediacy and see photography as an affordable way of expressing themselves quickly and creatively. This handbook meets their needs, teaching them how to take photographs using professional techniques.

A vibrant chronicle of the life and work of a prolific painter and bohemian eccentric.

Discusses the significance and history of printmaking and evaluates 700 prints.

The author of Create presents “an all-in-one, easily accessible handbook . . . [that] will show you how the pros do it. Study this and take your best shot” (Chase Jarvis, award-winning photographer). In Advancing Your Photography, Marc Silber provides the definitive handbook that will take you through the entire process of becoming an accomplished photographer. From teaching you the basics to exploring the stages of the full “cycle of photography,” Silber makes it easy for you to master the art form and create stunning pictures. From thousands of hours of interviews with professional photography masters, you will learn valuable insights and tips on beginner, amateur, landscape, wedding, lifestyle, sports, animal, portrait, still life, and iPhone photography. Advancing Your Photography features: · Top tips for making outstanding photographs from iconic photographers and many other leading professional photography masters of today · Numerous step-by-step examples · Guidance on training your eye to see composition with emotional impact · Tips on mastering the key points of operating your camera like a pro · Secrets to processing your images to professional standards Photography and the technology associated with it are constantly evolving, but the fundamentals remain the same. Advancing Your Photography will help to bring you the joy and satisfaction of a lifetime of pursuing the art of photography.

Recently, a number of cutting edge African American artists have investigated issues of race and American identity in their work, relying on the use of historical source material and the subversion of archaic media. This scrutiny of little known, yet uncannily familiar, racialized imagery by contemporary artists has created a renewed interest in the politics of nineteenth-century American art and the role of race in the visual discourse. Portraits of a People looks critically at images made of and by African Americans, extending back to the late 1700s when a portrait of African-born poet Phillis Wheatley was drawn by her friend, the slave Scipio Moorhead. From the American Revolution until the Civil War and on into the Gilded Age, American artists created dynamic images of black sitters. In their effort to create enduring symbols of self-possessed identity, many of these portraits provide a window into cultural stereotypes and practices. For example, while some of these pictures were undoubtedly of distinct, named individuals, many are now known by titles that reference only generalized types, such as Joshua Johnston's painting Portrait of a Man, c. 1805–10, or the silhouette inscribed "Mr. Shaw's blackman," cut around 1802 by the manumitted slave Moses Williams. By the middle of the nineteenth century, photography began to offer black sitters an affordable and accessible way to fashion an individual identity and sometimes obtain financial support, as in the case of the numerous cartes-de-visites produced during the 1860s and '70s that bear the image of the feminist activist Sojourner Truth above the text, "I Sell the Shadow to Support the Substance." Portraits of a People features colour reproductions of over 100 important portraits in various media, ranging from paintings, photographs, and silhouettes to book frontispieces and popular prints. Essays by Gwendolyn DuBois Shaw consider silhouettes and African American identity in the early republic, photography and the black presence in the public sphere after the Civil War, and portrait painting and social fluidity among middle-class African American artists and sitters. This landmark publication will change the way that we view the images of blacks in the nineteenth century.

Images flash across the screen. Photographs appear on walls, on cans, on the sides of buses, in magazines, books, newspapers, computers. We are bombarded with thousands of photographs each day: they are perhaps our major source of information, inspiration, and irritation. But what if you had to choose a single image out of that avalanche - one photograph that you couldn't stop thinking about, that changed your ideas, your aesthetics, your perception of reality? Seventy of the most interesting people of our era - both famous and unknown - were asked to choose that one image for Talking Pictures. The results are startling, profound, funny, and deeply revealing about our psychology and our times. From glossy fashion photography to devastating portraits of the Holocaust, from family snapshots to the shimmering artwork of master photographers such as Irving Penn, Andre Kertesz, and Imogen Cunningham, from Life magazine photo essays to a five-hundred-times magnification of the adhesive on a Post-it, the range of images in Talking Pictures reveals not only the strength of individual obsession and the power of history and imagination, but, more importantly, the peculiar truths about ourselves and our times that can be seen only in photographs.