Insofar as three nineteenth century philosophers - in particular, Marx, Kierkegaard, and Nietzsche - figured so decisively in the shaping of twentieth century continental thought, they too become part of the wider story being told.

The first volume of this series presents fifteen selected papers dealing with a variety of topics in ontology, philosophy of mind, and philosophy of language.

The selections contained in these volumes from the papers and letters of Leibniz are intended to serve the student in two ways: first, by providing a more adequate and balanced conception of the full range and penetration of Leibniz's creative intellectual powers; second, by inviting a fresher approach to his intellectual growth and a clearer perception of the internal strains in his thinking, through a chronological arrangement. Much confusion has arisen in the past through a neglect of the develop ment of Leibniz's ideas, and Couturat's impressive plea, in his edition of the Opuscu/es et fragments (p. xii), for such an arrangement is valid even for incomplete editions. The beginning student will do well, however, to read the maturer writings of Parts II, III, and IV first, leaving Part I, from a period too largely neglected by Leibniz criticism, for a later study of the still obscure sources and motives of his thought. The Introduction aims primarily to provide cultural orientation and an exposition of the structure and the underlying assumptions of the philosophical system rather than a critical evaluation. I hope that together with the notes and the Index, it will provide those aids to the understanding which the originality of Leibniz's scientific, ethical, and metaphysical efforts deserve.

While well-known for his book-length work, philosopher Peter Unger's articles have been less widely accessible. These two volumes of Unger's Philosophical Papers include articles spanning more than 35 years of Unger's long and fruitful career. Dividing the articles thematically, this first volume collects work in epistemology and ethics, among other topics, while the second volume focuses on metaphysics. Unger's work has advanced the full spectrum of topics at the heart of philosophy, including epistemology, metaphysics, philosophy of language and philosophy of mind, and ethics. Unger advances radical positions, going against the so-called "commonsense philosophy" that has dominated the analytic tradition since its beginnings early in the twentieth century. In epistemology, his articles advance the view that nobody ever knows anything and, beyond that, argue that nobody has any reason to believe anything--and even beyond that, they argue that nobody has any reason to do anything, or even want anything. In metaphysics, his work argues that people do not really exist--and neither do puddles, plants, poodles, and planets. But, as Unger has often changed his favored positions, from one decade to the next, his work also advances the opposite, "commonsense" positions: that there are in fact plenty of people, puddles, plants and planets and, quite beyond that, we know it all to be true. On most major philosophical questions, both of these sides of Unger's significant work are well represented in this major two volume collection. Unger's vivid writing style, intellectual vitality, and fearlessness in the face of our largest philosophical questions, make these volumes of great interest not only to the philosophical community but to others who might otherwise find contemporary philosophy dry and technical.

This book situates Ralph Waldo Emerson in the tradition of philosophy as “spiritual exercise”, arguing that the defining feature of his literary philosophy is the conviction that there is an inherent link between moral persuasion and literary excellence. Hosseini persuasively argues that the Emersonian project can be viewed as an extension of Socrates’ call for a return to the beginning of philosophy, to search for a way of revolutionizing our ways of seeing from within. Examining Emerson’s provocative style of writing, Hosseini contends that his prose is shaped by a desire to bring about psychagogia, or influencing the soul through the power of words. This book furthermore examines the evolving nature of Emerson’s thoughts on “scholarly action” and its implications, his religious temperament as an aesthetic experience of the world through wonder, and the reasons for a resounding acknowledgment of despair in his essay “Experience.” In the concluding chapter, Hosseini explores the depth of Emerson’s engagement with the classical Persian poets and argues that what we may call his “literary humanism” is informed by Persian Adab, exemplified in the writings of Rumi, Hafiz, and Saadi. Weaving together themes from Persian philosophy and Emersonian transcendentalism, Hosseini establishes Emerson’s way of seeing as refreshingly relevant, showing that the questions he tackled in his writings are as pressing today as they were in his time.