Philadelphia, the birthplace of America, is the final resting place of some of the nation's greatest citizens. The burial grounds of Christ Church hold the remains of Benjamin Franklin and six other signers of the Declaration of Independence. Philadelphia pioneered the development of the rural cemetery with the establishment of Laurel Hill, eternal home to Gettysburg hero George Gordon Meade and thirty-nine other Civil War-era generals. In Philadelphia's Jewish, Catholic, and African American burial grounds rest such notable figures as Rebecca Gratz, model for the Jewish heroine of Walter Scott's Ivanhoe; John Barry, Catholic father of the U.S. Navy; and Octavius Catto, an African American civil-rights leader of the nineteenth century. Finally, there are the vanished cemeteries, such as Monument, Lafayette, and Franklin. Transformed into playgrounds and parking lots, these cemeteries were obliterated with sometimes horrific callousness. Philadelphia Graveyards and Cemeteries tells the intriguing history of these burial grounds, whether revered or long forgotten.

At the heart of Fishtown is the final resting place of generations of Kensington and Fishtown residents. Founded prior to 1748, Palmer Cemetery is one of the oldest in Philadelphia. Interred here and in Hanover Street and West Street Burial Grounds are soldiers from every war fought by colonists and then Americans, from the French and Indian War until Desert Storm. The fishing and shipbuilding families who built the neighborhood, victims of the yellow fever epidemic of 1793 and the ancestors of the Shibe family, the owners of the Philadelphia Athletics, are also buried in these plots. Kenneth W. Milano walks the cemetery paths and reveals the secrets the stones keep with Palmer Cemetery and the Historic Burial Grounds of Kensington & Fishtown.

Growing urban populations prompted major changes in graveyard location, design, and use During the Industrial Revolution people flocked to American cities. Overcrowding in these areas led to packed urban graveyards that were not only unsightly, but were also a source of public health fears. The solution was a revolutionary new type of American burial ground located in the countryside just beyond the city. This rural cemetery movement, which featured beautifully landscaped grounds and sculptural monuments, is documented by James R. Cothran and Erica Danylchak in Grave Landscapes: The Nineteenth-Century Rural Cemetery Movement. The movement began in Boston, where a group of reformers that included members of the Massachusetts Horticultural Society were grappling with the city's mounting burial crisis. Inspired by the naturalistic garden style and melancholy-infused commemorative landscapes that had emerged in Europe, the group established a burial ground outside of Boston on an expansive tract of undulating, wooded land and added meandering roadways, picturesque ponds, ornamental trees and shrubs, and consoling memorials. They named it Mount Auburn and officially dedicated it as a rural cemetery. This groundbreaking endeavor set a powerful precedent that prompted the creation of similarly landscaped rural cemeteries outside of growing cities first in the Northeast, then in the Midwest and South, and later in the West. These burial landscapes became a cultural phenomenon attracting not only mourners seeking solace, but also urbanites seeking relief from the frenetic confines of the city. Rural cemeteries predated America's public parks, and their popularity as picturesque retreats helped propel America's public parks movement. This beautifully illustrated volume features more than 150 historic photographs, stereographs, postcards, engravings, maps, and contemporary images that illuminate the inspiration for rural cemeteries, their physical evolution, and the nature of the landscapes they inspired. Extended profiles of twenty-four rural cemeteries reveal the cursive design features of this distinctive landscape type prior to the American Civil War and its evolution afterward. Grave Landscapes details rural cemetery design characteristics to facilitate their identification and preservation and places rural cemeteries into the broader context of American landscape design to encourage appreciation of their broader influence on the design of public spaces.

A hauntingly beautiful travel guide to the world's most visited cemeteries, told through spectacular photography andtheir unique histories and residents. More than 3.5 million tourists flock to Paris's Pè Lachaise cemetery each year.They are lured there, and to many cemeteries around the world, by a combination of natural beauty, ornate tombstones and crypts, notable residents, vivid history, and even wildlife. Many also visit Mount Koya cemetery in Japan, where 10,000 lanterns illuminate the forest setting, or graveside in Oaxaca, Mexico to witness Day of the Dead fiestas. Savannah's Bonaventure Cemetery has gorgeous night tours of the Southern Gothic tombstones under moss-covered trees that is one of the most popular draws of the city. 199 Cemeteries to See Before You Die features these unforgettable cemeteries, along with 196 more, seen in more than 300 photographs. In this bucket list of travel musts, author Loren Rhoads, who hosts the popular Cemetery Travel blog, details the history and features that make each destination unique. Throughout will be profiles of famous people buried there, striking memorials by noted artists, and unusual elements, such as the hand carved wood grave markers in the Merry Cemetery in Romania.

Historian Thomas Keels tells many ribald stories in his book, "Wicked Philadelphia: Sin in the City of Brotherly Love," including various methods of body snatching and murder. --Marty Moss-Coane, WHYY-FM Prim and proper Philadelphia has been rocked by the clash between excessive vice and social virtue since its citizens burned the city's biggest brothel in 1800. With tales of grave robbers in South Philadelphia and harlots in Franklin Square, Wicked Philadelphia reveals the shocking underbelly of the City of Brotherly Love. In one notorious scam, a washerwoman masqueraded as the fictional Spanish countess Anita de Bettencourt for two decades, bilking millions from victims and even fooling the government of Spain. From the 1843 media frenzy that ensued after an aristocrat abducted a young girl to a churchyard transformed into a brothel (complete with a carousel), local author Thomas H. Keels unearths Philadelphia's most scintillating scandals and corrupt characters in this rollicking history.

In 1916, Philadelphia department-store magnate John Wanamaker launched plans for a Sesqui-Centennial International Exposition in 1926. It would be a magnificent world's fair to celebrate the 150th anniversary of the Declaration of Independence. The “Sesqui” would also transform sooty, industrial Philadelphia into a beautiful Beaux Arts city. However, when the Sesqui opened on May 31, 1926, in the remote, muddy swamps of South Philadelphia, the fair was unfinished, with a few shabbily built and mostly empty structures. Crowds stayed away in droves: fewer than five million paying customers attended, costing the city millions of dollars. Philadelphia became a national scandal—a city so corrupt that one political boss could kidnap an entire world’s fair. In his fascinating history Sesqui!, noted historian Thomas Keels situates this ill-fated celebration—a personal boondoggle by the all-powerful Congressman William S. Vare—against the transformations taking place in America during the 1920s. Keels provides a comprehensive account of the Sesqui as a meeting ground for cultural changes sweeping the country: women’s and African-American rights, anti-Semitism, eugenics, Prohibition, and technological advances.