Plutarch’s Life of Phocion has not been closely analysed since 1840. Laurence Trittle’s study, first published in 1988, offers a new assessment of this significant and complex personality, whilst illuminating the political climate in which he thrived. Though often thought to be of humble origin, Phocion was educated in Plato’s Academy, rose to prominence in the innermost circles of Athenian political life, and was renowned as a soldier throughout the Greek world. Professor Trittle traces the origins and development of the historical tradition that so shaped an image of the "Good" Phocion, so that his actual achievements as a politician and general were all but lost. He can thus now be seen in the context of fourth-century Athens: as a major political leader, a worthy opponent of Philip of Macedon, and a champion of a politics of justice rather than of the traditional politics of enmity.

Plutarch’s Life of Phocion has not been closely analysed since 1840. Lawrence Tritle's study, first published in 1988, offers a new assessment of this significant and complex personality, whilst illuminating the political climate in which he thrived. Though often thought to be of humble origin, Phocion was educated in Plato’s Academy, rose to prominence in the innermost circles of Athenian political life, and was renowned as a soldier throughout the Greek world. Professor Tritle traces the origins and development of the historical tradition that so shaped an image of the "Good" Phocion, so that his actual achievements as a politician and general were all but lost. He can thus now be seen in the context of fourth-century Athens: as a major political leader, a worthy opponent of Philip of Macedon, and a champion of a politics of justice rather than of the traditional politics of enmity.

First published in 1988, this book is about the application of moral standards in the course of official work in the British civil service. It approaches the subject by examining the career of Sir Edward Bridges, Head of the Civil Service from 1945 to 1956. The book raises questions, of major importance at the present time, about methods of work and the standards expected of civil servants.

Have you ever wondered how the ideas behind the world’s greatest architectural designs came about? What process does an architect go through to design buildings which become world-renowned for their excellence? This book reveals the secrets behind these buildings. He asks you to ‘read’ the building and understand its starting point by analyzing its final form. Through the gradual revelations made by an understanding of the thinking behind the form, you learn a unique methodology which can be used every time you look at any building.

In this study Natasha Constantinidou considers the views articulated by the scholars Pierre Charron (1541-1603), Justus Lipsius (1547-1606), Paolo Sarpi (1552-1623) and King James VI and I (1566-1625), in response to the religious ruptures of their time. Though rarely juxtaposed, all four authors were deeply affected by the religious divisions. In their works, they denounced religious zeal, focusing on non-dogmatic piety. Drawing on classical tradition and church history, they set out to offer consolation to the people of a war-torn continent and to discuss means of reconciliation. Their responses sought to define the role of religion in public and private. They emphasised the need for lay control of religious affairs as the only way of ensuring peace, whilst circumscribing belief and its practice to the private realm.

In 1775 Prince Marcantonio Borghese IV and the architect Antonio Asprucci embarked upon a decorative renovation of the Villa Borghese. Initially their attention focused on the Casino, the principal building at the villa, which had always been a semi-public museum. By 1625 it housed much of the Borghese's outstanding collection of sculpture. Integrating this statuary with vast baroque ceiling paintings and richly ornamented surfaces, Asprucci created a dazzling and unified homage to the Borghese family, portraying its legendary ancestors as well as its newly born heir. In this book, Carole Paul reads the inventive decorative program as a set of exemplary scenes for the education of the ideal Borghese prince. Her wide-ranging essay also situates the Villa Borghese among the sumptuous palaces and suburban villas of Rome's collectors of antiquities and outlines the renovated Casino's pivotal role in the historic transition from the princely collection to the public museum. Rounding out this volume is a catalog of the Getty Research Institute's fifty-nine drawings for the refurbishing of the Villa Borghese and Alberta Campitelli's discussion of sketches for the short-lived Museo di Gabii, the Villa's other antiquities museum.