Explores the creative process underlying fine-art nude photography in digital infrared or any other medium, including developing a concept, scene selection, the choice of model, the pose, props, enhancing textures, and using natural light.

Photographing female nudes is about more than just the body. For Laurie Klein, it is about capturing the feminine spirit. Laurie’s creative medium is nature. The landscape plays as much of a role in her photos as does the model. Laurie's unique way of using infrared photography, and the caring, personal way she captures her subject's innermost emotions becomes a transformational experience for both photographer and client. In this book, Klein details her techniques and her inspirations in creating these unforgettable images. Shooting nudes in nature is complex. The photographer needs to know when to start with the model and arrange nature around them or see something in nature and treat the model as part of the nature. Klein gives many ideas for posing models in relationship to nature and the landscape. She masterfully uses infrared photography to capture the beauty of the surroundings and the female form. Each photo in the book is accompanied by details of the location or setting, camera settings, composition concepts and insight into the idea and execution of the shot. Part of what makes Klein’s photos so unique and vibrant is that she develops a trusting environment that allows the subject to give themselves over completely to a transcendent photographic experience. Out of this usually comes a series of fine art portraits or a substantial book for them to enjoy, share and pass on through the generations. Using the body as a landscape, Klein crafts unique and sometimes abstract images that emphasize the beauty of the female form in different ways. Sometimes the simplicity of the image is the beauty of it. The infrared photography format provides striking contrasts between the skin tones and the natural surroundings. Tips are given for choosing unique locations that can work best for creating artful images like the ones in the book. Being able to improvise and set-up a shoot when discovering a unique setting or lighting scenario can be the key to crafting a stunning portrait. Sometimes the unexpected can occur and a prepared and creative photographer can turn that into a magical moment captured in infrared. Klein is recognized for her signature infrared photography style. This book provides in insight into her creative process.

Learn to harness and capture infrared wavelengths with an infrared-converted digital camera. The authors teach you how those invisible light wavelengths will be recorded in-camera and the steps you’ll need to take to ensure the best-possible photographs. You’ll study myriad images that show how various materials—from skin, hair, and eyes to the sky, trees, grasses, and clouds—will appear in your images and learn to predict the way that the colors and tones you perceive with your naked eyes will be rendered in-camera. You will discover compositional techniques that will visually engage your audience. Finally, you’ll learn how to use artistic applications to add selective color to your black & white infrared images, how to create dramatic color infrared photographs that take infrared capture to a whole new level, and how to edit your images in postproduction for enhanced contrast and superb detail.

All step-by-step photography by Laurie Klein.

This book pushes the purposes and properties of the rarest photographic film on the planet to its scientific and conceptual limits. British documentary photographer, Edward Thompson, set out to explore the boundaries of perception, whether they were things outside our visual spectrum or events that went unnoticed or unreported. From researching the original Kodak advertisements, expert interviews and scientific journals, Thompson has gathered an extensive archive and used some of the last 46 dead-stock rolls of Kodak Aerochrome Infrared film in existence to reveal the unseen.

(Book). Once in a while a photographer gains the trust of an artist or a band, and his work fuses with that of the artist in such a way that the two become married in the public consciousness. One can think of David Duncan's pictures of Picasso at work or Alfred Wertheimer's pictures of Elvis backstage in 1956. Elliott Landy's chronicle of The Band from 1968-1969 is of similar importance. He was trusted so deeply that this group of photographs is as intimate a portrait of a group of musicians inventing a new music as you are ever likely to come across. Today we call that music "Americana," and it is played all over the world by everyone from Mumford and Sons to the Zac Brown Band. But in 1968, when Elliott first started making these pictures, it was played by six musicians in the town of Woodstock, New York Bob Dylan and a group called The Hawks. They later changed their name to The Band. They had been The Hawks for five years when Bob Dylan pulled them out of Tony Mart's dive bar on the Jersey Shore to be his band.

This beautiful and informative photographic history includes images from 1900 to 1999. Many are often seen (bullet piercing the apple, splashing crown of milk, Sophia Loren looking askance at Jayne Mansfield's plunging decollete, and Dorothea Lange's Migrant Mother); but most are probably unknown, because the photos were selected not only for their visual and cognitive qualities but also for their importance to the history and development of photographic technique and usage. The century is divided into thirds for explanation's sake, and there is at least one photograph for every year. While this is a picture book, the accompanying text provides informative introductions to the uses and abuses of perhaps the century's most important medium. The book is companion to the PBS series. Oversize: 12.5x9.5". Annotation copyrighted by Book News Inc., Portland, OR