Ed van der Elsken's Sweet Life published in 1966 is considered one of the key works of Dutch photobook history. In 1960, armed with two magazine commissions and a stipend from Netherlands television, Ed van der Elsken and his wife Gerda set off on a fourteen month journey around the world. Six years after their return, he published his travelogue Sweet Life which exhibited a panoply of layout effects - double-page bleeds, crops, printed in deep gravure, and different cover designs for each of the six countries in which it was published. Books on Books #13 presents a study of this classic book with a contemporary essay by Frits Gierstberg.--Publisher.

With unique access to the most intriguing and enduring legends of our time, Harry Benson: Persons of Interest is a compelling masterpiece of photojournalism and portraiture. With decades spent deliberately being in just the right place at just the right time, Benson's photographs and writings of his encounters and adventures are sure to be of broad interest to photography afficionados, history lovers, and people young and old. With subjects ranging from Queen Elizabeth to Amy Winehouse, from Frank Sinatra to Brad Pitt, from Greta Garbo to Kate Moss, from Winston Churchill to Hilary Clinton and Donald Trump, Benson explores and delights our public fascination with his images of the lives of the rich, powerful, and famous. Critic Leonard Maltin said it all when he wrote, "Harry Benson has been witness to the key events of the past half-century and has never failed to capture their most telling moments with his camera." Harry Benson is the author of 16 books including Harry Benson: Photographs(powerHouse Books, 2009), Bobby Fischer (powerHouse Books, 2011), andwith Hilary Geary Ross, New York, New York (powerHouse Books, 2011, andPalm Beach People (powerHouse Books, 2014).

This book is the first comprehensive investigation of the architecture of the apartheid state in the period of rapid economic growth and political repression from 1957 to 1966 when buildings took on an ideological role that was never remote from the increasingly dominant administrative, legislative and policing mechanisms of the regime. It considers how this process reflected the usurpation of a regional modernism and looks to contribute to wider discourses on international postwar modernism in architecture. Buildings in Pretoria that came to embody ambitions of the apartheid state for industrialisation and progress serve as case studies. These were widely acclaimed projects that embodied for apartheid officials the pursuit of modernisation but carried latent apprehensions of Afrikaners about their growing economic prospects and cultural estrangement in Africa. It is a less known and marginal story due to the dearth of material and documents buried in archives and untranslated documents. Many of the documents, drawings and photographs in the book are unpublished and include classified material and photographs from the National Nuclear Research Centre, negatives of 1960s from Pretoria News and documents and pamphlets from Afrikaner Broederbond archives. State architecture became the most iconic public manifestation of an evolving expression of white cultural identity as a new generation of architects in Pretoria took up the challenge of finding form to their prospects and beliefs. It was an opportunistic faith in Afrikaners who urgently needed to entrench their vulnerable and contested position on the African continent. The shift from provincial town to apartheid capital was swift and relentless. Little was left to stand in the way of the ambitions and aim of the state as people were uprooted and forcibly relocated, structures torn down and block upon block of administration towers and slabs erected across Pretoria. This book will be of great interest to students and scholars of architectural history as well as those with an interest in postcolonial studies, political science and social anthropology.

Published to accompany an exhibition held at Tate Britain [no dates given].