In Divination in Exile, Alexander K. Smith offers the first comprehensive scholarly introduction to the performance of divination in Tibetan speaking communities, both past and present.

Love and Liberation reads the autobiographical and biographical writings of one of the few Tibetan Buddhist women to record the story of her life. Sera Khandro DewŽ DorjŽ (1892Ð1940) was extraordinary not only for achieving religious mastery as a Tibetan Buddhist visionary and guru to many lamas, monastics, and laity in the Golok region of eastern Tibet, but also for her candor. This book listens to Sera KhandroÕs conversations with deities, dakinis, bodhisattvas, lamas, and fellow religious community members and investigates the concerns and sentiments relevant to the author and to those for whom she wrote. Sarah H. JacobyÕs analysis focuses on the status of the female body in Sera KhandroÕs texts, the virtue of celibacy versus the expediency of sexuality for religious purposes, and the difference between profane lust and sacred love between male and female Tantric partners. Her findings add new dimensions to our understanding of Tibetan Buddhist consort practice, complicating standard scriptural presentations of a male subject and a female aide. Sera Khandro depicts herself and her guru and consort, DrimŽ zer, as inseparable embodiments of insight and method that together form the Vajrayana Buddhist vision of complete buddhahood. By advancing this complementary sacred partnership, Sera Khandro carved a place for herself as a female virtuoso in the male-dominated sphere of early twentieth-century Tibetan religion.

A major new work in modern Tibetan history, this book follows the evolution of Tibetan Buddhism's trülku (reincarnation) tradition from the seventeenth to the nineteenth centuries, along with the Emperor of China's efforts to control its development. By illuminating the political aspects of the trülku institution, Schwieger shapes a broader history of the relationship between the Dalai Lama and the Emperor of China, as well as a richer understanding of the Qing Dynasty as an Inner Asian empire, the modern fate of the Mongols, and current Sino-Tibetan relations. Unlike other pre-twentieth-century Tibetan histories, this volume rejects hagiographic texts in favor of diplomatic, legal, and social sources held in the private, monastic, and bureaucratic archives of old Tibet. This approach draws a unique portrait of Tibet's rule by reincarnation while shading in peripheral tensions in the Himalayas, eastern Tibet, and China. Its perspective fully captures the extent to which the emperors of China controlled the institution of the Dalai Lamas, making a groundbreaking contribution to the past and present history of East Asia.

Tibet’s Mount Kailas is one of the world’s great pilgrimage centres, renowned as an ancient sacred site that embodies a universal sacrality. But Kailas Histories: Renunciate Traditions and the Construction of Himalayan Sacred Geography demonstrates that this understanding is a recent construction by British colonial, Hindu modernist, and New Age interests. Using multiple sources, including fieldwork, Alex McKay describes how the early Indic vision of a heavenly mountain named Kailas became identified with actual mountains. He emphasises renunciate agency in demonstrating how local beliefs were subsumed as Kailas developed within Hindu, Buddhist, and Bön traditions, how five mountains in the Indian Himalayan are also named Kailas, and how Kailas sacred geography constructions and a sacred Ganges source region were related.

A definitive study of one of the most important practices in Tibetan Buddhism, with translations of a number of its key texts. Mahamudra, the “great seal,” refers to the ultimate nature of mind and reality, to a meditative practice for realizing that ultimate reality, and to the final fruition of buddhahood. It is especially prominent in the Kagyü tradition of Tibetan Buddhism, so it sometimes comes as a surprise that mahamudra has played an important role in the Geluk school, where it is part of a special transmission received in a vision by the tradition’s founder, Tsongkhapa. Mahamudra is a significant component of Geluk ritual and meditative life, widely studied and taught by contemporary masters such as the Dalai Lama. Roger Jackson’s Mind Seeing Mind offers us both a definitive scholarly study of the history, texts, and doctrines of Geluk mahamudra and masterful translations of its seminal texts. It provides a skillful survey of the Indian sources of the teaching, illuminates the place of mahamudra among Tibetan Buddhist schools, and details the history and major textual sources of Geluk mahamudra. Jackson also addresses critical questions, such as the relation between Geluk and Kagyü mahamudra, and places mahamudra in the context of contemporary religious studies. The translation portion of Mind Seeing Mind includes ten texts on mahamudra history, ritual, and practice. Among these are the First Panchen Lama’s root verses and autocommentary on mahamudra meditation, his ritual masterpiece Offering to the Guru, and a selection of his songs of spiritual experience. Mind Seeing Mind adds considerably to our understanding of Tibetan Buddhist spirituality and shows how mahamudra came to be woven throughout the fabric of the Geluk tradition.

The Labrang Tibetan Buddhist Monastery in Amdo and its extended support community are one of the largest and most famous in Tibetan history. This crucially important and little-studied community is on the northeast corner of the Tibetan Plateau in modern Gansu Province, in close proximity to Chinese, Mongol, and Muslim communities. It is Tibetan but located in China; it was founded by Mongols, and associated with Muslims. Its wide-ranging Tibetan religious institutions are well established and serve as the foundations for the community's social and political infrastructures. The Labrang community's borderlands location, the prominence of its religious institutions, and the resilience and identity of its nomadic and semi-nomadic cultures were factors in the growth and survival of the monastery and its enormous estate. This book tells the story of the status and function of the Tibetan Buddhist religion in its fully developed monastic and public dimensions. It is an interdisciplinary project that examines the history of social and political conflict and compromise between the different local ethnic groups. The book presents new perspectives on Qing Dynasty and Republican-era Chinese politics, with far-reaching implications for contemporary China. It brings a new understanding of Sino-Tibetan-Mongol-Muslim histories and societies. This volume will be of interest to undergraduate and graduate student majors in Tibetan and Buddhist studies, in Chinese and Mongol studies, and to scholars of Asian social and political studies.

A study of a set of sixteenth-century wall paintings at the Gyapagpa Temple in Nako, a village in India’s Himachal Pradesh state. Sixteenth-century wall paintings in a Buddhist temple in the Tibetan cultural zone of northwest India are the focus of this innovative and richly illustrated study. Initially shaped by one set of religious beliefs, the paintings have since been reinterpreted and retraced by a later Buddhist community, subsumed within its religious framework and communal memory. Melissa Kerin traces the devotional, political, and artistic histories that have influenced the paintings’ production and reception over the centuries of their use. Her interdisciplinary approach combines art historical methods with inscriptional translation, ethnographic documentation, and theoretical inquiry to understand religious images in context. “A meticulous and discerning piece of scholarship, one that is skillful in employing multiple methods—visual, linguistic and ethnographic—to create a fuller picture of a region we knew little about. . . . [A] pleasure to read.” —Pika Ghosh, author of Making Kantha, Making Home: Women at Work in Colonial Bengal “Emphasizing the visual as primary evidence in the study of history, especially religious history, Kerin moves Buddhist art from the arena of museum displays, art markets, and aesthetics to the arena of dynamic interdisciplinary discourse, thus reaffirming the significance of in situ study. . . . Recommended.” —Choice “A forceful study on the specificity of Gyapagpa’s painting.” —South Asia Research/DESC> Indian art;south asian art;religious art;buddhist art;Indian history;south asian history;tibetan buddhism;buddhism;religion;indian buddhists;temple art;nako;gyapagpa;social history;political history;painting style;painting tradition ART019020 ART / Asian / Indian & South Asian ART035000 ART / Subjects & Themes / Religious HIS062000 HISTORY / Asia / South / India * REL007050 RELIGION / Buddhism / Tibetan 9780253010032 Patterns of War—World War II Larry H. Addington