In one of the most original books of late antiquity, Philoponus argues for the Christian view that matter can be created by God out of nothing. It needs no prior matter for its creation. At the same time, Philoponus transforms Aristotle's conception of prime matter as an incorporeal 'something - I know not what' that serves as the ultimate subject for receiving extension and qualities. On the contrary, says Philoponus, the ultimate subject is extension. It is three-dimensional extension with its exact dimensions and any qualities unspecified. Moreover, such extension is the defining characteristic of body. Hence, so far from being incorporeal, it is body, and as well as being prime matter, it is form - the form that constitutes body. This uses, but entirely disrupts, Aristotle's conceptual apparatus. Finally, in Aristotle's scheme of categories, this extension is not to be classified under the second category of quantity, but under the first category of substance as a substantial quantity. This volume contains an English translation of Philoponus' commentary, detailed notes and introduction, and a bibliography.

In chapters 12-18 of Against Proclus, Philoponus continues to do battle against Proclus' arguments for the beginninglessness and everlastingness of the ordered universe. In this final section there are three notable issues under discussion. The first concerns the composition of the heavens and its manner of movement. Philoponus argues against the Aristotelian thesis that there is a fifth heavenly body that has a natural circular motion. He concludes that even though the celestial region is composed of fire and the other three elements, it can move in a circle by the agency of its soul, and that this circular motion is not compromised in any way by the innate natural motion of the fire.Chapter 16 contains an extended discussion of the will of God and His relation to particulars. Here Philoponus addresses issues that become central to medieval philosophical and theological discussions, including the unity, timelessness and indivisibility of God's will. Finally, throughout these seven chapters Philoponus is engaged in a detailed exegesis of Plato's Timaeus which aims to settle a number of familiar interpretive problems, notably how we should understand the pre-cosmic state of disorderly motion, and the statement that the visible cosmos is an image of the paradigm. Philoponus' exegetical concerns culminate in chapter 18 with an extensive discussion of Plato's attitude to poetry and myth.

This is a post-Aristotelian Greek philosophical text, written at a crucial moment in the defeat of paganism by Christianity, AD 529, when the Emperor Justinian closed the pagan Neoplatonist school in Athens. Philoponus in Alexandria was a brilliant Christian philosopher, steeped in Neoplatanism, who turned the pagans' ideas against them. Here he attacks the most devout of the earlier Athenian pagan philosophers, Proclus, defending the distinctively Christian view that the universe had a beginning against Proclus' eighteen arguments to the contrary, which are discussed in eighteen chapters. Chapters 1-5 are translated in this volume.

St Theodore the Studite's Defence of the Icons provides an investigation of the icon-theology of St Theodore the Studite, mainly as it is presented in his three refutations of the iconoclasts, the Antirrhetici tres adversus iconomachos. Torstein Theodor Tollefsen explores Theodore ́s 'philosophy of images', namely his doctrine of images and his arguments that justify the legitimacy of images in general and of Christ in particular. Tollefsen offers a historical, theological, and philosophical exploration of Theodore's doctrine of images and his arguments justifying the legitimacy of images and of Christ. In addition to the main elements of Theodore ́s defence of the icon, like the Christological issue, the relation between image and prototype, the question of veneration, his explanation of why we may say of an image that 'this is Christ', and his innovative thinking on the representative character of the icon, the book has an introduction that places Theodore in the history of Byzantine philosophy: he has some knowledge of traditional logical topics and is able to utilize argumentative forms in countering his iconoclast opponents. The volume also provides an appendix which shows that the making of images is somehow natural given the character of Christianity as a religion.

This volume investigates Proclus' own thought and his wide-ranging influence within late Neoplatonic, Alexandrine and Byzantinian philosophy and theology. It further explores how Procline metaphysics and doctrines of causality influence and transition into Arabic and Islamic thought, up until Richard Hooker in England, Spinoza in Holland and Pico in Italy. John Dillon provides a helpful overview of Proclus' thought, Harold Tarrant discusses Proclus' influence within Alexandrian philosophy and Tzvi Langermann presents ground breaking work on the Jewish reception of Proclus, focusing on the work of Joseph Solomon Delmedigo (1591-1655), while Stephen Gersh presents a comprehensive synopsis of Proclus' reception throughout Christendom. The volume also presents works from notable scholars like Helen Lang, Sarah Wear and Crystal Addey and has a considerable strength in its presentation of Pseudo-Dionysius, Proclus' transmission and development in Arabic philosophy and the problem of the eternity of the world. It will be important for anyone interested in the development and transition of ideas from the late ancient world onwards.

In The Heirs of Theodore Seth M. Stadel examines Aḥob of Qatar, a late 6th-century East Syriac biblical commentator, and his surviving Old Testament exegetical works. He further investigates what can be deduced of Aḥob’s influence on the later East Syriac exegetical tradition, and he details the originality of Aḥob’s exegesis, especially in comparison with earlier and contemporary Greek and Syriac sources. By presenting the first annotated edition, English translation, and study of Aḥob’s extant Old Testament exegetical works, Stadel is able to show that Aḥob represents a distinct voice within the East Syriac exegetical tradition.

When young children first begin to ask 'why?' they embark on a journey with no final destination. The need to make sense of the world as a whole is an ultimate curiosity that lies at the root of all human religions. It has, in many cultures, shaped and motivated a more down to earth scientific interest in the physical world, which could therefore be described as penultimate curiosity. These two manifestations of curiosity have a history of connection that goes back deep into the human past. Tracing that history all the way from cave painting to quantum physics, this book (a collaboration between a painter and a physical scientist that uses illustrations throughout the narrative) sets out to explain the nature of the long entanglement between religion and science: the ultimate and the penultimate curiosity.