In Peyote and the Yankton Sioux, Thomas Constantine Maroukis focuses on Yankton Sioux spiritual leader Sam Necklace, tracing his family’s history for seven generations. Through this history, Maroukis shows how Necklace and his family shaped and were shaped by the Native American Church. Sam Necklace was chief priest of the Yankton Sioux Native American Church from 1929 to 1949, and the four succeeding generations of his family have been members of the Church. As chief priest, Necklace helped establish the Peyote religion firmly among the Yankton, thus maintaining cultural and spiritual autonomy even when the U.S. government denied them, and American Indians generally, political and economic self-determination. Because the message of peyotism resonated with Yankton pre-reservation beliefs and, at the same time, had parallels with Christianity, Sam Necklace and many other Yankton supported its acceptance. The Yanktons were among the first northern-plains groups to adopt the Peyote religion, which they saw as an essential corpus of spiritual truths.

In Peyote and the Yankton Sioux, Thomas Constantine Maroukis focuses on Yankton Sioux spiritual leader Sam Necklace, tracing his family’s history for seven generations. Through this history, Maroukis shows how Necklace and his family shaped and were shaped by the Native American Church. Sam Necklace was chief priest of the Yankton Sioux Native American Church from 1929 to 1949, and the four succeeding generations of his family have been members of the Church. As chief priest, Necklace helped establish the Peyote religion firmly among the Yankton, thus maintaining cultural and spiritual autonomy even when the U.S. government denied them, and American Indians generally, political and economic self-determination. Because the message of peyotism resonated with Yankton pre-reservation beliefs and, at the same time, had parallels with Christianity, Sam Necklace and many other Yankton supported its acceptance. The Yanktons were among the first northern-plains groups to adopt the Peyote religion, which they saw as an essential corpus of spiritual truths.

The Dakota Sioux Experience at Flandreau and Pipestone Indian Schools illuminates the relationship between the Dakota Sioux community and the schools and surrounding region, as well as the community’s long-term effort to maintain its role as caretaker of the “sacred citadel” of its people. Cynthia Leanne Landrum explores how Dakota Sioux students at Flandreau Indian School in South Dakota and at Pipestone Indian School in Minnesota generally accepted the idea that they should attend these particular boarding institutions because they saw them as a means to an end and ultimately as community schools. This construct operated within the same philosophical framework in which some Eastern Woodland nations approached a non-Indian education that was simultaneously tied to long-term international alliances between Europeans and First Peoples beginning in the seventeenth and eighteenth centuries. Landrum provides a new perspective from which to consider the Dakota people’s overt acceptance of this non-Native education system and a window into their ongoing evolutionary relationships, with all of the historic overtures and tensions that began the moment alliances were first brokered between the Algonquian Confederations and the European powers.

Want the word on Buffy Sainte-Marie? Looking for the best powwow recordings? Wondering what else Jim Pepper cut besides “Witchi Tai To”? This book will answer those questions and more as it opens up the world of Native American music. In addition to the widely heard sounds of Carlos Nakai’s flute, Native music embraces a wide range of forms: country and folk, jazz and swing, reggae and rap. Brian Wright-McLeod, producer/host of Canada’s longest-running Native radio program, has gathered the musicians and their music into this comprehensive reference, an authoritative source for biographies and discographies of hundreds of Native artists. The Encyclopedia of Native Music recognizes the multifaceted contributions made by Native recording artists by tracing the history of their commercially released music. It provides an overview of the surprising abundance of recorded Native music while underlining its historical value. With almost 1,800 entries spanning more than 100 years, this book leads readers from early performers of traditional songs like William Horncloud to artists of the new millennium such as Zotigh. Along the way, it includes entries for jazz and blues artists never widely acknowledged for their Native roots—Oscar Pettiford, Mildred Bailey, and Keely Smith—and traces the recording histories of contemporary performers like Rita Coolidge and Jimmy Carl Black, “the Indian of the group” in the original Mothers of Invention. It also includes film soundtracks and compilation albums that have been instrumental in bringing many artists to popular attention. In addition to music, it lists spoken-word recordings, including audio books, comedy, interviews, poetry, and more. With this unprecedented breadth of coverage and extensively cross-referenced, The Encyclopedia of Native Music is an essential guide for enthusiasts and collectors. More than that, it is a gateway to the authentic music of North America—music of the people who have known this land from time immemorial and continue to celebrate it in sound.

The Lakota and Dakota are among the most famous indigenous peoples of North America. Known as "Sioux", they were feared for their fierce resistance to the advance of white Americans. Today, they are no longer fighting the U.S. Cavalry, but poverty, alcoholism, racism, and pipelines. "Broken Hoop" describes their history from the first contact with Europeans until today - their wanderings, their development from horticulture farmers to nomads on horseback, their fight for their land and their way of life, and their dealing with the modern world.

Compiled from a thirty year study, this volume provides a look at the history and culture of the Plains Indians

Despite challenges by the federal government to restrict the use of peyote, the Native American Church, which uses the hallucinogenic cactus as a religious sacrament, has become the largest indigenous denomination among American Indians today. The Peyote Road examines the history of the NAC, including its legal struggles to defend the controversial use of peyote. Thomas C. Maroukis has conducted extensive interviews with NAC members and leaders to craft an authoritative account of the church’s history, diverse religious practices, and significant people. His book integrates a narrative history of the Peyote faith with analysis of its religious beliefs and practices—as well as its art and music—and an emphasis on the views of NAC members. Deftly blending oral histories and legal research, Maroukis traces the religion’s history from its Mesoamerican roots to the legal incorporation of the NAC; its expansion to the northern plains, Great Basin, and Southwest; and challenges to Peyotism by state and federal governments, including the Supreme Court decision in Oregon v. Smith. He also introduces readers to the inner workings of the NAC with descriptions of its organizational structure and the Cross Fire and Half Moon services. The Peyote Road updates Omer Stewart’s classic 1987 study of the Peyote religion by taking into consideration recent events and scholarship. In particular, Maroukis discusses not only the church’s current legal issues but also the diminishing Peyote supply and controversies surrounding the definition of membership. Today approximately 300,000 American Indians are members of the Native American Church. The Peyote Road marks a significant case study of First Amendment rights and deepens our understanding of the struggles of NAC members to practice their faith.