Edvard Grieg's Concerto for Piano, Op. 16, is one of the most beloved works in the piano repertoire. Composed in 1868, it combines elements of the Norwegian folk tradition with classical forms and structures, resulting in a vibrant and expressive work that is both accessible and technically challenging. This edition includes a detailed introduction and analysis of the concerto, as well as performance notes and suggestions. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The six "Musical Moments" Opus 16 are a set of separate solo works for piano composed by Rachmaninoff in 1896. They present forms characteristic of previous musical eras, such as nocturne, song without words, barcarolle, etude, and theme and variations. Titles: No. 1 in B-Flat Minor * No. 2 in E-Flat Minor * No. 3 in B Minor * No. 4 in E Minor * No. 5 in D-Flat Major * No. 6 in C Major.

A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.

This is a newly edited and engraved edition: this new edition is based on the most authoritative early publications; mistakes and misprints from the old editions are corrected; missing technical markings and other inconsistencies have been resolved; all texts, titles and dates are carefully checked with Grove's Music Dictionary; the new layout offers more comfortable reading; increased staff size will help to make the score more legible on music stands, tablets or other digital media. Now, this new edition finally offers musicians the opportunity to fully enjoy this beautiful piece.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A rare volume dedicated entirely to scholarship on the genre of the concerto.

Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.