This book studies the phenomenological ontology of breathing. It investigates breathing and air as a question of phenomenological philosophy and looks at phenomenological questions concerning respiratory methodology, ontological experience of respiration, respiratory spirituality and respiratory embodiment. Drawing on the ideas of Maurice Merleau-Ponty, Gaston Bachelard, Martin Heidegger, Edmund Husserl, Luce Irigaray and David Kleinberg-Levin, the book argues for the ontological primacy of breathing and develops a new principle of philosophy that the author calls “Silence of Breath, Abyss/Yawn of Air”. It asserts that breathing is not a thing- or person-oriented relation but perpetual communication with the immense elemental atmosphere of open and free air. This new phenomenological method of breathing offers readers a chance to begin to wonder, rethink, re-experience and reimagine all questions of life in an innovative and creative way as aerial and respiratory questions of life. Part of the Routledge Critical Perspectives on Breath and Breathing series, the book breaks new ground in phenomenology and phenomenological ontology by offering a decisive and insightful treatment of breath. It will be indispensable for students and researchers of philosophy, phenomenology and ontology. It will also be of special interest to Merleau-Ponty scholars as it investigates uncharted dimensions of Merleau-Ponty’s philosophy.

As a physiological or biological matter, breath is mostly considered to be mechanical and thoughtless. By expanding on the insights of many religions and therapeutic practices, which emphasize the cultivation of breath, the contributors argue that breath should be understood as fundamentally and comprehensively intertwined with human life and experience. Various dimensions of the respiratory world are referred to as "atmospheres" that encircle and connect human existence, coexistence, and the world. Drawing from a number of traditions of breathing, including from Indian and East Asian religion and philosophy, the book considers breath in relation to ontological, hermeneutical, phenomenological, ethical, and aesthetic concerns in philosophy. The wide-ranging topics include poetry, theater, environmental issues and health, feminism, and media studies.

The Routledge Handbook of Phenomenology of Mindfulness brings together two schools of thought and practice that – despite rarely being examined jointly – provide an incredibly fruitful way for exploring thinking, the mind, and the nature and practice of mindfulness. Applying the concepts and methods of phenomenology, an international team of contributors explore mindfulness from a variety of different viewpoints and traditions. The handbook’s 35 chapters are divided into seven clear parts: Mindfulness in the Western Traditions Mindfulness in the Eastern Traditions Mindfulness, Ethics, and Well-Being Mindfulness, Time, and Attention Mindfulness and Embodiment Applications: Mindfulness in Life Conclusion: Mindfulness and Phenomenology? Within these sections, a rich array of topics and themes are explored, ranging from Stoicism and the origins of mindfulness in Buddhism and eastern thought to meditation, self-awareness, the body and embodiment, and critiques of mindfulness. Additionally, the book delves into the ways the ideas of leading phenomenological thinkers, including Heidegger, Merleau-Ponty, and Levinas, can contribute to understanding the relationship between phenomenology and mindfulness. A valuable resource for those researching phenomenology and applications of phenomenology, this handbook will also be of great interest to students and practitioners of mindfulness in areas such as counseling and psychotherapy.

Attempts to think anew about philosophical questions from the perspective of breath and breathing. As a physiological or biological matter, breath is mostly considered to be mechanical and thoughtless. By expanding on the insights of many religions and therapeutic practices, which emphasize the cultivation of breath, the contributors argue that breath should be understood as fundamentally and comprehensively intertwined with human life and experience. Various dimensions of the respiratory world are referred to as “atmospheres” that encircle and connect human existence, coexistence, and the world. Drawing from a number of traditions of breathing, including from Indian and East Asian religion and philosophy, the book considers breath in relation to ontological, hermeneutical, phenomenological, ethical, and aesthetic concerns in philosophy. The wide-ranging topics include poetry, theater, environmental issues and health, feminism, and media studies. “Atmospheres of Breathing, the first collection of its kind, explores an emerging ‘respiratory philosophy’ of great consequence for philosophy and other fields. Its rich and diverse essays, many written by the pioneers of this radically new direction, show the deep historical and intercultural roots of such a philosophy, ranging from treatments of forerunners like Zhuangzi and Heraclitus to contemporary theorists of breathing such as Abram and Kleinberg-Levin. Presented here is the vision of innovative ways in which philosophy, on its own or inspired by spiritual practices, can bring breathing into the center of its concern. This is a landmark book that scintillates with brilliant and original insights. If taken as seriously as it deserves, this book has the potential to revolutionize contemporary and future thought.” — Edward S. Casey, author of The World at a Glance and The World on Edge “Air, the misunderstood element, finds ways and means of advancing to places where no one reckons with its presence; and, more significantly, it makes space on its own strength for strange places where there were previously none.” — Peter Sloterdijk

God in Post-Christianity combines Eastern and Western influences into a dazzling survey of the contemporary theological landscape. Reading "the age of the Spirit" as "the age of the Breath," the book argues for a material, elemental, and sensory theology of God following the death of the ontotheological God of metaphysics. Drawing inspiration equally from Irigaray and Feuerbach, it offers a vision of God that is both feminist and humanist, a divine becoming for humanity, a sacred alliance with Nature. By presenting and analyzing the modern philosophies of Hegel, Schelling, and Merleau-Ponty, as well as such contemporary figures as John Caputo and Catherine Keller, and by drawing on unexpected, forgotten, or neglected sources such as Vedic poetry and American Mormonism and figures such as Averroes and Amalric of Bène, the book makes an original argument about God that resonates with currents in new materialism, comparative theology, and affect theory. Both speculative and mythopoetic, it is intended to forge a way forward for humanity to achieve the intersubjective and interreligious peace we all crave and deserve.

In Antigone's Sisters, Lenart Škof explores the power of love in our world—stronger than violence and, ultimately, stronger even than death. Focusing on Antigone, Savitri, and Mary, the book offers an investigation into various goddesses and feminine figures from a variety of philosophical, mythological, theological, and literary contexts. The book also elaborates on the feminine aspects of selected concepts from modern philosophical texts, such as the Matrix in Jakob Böhme, Clara in F. W. J. Schelling, beyng in Martin Heidegger, chóra in Jacques Derrida, and breath in Luce Irigaray's thought. Drawing on Bracha M. Ettinger's concept of matrixiality, Škof proposes a new matrixial theory of philosophy, cosmology, and theology of love. Despite its many usages and appropriations, love remains a neglected topic within Western philosophy. With its new interpretation of Antigone and related readings of Irigaray, Kristeva, and Ettinger, Antigone's Sisters aims to identify some of the reasons for this forgetting of love, and to show that it is only love that can bring peace to our ethically disrupted world.

Buddhist philosophy of Anicca (impermanence), Dukkha (suffering), and