Includes complete instructions, materials lists, and sample photographs for 18 processes, along with a resource guide and in-depth sections on chemicals, paper, and equipment ... how-to guide to antique and contemporary photo processes -- from daguerreotype to digital.

There is renewed interest among art photographers in a number of historic printing techniques because of the remarkable effects they produce. The reader will discover how to create beautifully tinted mono- and polychromatic gum and oil images using the author's version of this 19th century technique. Step-by-step illustrated instructions with directions for further experimentation provide a perfect source for learning this new, yet old, printing technique. Gumoil printing involves contact-printing a positive transparency onto gum-coated paper. Oil paint is then applied and rubbed into nongummed areas of the print. With bleach etching, mono- and polychromatic variations are possible. A chapter on digital printing combines the new and the historic, making this technique even more accessible for the art photographer.

Jill Enfield’s Guide to Photographic Alternative Processes, 2nd edition, is packed with stunning imagery, how-to recipes, techniques and historical information for emulating the ethereal, dream-like feel of alternative processing. This fully updated edition covers alternative processing from its historical roots through to digital manipulation and contemporary techniques and how to combine them. It features several new techniques alongside new approaches to older techniques, including hand painting on silver gelatin prints, ceramics and photography, cyanotypes, wet plate collodion, digital prints and many more. Enfield showcases the different styles and methods of contemporary artists together with suggestions for vegan and vegetarian friendly alternative processing, transforming 2D images to 3D installations, and how to apply darkroom techniques to digital captures. Professionals, students and hobbyists will discover how to bring new life and imagination to their imagery. Whether in a darkroom using traditional chemicals, at the kitchen sink with pantry staples, or in front of the computer re-creating techniques digitally, you will learn how to add a richness and depth to your photography like never before.

An excellent beginners’ guide to cyanotypes – all you need to get started, and some goodies for more advanced cyanotypers too. About the book The cyanotype is often the first alternative process that people try. It is relatively easy and safe enough to nurture a child’s interest in photography. It can also be seen as a gateway to further exploration of historic photographic methods. In addition, it gives experienced photographers and artists a great excuse to take their eyes off the computer screen and get their hands dirty. Blueprint to cyanotypes is all you will need to get started with cyanotypes. It offers the beginner a step-by-step guide, from choosing material to making the final print. It is full of information and tips. Even the experienced cyanotypist may learn a thing or two. Blueprint to cyanotypes is published by AlternativePhotography.com – a website and information center dedicated to alternative photographic processes. From Malin Fabbri, the author: Why a book on cyanotypes? Of all the alternative processes the cyanotype is the one closest to my heart. I made my first cyanotype in 1999. I was intrigued by the blue images and wanted to test the cyanotype process to see what it had to offer. I bought chemicals and spent an evening coating paper and cloth. The results of the next day’s printing surprised me. Although the alchemy of the darkroom had always captivated me, developing a print in the sun was like a liberation. One of the things I found most refreshing about the process was the unpredictability of the results. Some of my best prints were the product of ‘happy accidents’. The developing process is straightforward. The chemicals are cheap, and most of the other items used can be found around the house. Pre-coated paper is available, but one of the benefits of working with cyanotypes is the great flexibility of material and paper available to you. Cyanotypes print on anything made of natural fibre. Cotton, linen, silk, handmade paper, watercolor paper and rags are just number of alternatives. Some artists even print on wood. So, if you want to explore a fun alternative photographic process or seriously want to experiment with producing unique fine art, make a cyanotype.

Using Japanese paper on digitally printing photos can yield tremendous results for photographers who are interested in experimenting with new methods. But beware: The common concept of how photographs should look will be challenged if you decide to use this technique. Carl-Evert Jonsson shares his experiences using the experimental technique in this book. After using Japanese papers (washi) for paintings and collages, he started to use the papers for his photos. This technique is not an alternative to classic film-based photography. Ink is injected from a cartridge in a printer connected to a computer then the image is reproduced on printable washi paper. Darkroom facilities are not needed. All you need is a computer, printer, washi, and photos. The liveliness of washi fibres gives a softer result, and washi is more absorbent than Western papers, with the ink appearing integrated rather than sitting on the printed surface. Find out how to use a method that will give new life to photos with the insights in this unique photography book.

Relief printing : woodcut, metal type, and wood engraving -- Intaglio and planographic printing : engraving, etching, mezzotint, and lithography -- Color printing : hand coloring and multiple-impression color -- Bits and pieces : modern art prints, oddities, and photographic precursors -- Early photography in silver : daguerreotypes, early silver paper processes and tintypes -- Non-silver processes : carbon, blueprint, platinum, and a couple of others -- Modern photography : developing-out gelatin silver printing -- Color notes : primary colors and neutrality -- Color photography : separation-based processes and chromogenic prints -- Photography in ink : relief and intaglio printing : the letterpress halftone and gravure printing -- Photography in ink : planographic printing : collotype and photo offset lithography -- Digital processes : binary issues, inkjet, dye sublimation, and digital C-prints -- Where do we go from here? : some questions about the future

Are you a night owl looking to make stunning images of streetscapes, fireworks, or the night sky? Do you like to bend time with long exposure photography? Do star trails or lightning strikes inspire you? Then this book is for you! In Night Photography: From Snapshots to Great Shots, photographer Gabriel Biderman brings you the basics of digital night photography—exposure, composition, and light—and how to scout and capture different nocturnal locations once the sun goes down. Gabriel will help you understand the fundamentals and bring your unique artistic expression to any night situation. In this beautifully illustrated guide you will: Focus in the dark and master basic composition rules—and know when to break them Understand metering and switch to manual mode for more control over your exposure Set white balance, understand color temperature, and add flash or slow sync Explore color, light painting, and creative ways to play with light in your images Learn what gear works best for your style of shooting and strategies for operating your equipment in the dark Discover expert techniques for post-processing your nighttime images in Lightroom and Photoshop Beautifully illustrated with large, compelling photos, this book teaches you how to take control of your photography to get the image you want every time. And once you have the shot, show it off and join the book’s Flickr group: www.flickr.com/groups/night_fromsnapshotstogreatshots